 | | A founding member of the Alice Cooper band, guitarist Glen Buxton was the writer of several of hard rock/heavy metal's most instantly identifiable guitar riffs. |
 | | Following in the footsteps of his idol Keith Richards, Johnny Thunders (born John Anthony Genzale, Jr. |
 | | "There is no other choice. It has to be him. Who is this short, long-haired, Cousin It waiting to plug in?" This is how former Mötley Crüe drummer Tommy Lee described his first meeting with Mick Mars, guitarist for the seminal '80s glam rock band Mötley Crüe. |
 | | A member of the legendary MC5, guitarist and proto-punk icon Wayne Kramer returned to prominence during the 1990s as a solo performer. |
 | | As a founding member of the legendary Stooges, guitarist Ron Asheton forever changed the face of rock & roll, his raw, primordial riffs presaging the rise of punk by a decade. |
 | | Guitarist, arranger, songwriter, producer, and perennial sideman Mick Ronson made his mark during glam rock's early-'70s heyday but worked consistently with frequent collaborators David Bowie and Ian Hunter until his death in 1993. |
 | | Although the best-known band of the early Australian punk scene of the late '70s was the Saints, the first band to wave the punk rock flag in the land down under was Radio Birdman. |
 | | Best known as one of the leader's of one of the greatest punk rock bands of all time, the Clash, singer/guitarist/songwriter Mick Jones was one of the more musically adventurous musicians of the genre, especially evident in his post-Clash outfit, the alt-dance outfit Big Audio Dynamite. |
 | | Along with Eddie Van Halen, Kiss' Ace Frehley inspired numerous up-and-coming rockers to pick up the guitar in the 1970s -- and come the '90s, was listed by just about every contemporary rock guitarist (Soundgarden's Kim Thayil, Pearl Jam's Mike McCready, Pantera's Dimebag Darrell, etc. |
 | | Formed in South Shields, England in 1977, the Angelic Upstarts was one of the period's most politically charged and thought-provoking groups; though technically a skinhead band, their records attacked the racism and fascism so prevalent throughout the skinhead community, and while also technically a punk unit, their music quickly evolved beyond the movement's limited scope. |
 | | Ex-MC5 guitarist Wayne Kramer formed a supergroup of sorts when he established Mad for the Racket. Merely a project for strict rock&roll enjoyment, Kramer and Brian James (Lords to the New Church, Damned) experimented with their own musical stylings and allowed fellow counterparts such as Stewart Copeland (the Police), Duff McKagen (Guns N' Roses), and Clem Burke (Blondie) to tinker around as well. |
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 | | The Sex Pistols may have been the first British punk rock band, but the Clash were the definitive British punk rockers. |
 | | At a time (the late '70s and early '80s) and a place (the New York punk scene) where shocking the audience was often the order of the day, few bands had a greater gift for cultivating outrage than the Plasmatics. |
 | | Lennon Murphy is a headbanging hottie who received a rash of publicity before releasing her debut, 5:30 Saturday Morning (named such because of when she finished writing the tunes). |
 | | Fred "Sonic" Smith was one of the key architects of the Detroit High Energy rock sound as guitarist and co-founder of the legendary MC5, and while his work after the band's breakup was sporadic, what has survived is strong enough to confirm his reputation as one of the great unsung heroes of Midwest rock & roll. |
 | | When lead singer and heavy metal legend Rob Halford left Judas Priest in the early '90s (following two decades of service in the veteran band), he quickly rebounded with a ferocious new metal band called Fight, which he co-founded with Priest drummer Scott Travis. |
 | | Electric Eel Shock is a Japanese rock trio that powerfully combines classic rock, metal, and punk influences with a gritty garage rock delivery. |
 | | German rock singer Joachim Deutschland (born Christof Johannes Joachim Faber) was born in 1980 to a German father and an American mother, both of whom are successful jazz musicians. |
 | | Along with Duran Duran, Billy Idol was one the first pop/rock artists to achieve massive success in the early '80s due to a then brand-new U. |
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 | | Scandinavian cock rock combo Gluecifer was formed in Oslo, Norway, in 1994 by frontman Biff Malibu, guitarists Captain Poon and Sinduru Khan, bassist Jon Average, and drummer Glueros Hellfire. |
