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Charles Lloyd

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Saxophonist Charles Lloyd is a forward-thinking musician's musician whose supreme improvisational talents and interest in cross-pollinating jazz with rock as well as non-Western styles of music during the '60s and '70s established him as one of the key figures in the development of fusion and world music. Born in Memphis, Tennessee on March 15, 1938, Lloyd grew up surrounded by the vibrant blues and jazz scenes of his native city. Given a saxophone at age nine, Lloyd eventually studied with Memphis legend pianist Phineas Newborn as well as saxophonist Irvin Reason. By his teens, Lloyd was not only best friends with schoolmate trumpeter Booker Little, but was also gigging locally with such artists as saxophonist George Coleman and future blues icons including Bobby "Blue" Bland, Howlin' Wolf, B.B. King, and others. In 1956, Lloyd left Memphis and enrolled at the University of Southern California to study classical music, ultimately earning his master's degree in music. During this time, he performed around Los Angeles with a veritable who's who of avant-garde jazz including, among others, saxophonist Ornette Coleman, saxophonist Eric Dolphy, and vibraphonist Bobby Hutcherson. Also during this time, Lloyd became a working member of Gerald Wilson's big band. In 1960, Lloyd joined drummer Chico Hamilton's ensemble as musical director; replacing Dolphy, who had left to play with bassist Charles Mingus. During his time with Hamilton, Lloyd was responsible for writing and arranging much of the music in the band and recorded several albums with Hamilton, including 1962's Transfusion, 1963's A Different Kind of Journey, 1963's A Man from Two Worlds, and 1963's Passin' Through. By the mid-'60s, Lloyd had developed into a highly adept writer/arranger as well as a virtuoso improviser, and regular sojourns to New York City brought him into contact with such luminaries as saxophonist John Coltrane, trumpeter Miles Davis, saxophonist Coleman Hawkins, Mingus, and saxophonist Cannonball Adderley, whose group he joined in 1964. Also during this time, Lloyd began recording as a leader and released several albums, including 1965's Discovery! The Charles Lloyd Quartet and 1965's Of Course, Of Course. Lloyd continued recording as a leader after he left Adderley in 1965 and formed his own quartet, which featured future Miles Davis alum pianist Keith Jarrett, drummer Jack DeJohnette, and bassist Cecil McBee. An extremely creative, intuitive, and adventurous ensemble, Lloyd's quartet released several exceptional albums during this time, including 1966's Dream Weaver, the 1966 live album Charles Lloyd in Europe, and 1966's Love-In. However, this ensemble's appearance at the Monterey Pop Festival in 1966, and the subsequent album Forest Flower: Charles Lloyd at Monterey, are what truly caught the public's attention. An expansive, sophisticated, and genre-bending performance, Forest Flower found Lloyd and his group in peak creative form mixing his long burgeoning interest in Eastern music with modal and avant-garde jazz. The performance was a highlight at the festival and the album was one of the first jazz recordings to sell a million copies, gain heavy radio play, and garner a wide crossover audience during a time when rock was quickly superseding jazz in the popular mind set. The success at Monterey buoyed Lloyd's career, and he spent much of the late '60s sharing billing at such famed rock venues as San Francisco’s Fillmore Auditorium alongside artists like guitarist Jimi Hendrix, Cream, and the Grateful Dead. Such was Lloyd's popularity that in 1967 he was voted Jazz Artist of the Year by Down Beat and toured Europe, even playing in the U.S.S.R. during a time when the government was discouraging jazz performances. Lloyd's genre-bending jazz dovetailed perfectly with the free-thinking experimentation of the late '60s, and although his music was based in acoustic jazz, many artists took notice and went the extra step toward electrifying jazz, most notably Miles Davis, whose 1969 classic Bitches Brew drew upon many of the same rock and world music influences that Lloyd had experimented with. In the early '70s, with his career at its peak, Lloyd withdrew from the public eye and moved to Big Sur to focus on his interest in transcendental meditation and embark on what he has described as an inner journey. He remained out of sight until 1981, when he met the talented 18-year-old French pianist Michel Petrucciani. Inspired by Petrucciani's immense skill, Lloyd toured with the young pianist throughout the early '80s and released several albums, including the live Montreux (1982) and 1983's A Night in Copenhagen. In the late '80s, Lloyd formed a quartet with Swedish pianist Bobo Stenson and released several albums on ECM, including 1989's Fish Out of Water, 1991's Notes from Big Sur, and 1996's Canto. His association with ECM continued throughout the next decade, a time of renewed public interest in Lloyd, and he built a steady body of work for the label, including 1999's Voice in the Night with guitarist John Abercrombie, 2000's The Water Is Wide with pianist Brad Mehldau, 2001's Hyperion with Higgins, and 2004's Which Way Is East. In 2006, Lloyd released the live album Sangam, featuring Indian tabla master Zakir Hussain. Two years later he returned with another live album, Rabo de Nube, this time with pianist Jason Moran. In 2010, Lloyd released Mirror, his 13th album for ECM, once again featuring Moran along with bassist Reuben Rogers and drummer Eric Harland. The live album Athens Concert, featuring vocalist Maria Farantouri, followed in 2011. Lloyd continued touring for most of 2012. His next studio effort was a duet offering with pianist Jason Moran entitled Hagar's Song, which was issued in February of 2013. The same year, the saxophonist was commissioned to write and perform a work for Poland's Jazztopad Festival in Wrocław. The festival also screened Arrows Into Infinity, a documentary that looked at Lloyd's life and career. It was directed by Jeffrey Morse and his life partner, manager, and co-producer Dorothy Darr. The film made the festival and theater circuit before being released on disc by ECM in 2014. After a nearly three-decade tenure with the label, Lloyd re-signed to Blue Note in early 2015. His debut for the label, Wild Man Dance, was commissioned by the Jazztopad Festival two years earlier. His band on the date included pianist Gerald Clayton, bassist Joe Sanders, and drummer Gerald Cleaver, with guest appearance from Greek lyra player Sokratis Sinopoulos and Hungarian cimbalom master Miklós Lukács. Wild Man Dance was released in April. The saxophonist invited the guitarist to join him on-stage during a concert at UCLA's Royce Hall. It resulted in a concert tape that Lloyd intended to use as his next Blue Note album. Darr convinced him to re-enter the studio with Frisell instead. Along with drummer Harland, guitarist Greg Leisz, and bassist Reuben Rogers, they cut a set of traditional and folk tunes, and re-recorded some of Lloyd's earlier compositions, including "Of Course, Of Course," which was issued as a pre-release single. There were two guest vocal appearances: Norah Jones assisted on the pop nugget "You Are So Beautiful," and Willie Nelson lent his voice to a reading of Ed McCurdy's "Last Night I Had the Strangest Dream." Attributed to Charles Lloyd & The Marvels, the finished album was titled I Long to See You and was released in early 2015. ~ Matt Collar
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Stations Featuring
Charles Lloyd

