 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Best-known for their ubiquitous hit "The Distance," Cake epitomized the postmodern, irony-drenched aesthetic of '90s geek rock. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | Of all the major alternative rock bands of the early '90s, Smashing Pumpkins were the group least influenced by traditional underground rock. |
 | | When Foo Fighters released a debut album written and recorded entirely by leader Dave Grohl -- at that point known only as the powerhouse drummer for Nirvana -- in the summer of 1995, few would have guessed that the group would wind up as the one band to survive the '90s alt-rock explosion unscathed. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | Formed in 1988 as a garage punk band, Sublime rose to fame in the mid-'90s on the back of the California punk explosion engendered by Green Day and the Offspring, though Sublime boosted their punk influences with heavy elements of reggae and ska. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. |
 | | Conceived as the first "virtual hip-hop group," Gorillaz blended the musical talents of Dan "The Automator" Nakamura, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and Tom Tom Club's Tina Weymouth and Chris Frantz with the arresting visuals of Jamie Hewlett, best known as the creator of the cult comic Tank Girl. |
 | | As the first white rap group of any importance, the Beastie Boys received the scorn of critics and strident hip-hop musicians, both of whom accused them of cultural pirating, especially since they began as a hardcore punk group in 1981. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Stone Temple Pilots were able to turn alternative rock into stadium rock; naturally, they became the most critically despised band of their era. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. |
 | | Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. |
 | | The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. |
 | | Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. |
 | | Soundgarden made a place for heavy metal in alternative rock. Their fellow Seattle rockers Green River may have spearheaded the grunge sound, but they relied on noise rock in the vein of the Stooges. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | Incubus became one of the most popular alt-metal bands of the new millennium, setting themselves apart from a crowded field with a tireless touring ethic and a broad musical palette. |
 | | Though Everclear's Northwestern grunge-punk style was hardly revolutionary when the band rose to popularity in 1995, the trio's hook-ridden songs and Art Alexakis' "us against them" lyrics were taken to heart by bored Gen-X teens. |
 | | Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. |
 | | 311's fusion of reggae and rap-metal was created in Omaha, Nebraska, where singer/guitarist Nick Hexum, DJ/singer S. |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | Whereas most up-and-coming alternative bands of the early '90s borrowed from the leaders of the pack (Nirvana, Soundgarden, Nine Inch Nails, etc. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Rage Against the Machine earned acclaim from disenfranchised fans (and not insignificant derision from critics) for their bombastic, fiercely polemical music, which brewed sloganeering leftist rants against corporate America, cultural imperialism, and government oppression into a Molotov cocktail of punk, hip-hop, and thrash. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Live rose to success on the strength of its anthemic music and idealistic, overtly spiritual songwriting, two hallmarks that earned the group frequent comparisons to U2. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | The Presidents of the United States of America were one of the most unlikely success stories of the post-grunge alternative rock scene in Seattle. |
 | | With the return of the punks in the mid-'90s came a resurgence of their slightly more commercial rivals, new wave bands. |
 | | Nine Inch Nails were the most popular industrial group ever and were largely responsible for bringing the music to a mass audience. |
 | | Garbage built on the sonic landscapes of My Bloody Valentine, Curve, and Sonic Youth, adding a distinct sense of accessible pop songcraft. |
 | | Formed from the ashes of stoner rock icons Kyuss, Queens of the Stone Age reunited the group's singer/guitarist Josh Homme, drummer Alfredo Hernandez, and bassist Nick Oliveri along with new guitarist/keyboardist Dave Catching. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | Long acclaimed as one of the most innovative and spellbinding bands on the contemporary British pop scene, the Verve finally broke through to a mass international audience in 1997 with the instant classic "Bittersweet Symphony. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |