 | | The Partridge Family was the '70s successor to the Monkees. Both were totally fictional rock/pop "bands" produced by Screen Gems, the television branch of Columbia Pictures. |
 | | No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. |
 | | With their light, airy melodies and meticulously crafted, clean arrangements, the Carpenters stood in direct contrast with the excessive, gaudy pop/rock of the '70s; yet they became one of the most popular artists of the decade, scoring 12 Top Ten hits, including three number one singles. |
 | | Keyboardist/arranger "Captain" Daryl Dragon and his wife, singer/pianist Toni Tennille, scored a series of pop/rock hits in a light, romantic vein in the second half of the 1970s, the most successful of which was the first, "Love Will Keep Us Together. |
 | | In terms of record sales and career longevity, Barry Manilow is one of the most successful adult contemporary singers ever. |
 | | "Hey hey, we are the Monkees/You know we love to please/A manufactured image/With no philosophies." In 1968, the Monkees addressed their own reputation in the song "Ditty Diego (War Chant)," which summed up the bad rap they'd received in the music press since they first emerged in the summer of 1966. |
 | | In a career that began in the 1960s, Neil Diamond became a major recording artist, an internationally successful touring act, and a songwriter whose compositions produced hits for himself and others. |
 | | Following the breakout success of the Jackson 5 in 1970, it was practically inevitable that a pre-existing quintet of brothers, who had already enjoyed almost a decade in the national spotlight, would follow them to teen idol superstardom. |
 | | Olivia Newton-John skillfully made the transition from popular country-pop singer to popular mainstream soft rock singer, becoming one of the most successful vocalists of the '70s in the process. |
 | | Bread was one of the most popular pop groups of the early '70s, earning a string of well-crafted, melodic soft rock singles, all of which were written by keyboardist/vocalist David Gates. |
 | | Helen Reddy began performing at the age of four in her native Australia; by the early 60s she had her own television series. |
 | | Cher has had three careers that place her indelibly in the public consciousness, and two have been in association with her then-husband, composer/producer/singer Salvatore "Sonny" Bono (February 16, 1935-January 8, 1998). |
 | | The Bay City Rollers were a Scottish pop/rock band of the '70s with a strong following among teenage girls. |
 | | B.J. Thomas (born Billy Joe Thomas) straddled the line between pop/rock and country, achieving success in both genres in the late '60s and '70s. |
 | | The most commercially successful pop group of the 1970s, the origins of the Swedish superstars ABBA dated back to 1966, when keyboardist and vocalist Benny Andersson, a onetime member of the popular beat outfit the Hep Stars, first teamed with guitarist and vocalist Bjorn Ulvaeus, the leader of the folk-rock unit the Hootenanny Singers. |
 | | Donny Osmond has been in show business from an age when most children are still becoming accustomed to getting on the school bus in the morning, and in a career that's spanned six decades, he's made a name for himself in nearly every field of contemporary entertainment, most notably music, but also theater, film, radio, and television, and shown that it's possible to grow and mature as a performer while holding on to the wholesome, family-friendly reputation that's always been part of his public persona. |
 | | Once the Bee Gees experienced a career revival with the Saturday Night Fever soundtrack in 1977, the Gibb brothers' younger sibling Andy began his own solo career. |
 | | In conjunction with his backing duo Dawn, singer Tony Orlando was one of the biggest pop stars of the early '70s, best remembered for the mammoth hit "Tie a Yellow Ribbon 'Round the Ole Oak Tree. |
 | | Most '60s bubblegum groups were faceless studio concoctions, made up of hired professionals and given nominal group identities after the fact. |
 | | Sporting a winning smile and fashionably shaggy hair, Bobby Sherman was a genuine teen idol during the late '60s and early '70s. |
 | | According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles. |
 | | Carly Simon was one of the most popular of the confessional singer/songwriters who emerged in the early '70s. |
 | | With their heavily orchestrated, sweet ballads, the Australian soft rock group Air Supply became a staple of early-'80s radio, scoring a string of seven straight Top Five singles. |
 | | One of the most popular recording artists of the 1970s, country-folk singer/songwriter John Denver's gentle, environmentally conscious music established him among the most beloved entertainers of his era; wholesome and clean-cut, his appeal extended to fans of all ages and backgrounds, and led to parallel careers as both an actor and a humanitarian. |
 | | A major teen idol of the late '70s, actor/singer Shaun Cassidy rocketed to fame both on the pop charts and on television, much as his half-brother David Cassidy had done earlier in the decade. |
 | | Singer, songwriter, and pianist Neil Sedaka enjoyed two distinct periods of commercial success in two slightly different styles of pop music: first, as a teen pop star in the late '50s and early '60s, then as a singer of more mature pop/rock in the '70s. |
