 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional route. |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | For a short time, Hootie & the Blowfish was the most popular band in America. Grunge music ruled the airwaves during the mid-'90s, but Hootie played a mainstream pop variation of blues-rock, and their easy-going sound netted them a string of Top 40 hits. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | Jason Mraz hails from Mechanicsville, Virginia, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. |
 | | O.A.R. (an acronym for the band's full moniker, Of a Revolution) transformed itself from an independent college band to a Billboard chart-topper over the course of a long, varied career. |
 | | Train was inescapable during the turn of the 21st century, when songs like "Calling All Angels" and "Drops of Jupiter" made the San Francisco residents some of America's most popular balladeers. |
 | | By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. |
 | | Combining the melodic jangle of post-Smiths indie guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U. |
 | | As the lead singer and principal songwriter for Matchbox Twenty, Rob Thomas found success with a blend of '70s rock influences, slick hooks, and 1990s post-grunge crunch. |
 | | Combining funky, groove-laden soul with handcrafted acoustic folk-rock, Ben Harper enjoyed cult status during the course of the '90s before gaining wider attention toward the decade's end. |
 | | Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | Alanis Morissette was one of the most unlikely stars of the mid-'90s. A former child actress turned dance-pop diva, Morissette later transformed herself into a confessional alternative singer/songwriter in the vein of Liz Phair and Tori Amos. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy). |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | British singer/songwriter David Gray had already released three overlooked albums by the time White Ladder (and its international breakthrough hit, "Babylon") brought his mix of acoustic instruments and electronic samples to the mainstream. |
 | | Combining elements of acoustic rock, folk, and jangle pop, Sister Hazel formed in 1993 in Gainesville, FL. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | A former British Army officer, singer/songwriter James Blunt is a thoughtful performer with a knack for crafting melodic contemporary soft rock tunes. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. |
 | | Led by singer/songwriter Jason Wade, Lifehouse emerged in the early 2000s with a commercial blend of pop/rock melody and throaty, post-grunge vocals. |
 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |
 | | Years before "I Don't Want to Be" propelled him to pop/rock success, songwriter Gavin DeGraw began honing his piano skills at the age of eight, followed by his participation in several cover bands with his older brother in upstate New York. |
 | | Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands of the '80s. |
 | | Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. |
 | | By age 21, vocalist Colbie Caillat had evolved swiftly from an aspiring R&B/folk singer to a pop sensation, a feat that owed as much to the marketing assistance of MySpace as the meteoric popularity of her debut single, "Bubbly. |
 | | A mix of polished pop/rock and neo-soul made Maroon 5 one of the most popular bands of the 2000s, with songs like "This Love," "She Will Be Loved," and "Makes Me Wonder" all topping the charts worldwide. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | San Francisco-based singer/songwriter Matt Nathanson has built up a loyal fan base through extensive touring. |
 | | Born in Eugene, Oregon, singer/songwriter Mat Kearney began his musical career 400 miles south at the Chico branch of California State University, where he studied literature and played on the soccer team. |
 | | A gifted songwriter and a versatile pianist with no formal training, Sara Bareilles burst onto the pop scene with a naturally skilled voice that ranged from powerful and soulful to sweet and gentle, earning her instant comparisons to Fiona Apple and Norah Jones. |
 | | A rootsy singer/songwriter with ties to jazz and soul as well, Edwin McCain hails from Charleston, South Carolina, and it was with the support of native sons Hootie & the Blowfish that McCain signed with Atlantic Records. |
 | | The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. |
 | | Singer/pianist Ben Folds (born September 12, 1966, in Winston-Salem, North Carolina) is best known as the leader of the power pop trio Ben Folds Five, but has also struck out on his own as a solo artist. |
 | | Formed in 1988 as a garage punk band, Sublime rose to fame in the mid-'90s on the back of the California punk explosion engendered by Green Day and the Offspring, though Sublime boosted their punk influences with heavy elements of reggae and ska. |
 | | Launched in 1991 as a folk-based acoustic duo, Vertical Horizon gradually molded itself into a slick pop/rock outfit, culminating in the band's brief (but significant) heyday at the turn of the 21st century. |
 | | By blending contemporary power pop with elements of the post-grunge era, Gin Blossoms briefly emerged as torchbearers of the lighter side of alternative rock. |