 | | Though it's a sure bet he'll linger in the minds of most only for his omnipresent Levi's advert and 1999 European chart-topper "Flat Beat," music-video director Quentin Dupieux turned in some excellent electronic productions as Mr. |
 | | Producers/remixers James Ford and James Shaw formed Simian Mobile Disco in 2005, following their departure from the experimental electronic rock band Simian. |
 | | As acts like Erol Alkan and the Klaxons were blurring the lines between indie rock and dance music in 2007, Germany's Digitalism were mashing garage band attitude with pumping electro music while in cahoots with the stylish French house label Kitsuné Music. |
 | | MSTRKRFT (pronounced "master kraft") are the Daft Punk-loving alter ego of Death from Above 1979's Jesse F. |
 | | In similar company with new-school French progressive dance artists such as Motorbass, Air, Cassius, and Dimitri from Paris, Parisian duo Daft Punk quickly rose to acclaim by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. |
 | | Electro-funk duo Chromeo formed in Montreal in the early 21st century, a project of former hip hop producers Dave One and Pee Thug (news flash: not their given names). |
 | | Berlin-based Boys Noize producer Alexander Ridha releases music similar in style to the French electro of Kitsuné Music and Ed Banger Records. |
 | | French electro DJ/producer Pedro Winter (aka Busy P) is the owner of Ed Banger Records as well as the manager of Daft Punk and a few other electronic dance acts from France. |
 | | Second-wave Chicago house impresario Felix da Housecat entered the elite via his recordings (as himself, Thee Maddkatt Courtship, Aphrohead, Sharkimaxx) as well as his ownership of Radikal Fear Records, one of the premiere Chicago labels of the 1990s. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | The production duo of Simon Ratcliffe and Felix Buxton released several of Britain's most respected and enjoyable progressive house anthems of the '90s and early 2000s from their base in South London. |
 | | Cassius, a new addition to the top ranks of French electronica circa 1999, actually comprised two of the scene's most experienced producers: Philippe Zdar and Hubert Blanc-Francart (aka Boombass). |
 | | LCD Soundsystem debuted with "Losing My Edge," a single that became one of the most talked-about indie releases of 2002. |
 | | Justice, a Parisian dance production duo comprised of Gaspard Augé and Xavier de Rosnay, generated an international buzz with "D. |
 | | DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. |
 | | Australian indie electronic group Cut Copy take many of their cues from contemporaries like Air, Daft Punk, and LCD Soundsystem, but with a distinctly pop sensibility that draws on classic AM radio pop singles from the 1970s and '80s, with elements of vintage disco and synth pop that appeal to song-based listeners as well as the club kidz. |
 | | Born Joel Zimmerman on January 5, 1981, Deadmau5 rose to prominence when his track "Faxing Berlin" found its way onto the playlist of legendary DJ/producer Pete Tong's radio show. |
 | | An electronic-based rock band from Reading and London, Does It Offend You, Yeah? made a mark with their raucous live shows and high-energy music that drew comparisons to !!!, LCD Soundsystem, and Digitalism. |
 | | São Paulo, Brazil's provocative, freewheeling dance-rock sextet CSS take their name from an abbreviation of "cansei de ser sexy," which is Portuguese for "tired of being sexy" (though, considering that the lead singer goes by the name Lovefoxxx, it's arguable how much that phrase actually applies to the band). |
 | | DJ Icey's breakbeat funk helped jump-start the increasingly fertile dance scene in and around Orlando, FL, during the '90s. |
 | | Belgian rock band Soulwax was formed by singer Stephen Dewaele and his guitarist brother David, sons of the influential Belgian radio personality Zaki. |
 | | The French dance-pop group Yelle was founded in 2005 when longtime friends Julie Budet (who took the stage name Yelle) and Jean-François Perrier (known as GrandMariner) decided it was time to start a band. |
 | | Audio Bullys, the duo of Tom Dinsdale and Simon Franks, capitalized on the boom in rough, tough, and streetwise British house sparked by Basement Jaxx but brought to a new level of distinction by acts like the Streets and Dizzee Rascal. |
 | | Hailing from London, Hot Chip entered the picture with the release of their 2000 debut, Mexico. The EP was issued by Victory Garden Records, a label owned and operated by members of London's resident lo-fi psychedelic rock institution Southall Riot. |
 | | The fashionable, fun, and sometimes freaky sound of DJ/producer Benny Benassi first hit the dancefloor in 2001 with the single I Feel So Fine. |
 | | The Presets are a pair of avant-garde Aussies who, while forging a musical path that wouldn't be unfamiliar to acts like Daft Punk, Nine Inch Nails, and the Faint, don't mind dragging disco along for the ride. |
 | | The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms -- keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. |
