 | | The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. |
 | | Irving Berlin (1888-1989) was the most successful songwriter of the 20th century. Though, like his contemporaries, he spent the better part of his career writing songs (usually both words and music) to be used in Broadway musicals, he is better remembered for the songs themselves than for the shows (and sometimes films) in which they were introduced. |
 | | Composer Richard Rodgers (1902-1979) and lyricist Oscar Hammerstein, II (1895-1960) both had extensive careers in Broadway theater music before they scored their first hit together with Oklahoma! in 1943. |
 | | Singer/actress Judy Garland had a varied career that began in vaudeville and extended into movies, records, radio, television, and personal appearances. |
 | | Stephen Sondheim was the most highly regarded composer/lyricist for the musical theater in his generation. |
 | | At the commercial height of her career in the '60s, actress/singer Julie Andrews could claim to be the primary performer associated with the longest-running musical in Broadway history, the highest-grossing Hollywood film ever made, and the biggest-selling album of all time. |
 | | One of the biggest Broadway stars of her era, Bernadette Peters was widely acclaimed as the finest singing actress to come along since Barbra Streisand. |
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 | | Andrew Lloyd Webber has been the most successful composer of musicals of his generation and also a breaker of molds in the genre. |
 | | Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. |
 | | A substantial entertainer throughout six decades, Angela Lansbury hit superstardom as a senior citizen with her memorable portrayal of detective Jessica Fletcher in the long-running murder mystery drama Murder, She Wrote. |
 | | In 1980, Patti LuPone won her first Tony Award for best actress in a musical for her portrayal of Eva Peron, the ambitious, doomed wife of Argentine dictator Juan Peron, in Andrew Lloyd Webber and Tim Rice's Evita. |
 | | As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. |
 | | Actor/singer Mandy Patinkin carved out a varied career on-stage, in films, in the recording studio, and on television. |
 | | The songwriting team of William S. Gilbert and Arthur Sullivan was among the most successful and enduring of the 19th century; their comic operas remain immensely popular over a century after the duo's final work, and are viewed today as forerunners of contemporary musical theater. |
 | | Dancer, actor, and singer Fred Astaire worked steadily in various entertainment media during nine decades of the 20th century. |
 | | Although singer/actress Liza Minnelli can count Academy Award-winning film roles, Tony Award-winning musical theater performances, Emmy Award-winning television specials, and gold-selling records among her accomplishments, she is primarily a concert performer whose career has been defined by a series of stage acts dating back to her nightclub debut in 1965. |
 | | After vaulting to international fame as the feral antihero Wolverine in a series of feature films inspired by Marvel Comics' best-selling X-Men franchise, actor Hugh Jackman returned to his first love, musical theater, with a Tony Award-winning turn as Broadway icon Peter Allen in the acclaimed The Boy from Oz. |
 | | Kristin Chenoweth went from strength to strength around the turn of the 21st century, beginning with an award-winning stage career on Broadway that later expanded into television roles and a recording contract. |
 | | Barbra Streisand's status as one of the most successful singers of her generation was remarkable not only because her popularity was achieved in the face of a dominant musical trend -- rock & roll -- which she did not follow, but also because she used her vocal skills as a mere stepping stone to other careers, as a stage and film actress and as a film director. |
 | | Ethel Merman was the leading American musical theater performer of her generation, creating roles in 13 Broadway musicals between 1930 and 1959, and continuing to appear in shows occasionally through 1970. |
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 | | "The First Lady of Song," Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). |
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 | | Jerome Kern was born on January 27, 1885, in New York City, the son of Fannie Kakeles and Henry Kern. |
 | | Before the rock & roll revolution, Rosemary Clooney was one of the most popular female singers in America, rising to superstardom during the golden age of adult pop. |
 | | Most popular to theater audiences from his title role in Andrew Lloyd Webber's version of The Phantom of the Opera, Michael Crawford was in fact a star of the British stage and screen for almost two decades before that. |
 | | Bette Midler counts singing as only one of her talents. Still, she has managed to score a number of major hits in a roller-coaster career as a recording artist. |
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 | | Bing Crosby was, without doubt, the most popular and influential media star of the first half of the 20th century. |
 | | Famed for his enormously successful collaboration with composer Andrew Lloyd Webber, lyricist Tim Rice was born November 10, 1944, in Buckinghamshire, England. |
 | | Best known for her Tony-nominated performance in the Broadway smash Rent, singer/actress Idina Menzel made her solo debut in 1998 with the pop-soul effort Still I Can't Be Still. |
 | | The Andrews Sisters were the most successful female vocal group of the first half of the 20th century in the U. |
 | | The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. |
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 | | For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. |
 | | Broadway star Sarah Brightman was the inspiration behind such stage hits as Phantom of the Opera and Requiem, written in her honor by ex-husband Andrew Lloyd Webber. |
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 | | Carol Channing has worked primarily as a comic stage actress and singer, along with occasional movie and television appearances. |
 | | Louis Armstrong was the first important soloist to emerge in jazz, and he became the most influential musician in the music's history. |
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 | | Classically trained soprano Audra McDonald was the most celebrated new singer/actress on Broadway in the 1990s. |
 | | Doris Day has packed four careers into one lifetime, two each in music and movies. The pity is that all most people remember are her movies, from Teacher's Pet (1957) onward, as the quintessential all-American girl, the perpetually virginal screen heroine, cast opposite such icons of masculinity as Clark Gable and, rather ironically, Rock Hudson. |
 | | Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. |
 | | Linda Eder was perhaps the most popular new interpreter of theatrical songs to emerge during the '90s. |
 | | One of the great composers of the American popular song, Hoagy Carmichael differed from most of the others (with the obvious exception of Duke Ellington) in that he was also a fine performer. |
 | | b. Samuel Joel Mostel, 28 February 1915, New York City, New York, USA, d. 8 September 1977, Philadelphia, Pennsylvania, USA. |
 | | Peggy Lee's alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit "Why Don't You Do Right" to her many solo successes, singles including "Mañana," "Lover" and "Fever" that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship. |
 | | Johnny Mercer's main claim to immortality is his incredible songwriting output, penning the lyrics or music and lyrics to roughly 1,500 songs. |
 | | Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. |