 | | After making her presence known on Junior M.A.F.I.A.'s debut album, Conspiracy, Lil' Kim launched a solo career in 1996 with the release of her first record, Hard Core. |
 | | Once one of the leading rappers on Master P's No Limit record label, Mystikal quickly evolved beyond the label's clichéd thug trappings and found himself one of the Dirty South's most recognized rappers, alongside the likes of Juvenile and Ludacris. |
 | | Best known as Puff Daddy's favorite sidekick, Mase secured his place as a Bad Boy label favorite through a series of guest appearances on hit singles by other artists. |
 | | As the flagship artist for producer Irv Gotti's Def Jam-affiliated Murder Inc. label, Ja Rule became one of the rap industry's most commercially successful artists during the early 2000s, working closely with the hitmaking producer and his stable of talent. |
 | | Having come up in the Hot Boys group alongside superstar Lil Wayne, New Orleans rapper Juvenile is a Southern hip-hop veteran, and a chart-topping one as well, having climbed the U. |
 | | Hip-hop is notorious for short-lived careers, but LL Cool J is the inevitable exception that proves the rule. |
 | | Master P created a hip-hop empire without registering on any mainstream radar. For several years, he operated solely in the rap underground, eventually surfacing in the mid-'90s as a recording artist and producer who knew exactly what his audience wanted. |
 | | Naughty by Nature pulled off the neat trick of landing big, instantly catchy anthems on the pop charts while maintaining their street-level credibility among the hardcore rap faithful; one of the first groups to successfully perform such a balancing act. |
 | | Junior Masters at Finding Intelligent Attitudes, or Junior M.A.F.I.A., were able to grab instant notoriety with two hit singles, "Get Money" and "Player's Anthem," thanks to their childhood crony and producer, the Notorious B. |
 | | The most idiosyncratic personality in rap and possessor of its most recognizable delivery, a halting, ragga-inspired style with incredible complexity, inventiveness, and humor, Busta Rhymes formed Leaders of the New School in 1990 and released two albums with the group before breaking out with a 1996 solo hit single, "Woo-Hah!! Got You All in Check. |
 | | Born Warren Griffin III, Warren G exploded out of the burgeoning Long Beach rap scene in 1994 with the smash single "Regulate," a duet with longtime friend Nate Dogg, and its accompanying album, Regulate. |
 | | Though G-Unit became generally recognized as the brand name associated with 50 Cent, for instance serving as a catch phrase ("G-G-G-G-G-Unit!") as well as a record label (G-Unit Records), it in fact began as the name of his backing posse. |
 | | Tha Dogg Pound was an integral part of the Death Row Records empire, which cast a tall shadow over rap music in the early to mid-'90s, and though the label only released one Dogg Pound album, Dogg Food (1995), the duo's impression remained fairly constant in the years that followed, as the two group members pursued solo careers and occasionally reunited. |
 | | Following the deaths of Tupac Shakur and the Notorious B.I.G., DMX took over as the undisputed reigning king of hardcore rap. |
 | | Ice Cube was the first member of the seminal California rap group N.W.A. to leave, and he quickly established himself as one of hip-hop's best and most controversial artists. |
 | | Scarface quickly became the South's most admired rapper and remained so throughout the '90s after breaking away from the Geto Boys to launch his solo career in 1991. |
 | | Graced with a quick and sometimes sung delivery, along with a unique sense of melody, Bone Thugs-N-Harmony burst out of Cleveland, Ohio in the mid-'90s with a pair of massive hits ("Thuggish Ruggish Bone" and "Tha Crossroads") along with a great first album, as well as a successful follow-up, and then quickly unraveled. |
 | | Slick Rick foreshadowed and epitomized the pimpster attitude of many rappers during the late '80s and early '90s, with gold chains, his trademark eye-patch, and recordings that were no less misogynistic -- "Treat Her Like a Prostitute," for example, became an underground hit in 1988, though it was justly criticized for its view of women. |
 | | The first solo Latino rapper to go platinum, Big Punisher was also yet another member of the hip-hop community to fall victim to an early death -- though in his case, it was due to health problems, not violence. |
 | | He was known as the soul man of G-funk, and before his first album had ever been released, Nate Dogg made appearances on several huge hits: "Regulate" with Warren G, 2Pac's All Eyez on Me, and the soundtrack to Murder Was the Case. |
 | | Method Man was the first -- and biggest -- solo star to emerge from the groundbreaking Wu-Tang Clan. |
 | | An above-average rapper blessed with a bit of luck and connections as well as talent, Craig Mack practically made Puff Daddy's Bad Boy label with a remix of his 1994 hit "Flava in Ya Ear. |
 | | One of the most thuggish rappers ever embraced by the mainstream, Trick Daddy broke out of the South in 2001 with "I'm a Thug" and established himself as an unlikely national superstar. |
