 | | Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. |
 | | Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. |
 | | Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. |
 | | An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | In the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. |
 | | The Gap Band, centered around brothers Charlie, Ronnie, and Robert Wilson, toiled in obscurity for several years prior to becoming one of the most popular funk groups of the late '70s and 1980s. |
 | | Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. |
 | | No white artist sang R&B more convincingly than Teena Marie, whose big, robust vocals were so black-sounding that when she was starting out, some listeners wondered if she was a light-skinned African-American. |
 | | Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U. |
 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | The Whispers are a veteran R&B quintet with an impressive 23-year legacy of R&B hits. Formed in Los Angeles by twins Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon (who left in 1973), the Whispers turned up on the Dore label in 1964 with "I Was Born When You Kissed Me. |
 | | With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. |
 | | Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. |
 | | Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. |
 | | One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. |
 | | Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. |
 | | With their slinky, horn-powered grooves, impeccable musicianship, and eye-popping album covers, the Ohio Players were among the top funk bands of the mid-'70s. |
 | | Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. |
 | | Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. |
 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | Rose Royce -- the Los Angeles-based group comprised of Henry Garner (drums); Terral "Terry" Santiel (congas); Lequeint "Duke" Jobe (bass); Michael Moore (saxophone); Gwen Dickey, performing with the group using the stage name Rose Norwalt (lead vocals); Kenny Copeland (trumpet, lead vocals); Kenji Brown (guitar, lead vocals); Freddie Dunn (trumpet); and Michael Nash (keyboards) -- were actually formed by Copeland and Garner. |
 | | The S.O.S. Band hit with a two-million-selling single, "Take Your Time (Do It Right)," their first time out, before having several hit singles written and produced by Jimmy Jam and Terry Lewis. |
 | | The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | Berry Gordy founded Motown Records, but one could argue that Smokey Robinson was the man who first pushed America's most iconic soul music label toward greatness. |
 | | To urban contemporary listeners, Freddie Jackson was one of the biggest stars of the latter half of the '80s, dominating the R&B charts seemingly at will. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, emulating the earthier side of Prince and Cameo, with a leader in Roger Troutman who was more than efficient at polished production. |
 | | Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. |
 | | One of the most popular smooth soul groups of the early '70s didn't hail from Philadelphia or Memphis, the two cities known for sweet, string-laden soul. |
 | | Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J. |
 | | The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. |
 | | Whitney Houston was inarguably one of the biggest female pop stars of all time. Her accomplishments as a hitmaker were extraordinary; just to scratch the surface, she became the first artist ever to have seven consecutive singles hit number one, and her 1993 Dolly Parton cover "I Will Always Love You" became nothing less than the biggest hit single in rock history. |
 | | A trio of sisters with a strong gospel base, the Emotions (based in Chicago) were one of the leading female R&B acts of the '70s. |
 | | A veteran who paid his dues for over a decade before getting his shot at solo stardom, Bobby Womack persevered through tragedy and addiction to emerge as one of soul music's great survivors. |
 | | Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. |
 | | Groomed to be the heirs to the Jackson 5 throne in the early '80s, DeBarge mirrored the Jacksons early success with a string of hits, but were unable to sustain their winning streak. |
 | | Nick Ashford (born May 4, 1942, Fairfield, South Carolina) and Valerie Simpson (born Aug 26, 1946, New York City, New York) have two careers, as songwriters and as performers, with the former seemingly more important than the latter until the mid-'80s. |
 | | The son of O'Jays founder Eddie Levert, R&B vocalist Gerald Levert launched his own recording career in the mid-'80s as the leader of the group LeVert. |
 | | As a solo artist, Diana Ross is one of the most successful female singers of the rock era. If you factor in her work as the lead singer of the Supremes in the 1960s, she may be the most successful. |
 | | Con Funk Shun was formed by high-school classmates Michael Cooper and Louis "Tony" McCall, along with Karl Fuller, Paul "Maceo" Harrell, Dennis Johnson, Cedric Martin, and Danny "Sweet Man" Thomas. |
 | | Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. |