 | | To many present-day listeners, DJ Jazzy Jeff & the Fresh Prince are best-remembered for launching the superstar music/acting career of the latter, now known by his real name of Will Smith. |
 | | At the time of its 1989 release, De La Soul's debut album, 3 Feet High and Rising, was hailed as the future of hip-hop. |
 | | Hip-hop is notorious for short-lived careers, but LL Cool J is the inevitable exception that proves the rule. |
 | | Without question the most intelligent, artistic rap group during the 1990s, A Tribe Called Quest jump-started and perfected the hip-hop alternative to hardcore and gangsta rap. |
 | | Rapper, DJ, and producer Pete Rock first emerged in 1991 as one half of a duo with C.L. Smooth, debuting with the All Souled Out EP. |
 | | There had been hit rap singles and albums before him, but MC Hammer was the man who truly brought rap music to a mass pop audience. |
 | | Biz Markie's inclination toward juvenile humor and his fondness for goofy, tuneless, half-sung choruses camouflaged his true talents as a freestyle rhymer. |
 | | Hip-hop's original overweight lover, Heavy D parlayed an eminently likable persona and strong MC skills into a lengthy career in music, television, and film. |
 | | Mt. Vernon, New Yorkers Pete Rock (a producer/DJ) and rapper C.L. Smooth emerged in 1992 as both a powerhouse performance duo and as prolific producers. |
 | | More than any other hip-hop group, Run-D.M.C. are responsible for the sound and style of the music. As the first hardcore rap outfit, the trio set the sound and style for the next decade of rap. |
 | | Emerging during hip-hop's massive creative expansion of the late '80s, Big Daddy Kane was the ultimate lover man of rap's first decade, yet there was more to him than the stylish wardrobe, gold jewelry, and sophisticated charisma. |
 | | Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's "hip-hop band" philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. |
 | | If skills sold, Talib Kweli would have been one of the most commercially successful rappers of his time. |
 | | Initially regarded as one of the most promising rappers to emerge in the late '90s, Mos Def turned to acting in subsequent years as music became a secondary concern for him. |
 | | A member of one of the original hip-hop crews, Treacherous Three, Kool Moe Dee later became a solo star in his own right in 1986 by teaming with a teenaged Teddy Riley (later famed as the king of new jack swing) on the crossover hit "Go See the Doctor. |
 | | Beginning his career during the mid-'80s under the name the Fresh Prince, by the following decade rapper Will Smith was one of the biggest superstars of his time -- not only a pop music sensation, he also conquered television and eventually feature films, starring in a string of box-office megahits. |
 | | Best-known for his 1988 platinum hip-hop classic "It Takes Two," Rob Base (with DJ E-Z Rock) rode his hit onto R&B radio stations as well as dance clubs, providing a touchstone for the style known as hip-house. |
 | | The most influential MC-and-DJ tandem of the 1990s, Gang Starr set new standards for East Coast rap with a pair of early-'90s touchstones, Step in the Arena (1991) and Daily Operation (1992), whose appeal has only grown over the decades. |
 | | They never had a mainstream hit of their own, but during rap's so-called golden age in the late '80s, Eric B. |
 | | Common (originally Common Sense) was a highly influential figure in rap's underground during the '90s, keeping the sophisticated lyrical technique and flowing syncopations of jazz-rap alive in an era when commercial gangsta rap was threatening to obliterate everything in its path. |
 | | Thirteen-year-old rappers Chris "Daddy Mack" Smith and Chris "Mack Daddy" Kelly became the pop sensations of 1992 as Kris Kross. |
 | | On the surface, the sample-reliant productions and monotone rapping styles of Erick Sermon and Parrish Smith had little to recommend them, but the duo's recordings as EPMD were among the best in hip-hop's underground during the late '80s and early '90s. |
 | | Among the first groups to tame rap's hardcore mentality into a positive, message-oriented music suitable for teens and mass audiences, Kid 'n Play debuted in 1988 with the platinum album 2 Hype, which the duo later spun into a deal involving films and a Saturday-morning cartoon show, the first involving a rap act. |
 | | Slick Rick foreshadowed and epitomized the pimpster attitude of many rappers during the late '80s and early '90s, with gold chains, his trademark eye-patch, and recordings that were no less misogynistic -- "Treat Her Like a Prostitute," for example, became an underground hit in 1988, though it was justly criticized for its view of women. |
 | | Boogie Down Productions was one of the most important and influential hip-hop groups of the latter half of the '80s. |
