 | | Elvis Presley may be the single most important figure in American 20th century popular music. Not necessarily the best, and certainly not the most consistent. |
 | | Although he shared the same rockabilly roots as Carl Perkins, Johnny Cash, and Elvis Presley, Roy Orbison went on to pioneer an entirely different brand of country/pop-based rock & roll in the early '60s. |
 | | The Everly Brothers were not only among the most important and best early rock & roll stars, but also among the most influential rockers of any era. |
 | | The Ronettes weren't the most commercially successful girl group, but their music was some of the most groundbreaking in the field, thanks to their association with the legendary Wall of Sound producer Phil Spector. |
 | | Rick Nelson was one of the very biggest of the '50s teen idols, so it took awhile for him to attain the same level of critical respectability as other early rock greats. |
 | | Buddy Holly is perhaps the most anomalous legend of '50s rock & roll -- he had his share of hits, and he achieved major rock & roll stardom, but his importance transcends any sales figures or even the particulars of any one song (or group of songs) that he wrote or recorded. |
 | | There's been considerable discussion about whether Bobby Darin should be classified as a rock & roll singer, a Vegas hipster cat, an interpreter of popular standards, or even a folk-rocker. |
 | | The history of rhythm and blues is filled with vocal groups whose names -- the Orioles, the Cadillacs, the Crows, the Flamingos, the Moonglows, the Coasters, the Penguins -- are held in reverence by fanatics and devotees. |
 | | Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. |
 | | Of all the early breakthrough rock & roll artists, none is more important to the development of the music than Chuck Berry. |
 | | One of the biggest teen idols of the late '50s, Paul Anka moved to the adult sphere several years later and became a successful performer, songwriter, music businessman, and recording artist, remaining so well into the new millennium. |
 | | The Platters started out as a Los Angeles-based doo wop group with little identity of their own to make them stand out from the pack. |
 | | Every era needs its crooner, and in the early '60s, it was Bobby Vinton. Vinton's sentimental balladeering and orchestral, middle-of-the-road arrangements were a throwback to a decade earlier, before rock & roll had found its mass market. |
 | | The first Hispanic rock star, Ritchie Valens will forever be known as one of the two musicians (along with the Big Bopper) who perished with Buddy Holly in 1959, when their private plane crashed in the midst of a Midwest tour. |
 | | Bridging the era between late-'50s rock and the British Invasion, Dion DiMucci (born July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and R&B styles. |
 | | Discussing Frankie Avalon's career as a mover and shaker in 1950s rock & roll with anyone who takes their rock & roll even halfway seriously is to court derision. |
 | | The Four Seasons (or the 4 Seasons, as they were numerically billed in their heyday) were among the most successful pop singles artists of the rock era. |
 | | Is there an early rock & roller who has a crazier reputation than the Killer, Jerry Lee Lewis? His exploits as a piano-thumping, egocentric wild man with an unquenchable thirst for living have become the fodder for numerous biographies, film documentaries, and a full-length Hollywood movie. |
 | | One of the greatest singers in the history of country music, Patsy Cline also helped blaze a trail for female singers to assert themselves as an integral part of the Nashville-dominated country music industry. |
 | | One of the best and most original rockers of the early '60s, Del Shannon was also one of the least typical. |
 | | Connie Francis is the prototype for the female pop singer of today. At the height of her chart popularity in the late '50s and early '60s, Francis was unique as a female recording artist, amassing record sales equal to or surpassing those of many of her male contemporaries. |
 | | Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. |
 | | They weren't brothers, but Bill Medley and Bobby Hatfield (both born in 1940) were most definitely righteous, defining (and perhaps even inspiring) the term "blue-eyed soul" in the mid-'60s. |
 | | For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. |
 | | Ray Charles was the musician most responsible for developing soul music. Singers like Sam Cooke and Jackie Wilson also did a great deal to pioneer the form, but Charles did even more to devise a new form of black pop by merging '50s R&B with gospel-powered vocals, adding plenty of flavor from contemporary jazz, blues, and (in the '60s) country. |
 | | One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. |
