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Coalesce

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Coalesce's music has consistently pushed the boundaries of the hardcore and metal genres, forging a mind-boggling obsession with strange, shifting tempos with power, noise, groove, and a creativity paralleled only by the band's peers in Dillinger Escape Plan and Botch. The origins of Coalesce can be traced back to a band called Breach -- a group not to be confused with the European outfit that shares their name. Breach formed in January of 1994 with Jes Steineger on guitar, Stacy Hilt on bass, and drummer James Redd. After a few abortive attempts at finding a musical direction with a different vocalist, screamer Sean Ingram -- late of the band Restrain -- was invited to join the fold. As Coalesce, the quartet began to define its own sound, bridging together odd time signatures, an abrasive vocal style, and wandering guitar dissonance. They wrote five songs together and performed for free in basements, eventually releasing a self-titled 7" single through Chapter Records that quickly blew through its initial 1,000-copy pressing. The buzz generated by the single and the band's increasingly volatile live performances drew the attention of metal powerhouse label Earache, which invited Coalesce to become the third band aboard their short-lived New Chapter imprint. The resulting record was a CD version of their three-song 002 demo. A year later, Coalesce released a split-CD EP with Britain's long-running Napalm Death. The two Earache releases were supported by a six-week tour with similarly minded Florida band Bloodlet and Krishna-core mavens 108. Upon returning home, Coalesce broke up for the first time, with Redd going off to college in Baltimore shortly afterward. In 1996 the band re-formed, this time with manic drummer/multi-instrumentalist James DeWees aboard. The newly reinvigorated band signed a deal with Philadelphia's Edison label, which released Coalesce's debut full-length album, Give Them Rope. It was a bludgeoning affair wrought with Ingram's increasingly deep bellow and lyrical musings, personal polemics unlike many of the band's contemporaries. Split singles with Boy Sets Fire and the Get Up Kids followed, with Coalesce pairing up with each band to "reinterpret" one another's songs. Nathan Ellis replaced Hilt in the band around the time that Functioning on Impatience was released through band pal Dan Askew's Second Nature Recordings. The record saw the band streamlining their sound, sacrificing a bit of musical brutality in favor of a subtle accessibility, all the while remaining incredibly creative. The same label also released a record that presented newly recorded versions of the 002 songs alongside tracks from a long out of print single, titling it A Safe Place/002. A trip to Red House Studios to record an album's worth of '70s rock songs resulted in seven Led Zeppelin covers instead, as Coalesce became so enthralled by the handful of Zeppelin songs they had originally elected to record that they decided to pay tribute solely to them. The songs were released as There Is Nothing New Under the Sun through Boston's Hydra Head label, the same company that issued the split with Boy Sets Fire. All of these releases, coupled with a handful of live appearances, culminated in several larger metal-oriented labels pursuing the band. After narrowing it down to two labels, Coalesce resolved to go with Relapse, deciding to break up once again before the recording of their new label debut had even begun. Coalesce reassembled long enough to make 0:12 Revolution in Just Listening. It was arguably their best effort by that point -- accentuated by Ingram's now unmistakable lyrical prose, Steineger's now remarkably Jimmy Page-like approach to riff writing (albeit combined with his own bizarre time signatures), Ellis' fluid basslines, and DeWees' scattershot and powerhouse drumming. Hydra Head asked for one last song to include on the CD version of the Boy Sets Fire split, so Ingram, Ellis, and producer Ed Rose improvised over an old acoustic track, creating "Bob Jr." A final show, dubbed Last Call for the Living, was discussed often yet never materialized. Members stayed busy -- DeWees with the Get Up Kids (for whom he had begun playing keyboards) and Reggie and the Full Effect; Ellis fronting a band called the Casket Lottery on guitar and vocals (together with the guy he replaced in Coalesce, Hilt). Ingram was involved with various projects -- including a live appearance screaming for a then singer-less Dillinger Escape Plan at Krazy Fest 4 in Louisville, KY, and a long-discussed project with members of Seattle's Training for Utopia called the American Spectator. A collection of old Coalesce recordings surfaced as a vinyl-only release through Florida's No Idea, with the band re-forming once again in 2001. This time the lineup included Ingram, a returning Hilt on bass, DeWees, and a new guitarist named Cory White. Functioning on Impatience was the first album released under this lineup, arriving on Hydra Head Records during the following summer. In 2007, Coalesce released No Business in This Business, a four DVD collection of the bands legendary and explosive live performances spanning their entire career. In 2009, the band released Ox, their first full-length record in nearly a decade. ~ Ryan J. Downey
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Stations Featuring
Coalesce