 | | Inextricably linked with his pop culture touchstone "Baby Got Back," Sir Mix-A-Lot parlayed a gonzo tribute to women with large buttocks into hip-hop immortality, even despite his failure to score another hit of its magnitude. |
 | | MC Lyte was one of the first female rappers to point out the sexism and misogyny that often runs rampant in hip-hop, often taking the subject head on lyrically in her songs and helping open the door for such future artists as Queen Latifah and Missy Elliott. |
 | | Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group of the late '80s and, for many, the definitive rap group of all time. |
 | | By the late '80s, hip-hop was on its way to becoming a male-dominated art form, which is what made the emergence of Salt-n-Pepa so significant. |
 | | |
 | | The Five Percent Nation of Islam was a popular inspiration for numerous thinking-man's rap groups during the early '90s, and Brand Nubian was arguably the finest of the more militant crop. |
 | | An influential alternative rap quartet from South Central Los Angeles, the Pharcyde was formed by MCs/producers Tre "Slimkid" Hardson, Derrick "Fatlip" Stewart, Imani Wilcox, and Romye "Booty Brown" Robinson. |
 | | KRS-One (born Kris Parker) was the leader of Boogie Down Productions, one of the most influential hardcore hip-hop outfits of the '80s. |
 | | Hi-Tek played a major role in the highly admired golden-age revivalist sound affiliated with the Rawkus Records collective, crafting many of the label's initial breakthrough releases. |
 | | One of early rap's most successful acts, the Fat Boys parlayed a combined weight of over 750 pounds into a comic novelty act that sustained them through several albums and hit singles. |
 | | The first human beatbox in the rap world, and still the best of all time, Doug E. Fresh amazed audiences with his note-perfect imitations of drum machines, effects, and often large samples of hip-hop classics. |
 | | Rising from the rugged streets and rich musical tapestry of Detroit, Slum Village were poised to carry on the old-school, funk, and soul-filled hip-hop torch of genre pioneers A Tribe Called Quest, De La Soul, and the Pharcyde. |
 | | Tone-Loc (born Anthony Smith) soared from obscurity into pop stardom in 1989 when his hoarse voice and unmistakable delivery made the song "Wild Thing" (using a sample from Van Halen's "Jamie's Cryin'") a massive hit. |
 | | While a member of the New York City duo Organized Konfusion, Pharoahe Monch developed a reputation as one of underground hip-hop's preeminent lyricists, crafting intricate and intelligent raps with partner Prince Poetry. |
 | | One of hip-hop's first (and finest) superproducers, Marley Marl was an early innovator in the art of sampling, developing new techniques that resulted in some of the sharpest beats and hooks in rap's Golden Age. |
 | | The longtime MC with pioneering alternative hip-hop trio A Tribe Called Quest, rapper Q-Tip was born Jonathan Davis in New York City on November 20, 1970. |
 | | Part of the new millennium resurgence of alternative rap, Little Brother drew from atypical inspirations for Southern hip-hop: classic Native Tongues outfits like De La Soul and A Tribe Called Quest, as well as more recent torch-bearers like the Roots and Black Star. |
 | | Camp Lo is a rap group from the Bronx who melds hip-hop with jazz sensibilities and funk. After having a hit single, "Coolie High," from The Great White Hype soundtrack in early 1996, they released their debut album, Uptown Saturday Night, in February 1997. |
 | | While hip-hop was consumed by the hardcore, noisy political rap of Public Enemy and the gangsta rap of N. |
 | | Intelligent and middle-class, rapper Marvin Young earned a degree in economics from USC, where he met Michael Ross and Matt Dike, co-founders of the fledgling Delicious Vinyl rap label. |
 | | Speaking out against what he saw as a decline in rap during the mid-'90s, Jeru the Damaja came to the fore as a self-proclaimed prophet and the savior of hip-hop, much as KRS-One had done almost ten years before. |
 | | They didn't gain as much critical hype as other acts in the independent rap scene (perhaps due to a laid-back release schedule), but Black Moon has been one of its better acts. |
 | | With an impressive resume in rap that includes membership in the legendary Juice Crew (along with Marley Marl, MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shante, and Craig G) and a verse on the 1988 classic posse cut "The Symphony," Brooklyn's Masta Ace is truly an underappreciated rap veteran and underground luminary. |
 | | Emerging in 1993, when Dr. Dre's G-funk had overtaken the hip-hop world, the Staten Island, New York-based Wu-Tang Clan proved to be the most revolutionary rap group of the mid-'90s -- and only partially because of their music. |
 | | A native of Long Island, Keith Murray first hooked up with Erick Sermon (of EPMD) in 1994. The two worked together to produce Murray's debut single, "The Most Beautifullest Thing in This World," and the song became a hit by the end of the year. |