 | | In terms of sales and lasting popularity, Elton John was the biggest pop superstar of the early '70s. |
 | | The 1970s produced relatively little popular music displaying elegance and unassuming charm. Often identified by pop historians as the "me" decade, it was an era of tremendous self-indulgence -- in music and everywhere else -- marked most strikingly by open, almost frenzied sexual exploration. |
 | | One of the most successful soft rock acts of the 1970s, the duo of Jim Seals and Dash Crofts met while playing with singer Dean Beard in 1958. |
 | | Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. |
 | | Three Dog Night scored a succession of 21 hit singles, including eleven Top Tens, and twelve consecutive gold albums from 1969 to 1975, thanks to the slick, sometimes soulful vocal harmonies of singers Danny Hutton, Chuck Negron, and Cory Wells and an excellent ear for quality material. |
 | | Singer, songwriter, and guitarist Kenny Loggins has enjoyed more than three decades of success in the music business, as a songwriter and performer, mostly in a soft rock vein. |
 | | Eric Carmen has amassed an impressive amount of hit singles over his long career, whether it be as a member of the influential power pop outfit the Raspberries, as a solo artist, or as a songwriter for others. |
 | | A light folk-rock act of the early '70s, America had several Top Ten hits, including the number ones "A Horse with No Name" and "Sister Golden Hair. |
 | | With roots in the Los Angeles country and folk-rock scenes, Linda Ronstadt became one of the most popular interpretive singers of the '70s, earning a string of platinum-selling albums and Top 40 singles. |
 | | MOR singer/songwriter Melissa Manchester, whose father was a bassoonist for the New York Metropolitan Opera, began singing commercial jingles at age 15 and went on to become a staff writer for Chappell Music while attending the High School of Performing Arts. |
 | | Sonny & Cher proved one of the magical musical combinations of the mid-'60s and one of the better rock-influenced MOR acts of the early '70s, their wisecracking repartee providing counterpoint to a series of adoring hit duets. |
 | | The Fifth Dimension's unique sound lay somewhere between smooth, elegant soul and straightforward, adult-oriented pop, often with a distinct flower-power vibe. |
 | | The leading California-based vocal group of the '60s, the Mamas & the Papas epitomized the ethos of the mid- to late-'60s pop culture: live free, play free, and love free. |
 | | From their first hit in 1974 through their heyday in the '80s, Daryl Hall and John Oates' smooth, catchy take on Philly soul brought them enormous commercial success -- including six number one singles and six platinum albums -- yet little critical success. |
 | | Singer/songwriter Gilbert O'Sullivan successfully combined a flair for Beatlesque popcraft with an old-fashioned music hall sensibility to emerge as one of the most distinctive and popular new performers of the early 1970s. |
 | | In the music industry, arguably the worst tragedy that can befall an artist is to die in his or her prime, when just beginning to break through to the mainstream and reach people on a national or international level. |
 | | The real-life inspiration behind the hit television series The Partridge Family, the Cowsills -- comprised of teen siblings Bill, Bob, Barry, John, Susan, and Paul in tandem with mother Barbara -- were one of the biggest pop acts of the late '60s, scoring a series of hits including "The Rain, the Park and Other Things" and "Hair" with their angelic harmonies and sun-kissed melodies. |
 | | Out of all the former Beatles, Paul McCartney by far had the most successful solo career, maintaining a constant presence in the British and American charts during the '70s and '80s. |
 | | While the landmark Tapestry album earned her superstar status, singer/songwriter Carole King had already firmly established herself as one of pop music's most gifted and successful composers, with work recorded by everyone from the Beatles to Aretha Franklin. |
 | | When people use the term "singer/songwriter" (often modified by the word "sensitive") in praise or in criticism, they're thinking of James Taylor. |
 | | Leo Sayer (born Gerard Sayer) had a string of highly polished mainstream pop hits in the late '70s. Sayer began his musical career as the leader of the London-based Terraplane Blues Band in the late '60s. |
 | | Dr. Hook & the Medicine Show's sardonic, country-flavored pop/rock made them one of the most fondly remembered acts of AM pop radio's heyday in the '70s. |
 | | Christopher Cross was far and away the biggest new star of 1980, virtually defining adult contemporary radio with a series of smoothly sophisticated ballads including the chart-topping "Sailing"; seemingly as quickly as he shot to fame, however, his star descended, although he continued recording and touring for years to come. |
 | | One of the biggest teen idols of the late '50s, Paul Anka moved to the adult sphere several years later and became a successful performer, songwriter, music businessman, and recording artist, remaining so well into the new millennium. |