Albums by
Coalesce

Top Songs by
Coalesce

  1.   Song
    Popularity
  2.   Still It Sells
  3.   They Always Come Home in Fall
  4.   Harvest of Maturity
  5.   Sometimes Selling out Is Waking Up
  6.   Black Dog
  7.   Simulcast
  8.   On Their Behalf
  9.   I Am This
  10.   The Blind Eye
  11.   While the Jackass Operation Spins It's Wheels
  12.   Where the Hell Is Rick Thorne These Days?
  13.   Out on the Tiles
  14.   Burn Everything That Bears Our Name
  15.   You Can't Kill Us All
  16.   To My Ruin
  17.   Through Sparrows I Rest
  18.   Blue Collar Lullaby
  19.   Jealous Again
  20.   On Being a Bastard
  21.   Reoccurring Ache Of
  22.   One On the Ground
  23.   What Happens on the Road Always Comes Home
  24.   A Safe Place
  25.   Son of Son of Man
  26.   A Disgust For Details
  27.   Grain of Salt
  28.   I Took a Year
  29.   Thank You
  30.   That's the Way
  31.   Counting Murders and Drinking Beers (The $46,000 Escape)
  32.   Ore to Earth
  33.   I'm Giving Up on This One
  34.   Immigrant Song
  35.   Blend as Well
  36.   Cowards. Com
  37.   Did It Pay the Rent
  38.   Cut To Length
  39.   Have Patience
  40.   A New Language
  41.   Every Reason To
  42.   One at a Time
  43.   I Am Not the First
  44.   Jesus in the Year 2000/ Next on the Shit List
  45.   My Love for Extremes
  46.   Measured in Gray
  47.   Absent in Death
  48.   This is the Last
  49.   73-C
  50.   Joyless in Life
  51.   Heartbreaker
  52.   Chain Smoking
  53.   Whole Lotta Love
  54.   For All You Are
  55.   Every Season To
  56.   Vehicle
  57.   In the Wilderness
  58.   Bob Junior
  59.   Nailbomb by BoySetsFire
  60.   Mouth Breather
  61.   Supernaut
  62.   Cutting Away
  63.   Howards, Wichita, KS
  64.   Daily Grind, Kansas City, MO
  65.   Estabon's, Kansas City, MO
  66.   Michigan Fest, Wayne, Mi
  67.   Wilkes Barre Fest, Wilkes Barre, Pa
  68.   Il Fireside Bowl, Chicago
  69.   Basement Show, Minneapolis, MN
  70.   Ice House, Baltimore, MD
  71.   Twisters, Richmond, VA
  72.   Melody Bar, New Brunswick, NJ
  73.   M.I.T., Pittsburgh, Pa
  74.   Basement Show, Salt Lake City, Ut
  75.   Unitarian Church, Philadelphia, Pa
  76.   Granada, Lawrence, KS
  77.   By What We Refuse
  78.   Dead is Dead
  79.   Designed To Break a Man
  80.   In My Wake, For My Own
  81.   New Voids In One's Resolve
  82.   Questions To Root Out Fools
  83.   The Comedian In Question
  84.   The Plot Against My Love
  85.   The Purveyor of Novelty and Nonsense
  86.   The Villain We Won't Deny
  87.   There is a Word Hidden In the Ground
  88.   We Have Lost Our Will
  89.   Where Satires Sour
  90.   Wild Ox Moan
  91.   Ox to Ore
  92.   Where Satire Sours
  93.   It Took a Year
  94.   Reoccurring Ache of Monotony Still Running
  95.   73C by BoySetsFire
  96.   Simulcast by BoySetsFire
  97.   Food Chains by Napalm Death
  98.   Upwards and Uninterested by Napalm Death

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