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 | | A manic five-piece punk onslaught from Cleveland, OH, whose music merges the gritty drive of early Midwestern punk icons such as the Dead Boys and the Pagans with the over-the top showmanship of the MC5 and the visionary noise of Pere Ubu, the Chargers Street Gang first formed as the Chargers. |
 | | Native New Yorker and lifelong rocker Sonny Vincent is a testament to the spirit of music. Living illegally at age 13 in a girls' dormitory, playing guitar and singing by age 14, and in and out of reform schools not soon after, Vincent rocked harder before he was 18 than most people do in a lifetime. |
 | | This art-punk band is comprised of Joe Pope (vocals/bass), Jon E. Risk (vocals/guitar) and Michael Hursey (drums). |
 | | The enduring L.A. punk band Social Distortion has overcome numerous personnel shifts, the demise of the Los Angeles hardcore scene that spawned them, and the heroin addiction of singer/guitarist/bandleader Mike Ness to achieve a measure mainstream acceptance for their rootsy, hard-hitting punk without compromise. |
 | | The Sex Pistols may have only been together for two years in the late '70s, but they changed the face of popular music. |
 | | At one time the premier punk band in Northern Ireland, the Outcasts’ line-up revolved around the three Cowan brothers; Greg (bass/vocals), Martin (guitar) and Colin (d. |
 | | Of all the bands that burst out of Cleveland in the mid- to late-'70s punk explosion, one of the most unjustly ignored was the Pagans. |
 | | The Screamers are the Great Lost Band of the first wave of L.A. punk rock. They were among the first bands to emerge on the West Coast scene and were wildly popular in Los Angeles for several years, able to sell out two- or three-day stands at some of the city's most prestigious rock clubs. |
 | | Formed in Sunderland, England, in early 1978, they settled on their first permanent line-up: Andzy, (bass, vocals), Lowery (vocals), Rab Fae Beith (drums) and Nick Ward (guitar, ex-Urban Gorillas). |
 | | The Expelled were an Oi!-flavored punk band formed in 1981 in West Yorkshire, England; a demo tape got them signed to the Riot City label, for whom they recorded two singles. |
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 | | Although his career had pretty much flamed out by the start of the '80s, there were few punk-era major-label performers as intensely controversial as Tom Robinson. |
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 | | Proclaiming themselves as "San Francisco's first and only rock & roll band," Crime was a forerunner in America's do-it-yourself punk history, releasing their first single in late 1976. |
 | | Demob is one of punk rock's most outspoken groups. Formed shortly after the breakup of the Sex Pistols in 1978, the Gloucester, England-based quartet roared with a similar punk-minded intensity. |
 | | The Adicts are a British punk rock quartet founded in Ipswich, Suffolk, England, in the late '70s by lead singer Monkey (Keith Warren), guitarist Pete Davidson, bassist Mel Ellis, and drummer Kid Dee (Michael Davison). |
 | | Maverick Canadian punk rockers the Subhumans (not to be confused with the British Subhumans) formed around the initial core of vocalist Brian Goble (aka Wimpy Roy), guitarist Mike Graham, drummer Ken Montgomery (aka Dimwit), and bass player Gerry Hannah (aka Gerry Useless) in the western city of Vancouver, playing their first show on July 1, 1978, the same year they released their first single, "Death to the Sickoids. |
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 | | While the Stooges, Blondie, and Talking Heads are revered for their punk rock antics and unchangeably praised for being a part of a major rock revolution in the late '70s, there's one band that's been consistently overlooked. |
 | | Manchester, England's Vipers were founded in October of 2006 by vocalist/guitar Nathan, bassist Scott, fuzz bassist Joey(that's right, two bass players), and drummer Kyle, with the shared goal of defying ready-made genre boxes with their spontaneous and explosive brand of garage rock. |
 | | The half New York/half Netherlands hardcore punk group, Das Oath, got its start in 2000. Comprised of Mark McCoy on vocals, Marcel Wiebenga on drums, Nate Wilson on bass, and Jeroen Vrijhoef, Das Oath had released many vinyl singles and compilation tracks on various labels. |
 | | Along with better known bands such as Devo, Rocket from the Crypt, and Pere Ubu, the obscure Teacher's Pet were members of Akron, OH's oft-overlooked, but creatively visionary, punk rock and new wave scene of the mid-'70s. |
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 | | Hailing from Michigan's capital city of Lansing, Bantam Rooster's two piece guitar and drum approach pays tribute to the minimal aesthetics of 60's garage rock recorded on duct taped equipment. |