    Modern Jazz

    Modern Jazz
    3 songs

    Jazz Fusion

    Jazz Fusion
    1 song

Albums by
Charles Lloyd

Top Songs by
Charles Lloyd

  1.   Song
    Popularity
  2.   Sombrero Sam
  3.   God Give Me Strength
  4.   A Flower Is a Lovesome Thing
  5.   Dorotea's Studio
  6.   Pocket Full of Blues
  7.   Here, There and Everywhere
  8.   Forest Flower: Sunrise
  9.   Forest Flower: Sunrise/Sunset
  10.   The Best Thing for You
  11.   Of Course, Of Course
  12.   Sweet Georgia Bright
  13.   Journey Within
  14.   The Things We Did Last Summer
  15.   Wilpan's
  16.   TM
  17.   The Song My Lady Sings
  18.   Autumn Sequence: Autumn Prelude/Autumn Leaves/Autumn Echo
  19.   Sorcery
  20.   Voice in the Night
  21.   Love Song to a Baby
  22.   Lark
  23.   Apex
  24.   Little Wahid's Day
  25.   How Can I Tell You
  26.   Love Ship
  27.   Dream Weaver: Meditation/Dervish Dance
  28.   Song of Her
  29.   Love-In
  30.   Wild Man Dance
  31.   Invitation
  32.   River
  33.   Gardner
  34.   Flying Over the Odra Valley
  35.   One for Joan
  36.   Lonesome Child: Song/Dance
  37.   Mirror by Charles Lloyd Quintet
  38.   Homage
  39.   Memphis Dues Again/Island Blues
  40.   Sunday Morning
  41.   Is It Really the Same?
  42.   Temple Bells
  43.   Bird Flight
  44.   East of the Sun
  45.   Third Floor Richard
  46.   Hej Da
  47.   Forest Flower '69
  48.   Pre-Dawn
  49.   Memphis Green
  50.   Love No. 3
  51.   Tribal Dance
  52.   Days and Nights in Waiting
  53.   Sun Dance
  54.   European Fantasy
  55.   Manhattan Carousel
  56.   Speak Low
  57.   Goin' to Memphis/Island Blues
  58.   Goin' to Memphis
  59.   Gypsy '66
  60.   Tagore
  61.   Love-In/Island Blues
  62.   Karma
  63.   Pyramid
  64.   Harvest
  65.   Rishikesha: Hummingbird, Rishikesh, Seagull
  66.   Island Blues
  67.   Waves
  68.   Autumn Sequence: Autumn Prelude/Autumn Leaves/Autumn Echo by The Charles Lloyd Quartet
  69.   Majorca
  70.   I Long to See You by The Marvels
  71.   Pathless Path
  72.   Dream Weaver: Meditation, Dervish Dance by The Charles Lloyd Quartet
  73.   Why Do Fools Fall In Love by The Teenagers

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