 | | Mixing synth pop, shoegaze, and indie pop into a sound all their own, Ladytron formed in mid-1999. Keyboardists/programmers Daniel Hunt and Reuben Wu settled in Liverpool after a spate of traveling and DJ work in Japan. |
 | | Formerly known as Cherry, New York's rock-meets-electronica duo Ratatat feature multi-instrumentalist/programmer Evan Mast and guitarist Mike Stroud. |
 | | More akin to French nu-disco compatriots like Daft Punk than his Wall of Sound labelmates, Jacques Lu Cont's Les Rythmes Digitales project bridges the gap between the quintessentially early-'80s phenomenon of synth pop and more contemporary styles like acid house and trip-hop. |
 | | The Black Ghosts are a dance-pop twosome featuring vocalist Simon Lord, formerly of Simian, and Wiseguys' programmer/multi-instrumentalist Theo Keating, aka DJ Touche. |
 | | With her girlishly playful yet stiff delivery, her raunchy lyrics, and the spare electro beats that surround them, Uffie draws comparisons to female MCs of the '80s like the ladies of L'Trimm and Salt-N-Pepa. |
 | | A British electro duo associated with the French label Kitsuné Music, AutoKratz made their full-length album debut in 2009 with Animal after a couple years of EP releases. |
 | | Before emerging from the drum'n'bass underground for a major-label recording contract in 1997, DJ Rap was long one of the best mixers in the business, as well as one of jungle's best (if understated) producers. |
 | | Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the new millennium, exemplified by early tracks like "Eple" and "Poor Leno. |
 | | On temporary hiatus from injecting the spirit of acid house into the French dance scene as half of Daft Punk, Thomas Bangalter crafted one of the catchiest dance anthems of the late '90s, Stardust's "Music Sounds Better With You. |
 | | From their beginnings as a trancey house duo to their more mature post-millennial work that incorporated pop, ambient, techno, and funk influences, Frankfurt, Germany, duo Booka Shade maintained an elegance of style that owed little to whatever current dance music trends were on the scene. |
 | | Steve Aoki is a DJ and also the founder of Dim Mak Records, which has counted leading indie rock bands such as Gossip, Bloc Party, the Kills and the Rakes among its stable of signees. |
 | | Signed to celebrity DJ Steve Aoki's Dim Mak label and often compared stylistically to French electro superstars Justice, the Bloody Beetroots -- technically a solo project of one Sir Bob Cornelius Rifo, who is assisted on-stage and behind the decks by Tommy Tea -- generated significant buzz in the music blogosphere with remixes and production work. |
 | | Omaha, NE's the Faint have gone through countless changes in their relatively short career, but with each shift, both in terms of personnel and style, they have made a distinct new impression and turned more and more heads. |
 | | If you read a lot about new music on the Web, odds are pretty good that, at some point between the September 2004 release of "Galang" and the March 2005 release of Arular, you were struck with the urge to turn your computer off or maybe even heave it out of a nearby window. |
 | | Highly regarded by both DJ Magazine and fans of electronic dance music, DJ Tiësto launched his career as one of the world's foremost trance DJs, due in part to his legendary six-hour live sets. |
 | | A brother-and-sister duo hailing from Stockholm, Sweden, the Knife take inspiration from vintage synth pop and forward-thinking electronic music, crafting a sound that is equally unsettling, playful, and beautiful. |
 | | Favoring a naughty schoolboy look that makes him seem even younger than his already tender years (22 when his first major-label album was released), Scottish artist, producer, and remixer Calvin Harris has a similarly youthful and forward-looking approach to his music. |
 | | |
 | | London dance duo Groove Armada consist of Tom Findlay and Andy Cato. The group formed in the mid-'90s after Findlay and Cato were introduced by the latter's girlfriend and soon started their own club, also named Groove Armada (after a '70s discotheque), which featured their spinning. |
 | | A collaboration between Super Furry Animal's Gruff Rhys and left-field hip-hop producer Boom Bip -- who first worked together in 2005 when Rhys added vocals to "Do's & Don'ts" from Boom Bip's Blue Eyed in the Red Room -- Neon Neon play warm, dancey music informed by '80s new wave, Prince, and Kraftwerk, among others, while also calling on the contributions of artists like Spank Rock, Yo Majesty, Har Mar Superstar, and the Magic Numbers to fill out their sound. |
 | | Vitalic is the alter ego of Pascal Arbez, a French programmer/multi-instrumentalist who blends electro, techno, and house -- as well as elements of classical, rock, Italo-disco, and '70s electronic music -- into a sound that recalls the work of fellow countrymen Daft Punk and Air, but has its own hard-edged playfulness. |
 | | Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. |
 | | Underworld became one of the most crucial electronic acts of the 1990s via an intriguing synthesis of old and new. |
![Lucky Boy [Germany] Album Cover](http://images.slacker.com/isv1/album/v1/1356177/aol/1/center/5,0/70.jpg "Lucky Boy [Germany] Album Cover")
