 | | A dark-edged trio hailing from London, White Lies take sonic cues from the likes of Joy Division, the Teardrop Explodes, and Echo & the Bunnymen. |
 | | Company of Thieves are rooted in Chicago, IL, where vocalist Genevieve Schatz and guitarist Marc Walloch launched the co-ed indie rock group after striking up a friendship at Union Station. |
 | | Long Beach, California's Cold War Kids make music with roots that go deep and wide, embracing influences as diverse as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. |
 | | London residents Robbie Furze and Milo Cordell formed the Big Pink in their home studio, where the two musicians began mixing the droning soundscapes of Spacemen 3 and My Bloody Valentine with the lush electronics of M83. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | Taking cues from several decades of alternative rock, Mute Math (also known as MUTEMATH and MuteMath) fuse together New Order's synth-dance epics, the Stone Roses' shambling shuffle, Radiohead's chilliness, Air's ambient pop, and the booming vocals of mainstream pop/rock. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | As led by singer/songwriter/guitarist Andy Hull, the maturity of Manchester Orchestra's songwriting belied the fact that the bandmembers were barely legal when their group sprung into existence. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | The Gaslight Anthem rose out of the fertile punk scene of New Brunswick, NJ, flaunting a unique style that melded the influence of Bruce Springsteen, Wilson Pickett, and various Motown groups with the rough, emotional grit of Hot Water Music and Jawbreaker. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | Based in Glasgow, Scotland, indie rock quartet Glasvegas (a combination of Glasgow and Las Vegas) draw their musical inspiration from rockabilly, doo wop, and pop/rock from the '50s and '60s. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | A Portland-based supergroup of sorts, the Thermals originally featured Kind of Like Spitting's Ben Barnett, the Operacycle's Jordan Hudson, and Hutch Harris and Kathy Foster of the twee/folk-pop duo Hutch and Kathy and the All Girl Summer Fun Band. |
 | | Luke Pritchard (vocals/guitar), Hugh Harris (guitar), Max Rafferty (bass), and Paul Garred (drums) generate the rubbishy garage rock sounds of the Kooks. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Rambunctious Danish indie rockers New Politics formed in the late 2000s around the talents of vocalist David Boyd, guitarist/vocalist/keyboard player Søren H, and drummer Poul Amaliel. |
 | | Formed by novelist Mikel Jollett during a tumultuous period in his life, the Airborne Toxic Event (named after a section in American author Don DeLillo's novel White Noise) combine literate indie rock with real literary cred. |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | Toronto's quirky, high-energy indie rock outfit Tokyo Police Club features vocalist/bassist Dave Monks, keyboardist/vocalist Graham Wright, guitarist/percussionist Josh Hook, and drummer/percussionist Greg Alsop. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Combining indie rock with chamber pop flourishes (courtesy of a small string section), Ra Ra Riot formed while the band's six members were attending college in Syracuse, New York. |
 | | Equally inspired by Sonic Youth, Joy Division, Gang of Four, and the Cure, East London art punkers Bloc Party mix angular sonics with pop structures. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | Kasabian took the British press by storm in the early 2000s by mixing traces of the Stone Roses, Happy Mondays, and Primal Scream with Oasis-sized confidence and DJ Shadow-influenced electronics. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Rogue Wave formed in 2002 when a newly unemployed Zach Rogue left his San Francisco home, visited friends in New York City, and returned to California with nearly a full album's worth of textured, cerebral indie pop. |
 | | Although the members of New Hampshire indie rock outfit Wild Light first got together in high school, it wasn't until after college that the three were able to devote full and undivided attention to the project, which got going again in 2005. |
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 | | Assembling in the late '90s, in the town of Kilmarnock, near Glasgow, Scotland, Biffy Clyro featured a three-piece lineup, fronted by vocalist and guitarist Simon Neil along with James Johnston (bass) and drummer Ben Johnston. |
 | | The French group Phoenix draw elements from their eclectic '80s upbringing to arrive at a satisfying blend of rock and synthesizers. |
 | | At first, it's easy to mistake the White Rabbits for just another set of New York City dance-rock hipsters in the Clap Your Hands Say Yeah tradition, but a second look reveals a quirkier and more rewarding aesthetic. |
 | | Half bracing post-punk and half tuneful indie pop, Glasgow's We Were Promised Jetpacks feature vocalist/guitarist Adam Thompson, guitarist Michael Palmer, bassist Sean Smith, and drummer Darren Lackie. |
 | | The gritty English trio Band of Skulls craft bluesy and ballsy slabs of atmospheric indie rock that echo the work of contemporaries like the Kills, Duke Spirit, and the Black Keys. |
 | | Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. |
 | | There has to be some credit given for this band's name alone -- co-founder John Gourley once explained it as an attempt to create a demi-mythic entity bigger than the individual members. |
 | | The Living Things took root in the early 2000s, pairing punky songcraft with a fiercely political edge. |
 | | Frontman Parker Gispert, drummer Julian Dorio, and bassist Hank Sullivant formed the Whigs in 2002, while the three Athens-based musicians were attending college at the University of Georgia. |
 | | Formed in 2006 in Los Angeles, the Crash Kings combine the rock & roll bombast of Muse with the piano-based pop of Ben Fold’s Five. |
 | | When Tears for Fears sang "Kick out the Style/Bring back the Jam" in "Sowing the Seeds of Love," one can imagine the lads in Kaiser Chiefs raising their mugs of ale in agreement. |
 | | The Brooklyn-based group TV on the Radio mix post-punk, electronic, and other atmospheric elements in such a creative way that it only makes sense that their core duo, vocalist Tunde Adebimpe and multi-instrumentalist/producer David Andrew Sitek, are both visual artists as well as musicians. |
 | | Referencing their primary influences as "musicians and bands that don't blow smoke and really bring it" (which, according to them, includes Sepultura and Ed Banger), BM LINX create music that manages to be unabashedly derivative and simultaneously oblivious of the '90s alternative scene, a time when bands like Monster Magnet, Spacehog, and White Zombie were in heavy radio rotation. |