 | | The most successful American performers of the 1960s, the Supremes for a time rivaled even the Beatles in terms of red-hot commercial appeal, reeling off five number one singles in a row at one point. |
 | | Easily the most solid and long-lasting vocalist of his era, Andy Williams' laid-back delivery and expansive voice charmed audiences for decades, from his first appearance with a brother quartet into his eighth decade of performance as the head of his own dinner theater in Branson, Missouri. |
 | | The most popular exponent of the classic New Orleans R&B sound, Fats Domino sold more records than any other black rock & roll star of the 1950s. |
 | | The most commercially successful solo singer to be identified with the girl group sound, Lesley Gore hit the number one spot with her very first release, "It's My Party," in 1963. |
 | | One of the most interesting and difficult-to-categorize singers in '60s pop, Gene Pitney had a long run of hits distinguished by his pained, one-of-a-kind melodramatic wail. |
 | | The Shirelles were the first major female vocal group of the rock era, defining the so-called girl group sound with their soft, sweet harmonies and yearning innocence. |
 | | Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. |
 | | Bill Haley is the neglected hero of early rock & roll. Elvis Presley and Buddy Holly are ensconced in the heavens, transformed into veritable constellations in the rock music firmament, their music respected by writers and scholars as well as the record-buying public, virtually every note of music they ever recorded theoretically eligible for release. |
 | | Chubby Checker was the unrivaled king of the rock & roll dance craze; although most of the dances his records promoted -- the Pony, "the Fly," and the Hucklebuck, to cite just three -- have long since faded into obscurity, his most famous hit, "The Twist," remains the yardstick against which all subsequent dancefloor phenomena are measured. |
 | | One of the most popular vocalists between the end of World War II and the rise of rock & roll in the mid-'50s, Perry Como perfected the post-big-band approach to pop music by lending his own irresistible, laid-back singing -- influenced by Bing Crosby and Russ Columbo -- to the popular hits of the day on radio, TV, and LP. |
 | | With their light, airy melodies and meticulously crafted, clean arrangements, the Carpenters stood in direct contrast with the excessive, gaudy pop/rock of the '70s; yet they became one of the most popular artists of the decade, scoring 12 Top Ten hits, including three number one singles. |
 | | Bing Crosby was, without doubt, the most popular and influential media star of the first half of the 20th century. |
 | | The Coasters were one of the few artists in rock history to successfully straddle the line between music and comedy. |
 | | He launched his career as a fill-in for the recently deceased Buddy Holly, Bobby Vee scored several pop hits during the early '60s, that notorious period of popular music sandwiched between the birth of rock & roll and the rise of the British Invasion. |
 | | Singer, songwriter, and pianist Neil Sedaka enjoyed two distinct periods of commercial success in two slightly different styles of pop music: first, as a teen pop star in the late '50s and early '60s, then as a singer of more mature pop/rock in the '70s. |
 | | One of the most sought-after nightclub and concert acts in the country, Bobby Rydell's interest in show business began at the ripe age of four. |
 | | With his grandfatherly image, Burl Ives parlayed his talent as a folksinger into a wide-ranging career as a radio personality and stage and screen actor. |
 | | Legendary as one of the three rock greats to die in the tragic 1959 Clear Lake, IA, plane crash that also claimed the lives of Buddy Holly and Ritchie Valens, the Big Bopper (born Jiles Perry Richardson) had just established himself as a rock hitmaker with the rollicking "Chantilly Lace. |
 | | Pop singer Frankie Valli was permanently associated with the group for which he served as lead singer, the Four Seasons. |
 | | Johnny Rivers is a unique figure in the history of rock music. On the most obvious level, he was a rock star of the 1960s and a true rarity as a white American singer/guitarist who made a name for himself as a straight-ahead rock & roller during the middle of that decade. |
 | | Johnny Cash was one of the most imposing and influential figures in post-World War II country music. |
 | | It's almost too easy to underestimate the importance of Jan & Dean in the history of rock & roll and its evolution into rock. |
 | | No artist in the history of country music has had a more stylistically diverse career than Marty Robbins. |
 | | Herman's Hermits were one of those odd 1960's groups that accumulated millions of fans, but precious little respect. |