 | | One of the premier West Coast gangsta rap artists of the early '90s, DJ Quik was a rapper as well as a producer whose career carried on well into the next decade, as he put his career aside and began working primarily as a beat-maker. |
 | | MC Lyte was one of the first female rappers to point out the sexism and misogyny that often runs rampant in hip-hop, often taking the subject head on lyrically in her songs and helping open the door for such future artists as Queen Latifah and Missy Elliott. |
 | | The rap supergroup Westside Connection came together in late 1996, comprising Ice Cube, Mack 10, and WC (of WC & the Madd Circle). |
 | | OutKast's blend of gritty Southern soul, fluid raps, and the low-slung funk of their Organized Noize production crew epitomized the Atlanta wing of hip-hop's rising force, the Dirty South, during the mid to late '90s. |
 | | Chicago rapper Twista made his recording debut on "Po Pimp," a platinum single by his fellow Windy City rappers Do or Die. |
 | | Though the controversial subject matter of gangsta rap wasn't much of a barrier to popular success during the '90s, the Geto Boys' recordings proved almost too extreme for widespread exposure. |
 | | Beginning with his classic debut, Illmatic (1994), Nas stood tall for years as one of New York City's leading rap voices, outspokenly expressing a righteous, self-empowered swagger that endeared him to critics and hip-hop purists. |
 | | While hip-hop was consumed by the hardcore, noisy political rap of Public Enemy and the gangsta rap of N. |
 | | Luniz are a rap duo out of Oakland consisting of Yukmouth and Knumskull, two friends who have known each other since junior high. |
 | | Queen Latifah was certainly not the first female rapper, but she was the first one to become a bona fide star. |
 | | The Lost Boyz included Freaky Tah, Mr. Cheeks, Pretty Lou, and Spigg Nice. The rap quartet's first single -- "Lifestyles of the Rich and Shameless" -- earned them a contract with Uptown Records, which released their second single, "Jeeps, Lex Coups, Bimaz & Benz," later in 1995. |
 | | Latino rapper Fat Joe (aka Fat Joe da Gangsta, Joey Crack, and his real name, Joe Cartagena) was raised in the South Bronx area of New York. |
 | | One of the founding members of the Wu-Tang Clan, who recorded some of the most influential hip-hop of the '90s, Ol' Dirty Bastard was the loose cannon of the group, both on record and off. |
 | | Never quite a superstar, Redman was nonetheless one of the most off-the-wall, beloved, and enduring rappers of the '90s and 2000s. |
 | | The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. |
 | | They never had a mainstream hit of their own, but during rap's so-called golden age in the late '80s, Eric B. |
 | | Born in Los Angeles, but an Oakland resident by the age of 14, Too Short was the first West Coast rap star, recording three albums on his own before he made his major-label debut with 1988's gold album Born to Mack; his next four all went platinum. |
 | | Before becoming one of the West Coast's most illustrious MCs at the end of the 1990s, and later a TV celebrity, Xzibit was a promising underground rapper. |
 | | As the embodiment of '90s gangsta rap, Snoop Dogg blurred the lines between reality and fiction. Introduced to the world through Dr. |
 | | As golden age rap suddenly gave way to West Coast gangsta in the early '90s, an East Coast variety of hardcore rap arose in turn, with Mobb Deep initially standing tall as one of New York's hardcore figureheads on the basis of their epochal album The Infamous. |
 | | In just a few short years, the Notorious B.I.G. went from a Brooklyn street hustler to the savior of East Coast hip-hop to a tragic victim of the culture of violence he depicted so realistically on his records. |
 | | Synonymous with Bay Area rap, E-40 garnered a regional following, and eventually a national one, with his flamboyant raps, while his entrepreneurial spirit, embodied by his homegrown record label, Sick Wid' It Records, did much to cultivate a flourishing rap scene to the east of San Francisco Bay, in communities such as Oakland and his native Vallejo. |
 | | Whether as a member of N.W.A., a solo act, or a label head, Eazy-E was one of the most controversial figures in gangsta rap. |
 | | Jadakiss (born Jason Phillips) became a member of the Ruff Ryders in 1999. Five years earlier, he joined the LOX (who started their saga as a group called the Warlocks) and has remained a member of both groups since. |
 | | During the mid-'90s, when West Coast rap reigned supreme, Mack 10 emerged as a close associate of Ice Cube and enjoyed several years of considerable commercial success before his popularity faded toward the end of the decade. |
 | | More than any other rapper, Dr. Dre was responsible for moving away from the avant-noise and political stance of Public Enemy and Boogie Down Productions as well as the party vibes of old-school rap. |
 | | Biz Markie's inclination toward juvenile humor and his fondness for goofy, tuneless, half-sung choruses camouflaged his true talents as a freestyle rhymer. |