 | | Yellow Ostrich is the solo project of the Chairs' frontman Alex Schaaf, who makes lo-fi indie pop on his four-track recorder. |
 | | Mixing the grand-scale guitar attack of Sonic Youth and My Bloody Valentine with a melodic sense and lyrical perspective that recalls Bob Dylan roaring down Highway 61, Philadelphia's the War on Drugs are the creation of a pair of Dylan fans, Adam Granduciel and Kurt Vile, who met at a party in 2003. |
 | | Texas guitarist Gary Clark Jr. has been compared to guitar icons like Jimi Hendrix and Stevie Ray Vaughan, and his playing is a powerful and inspired mix of blues roots with contemporary soul and hip-hop, and when he’s rolling at his best, he sounds like nothing so much as a natural hybrid of both the past and the future of the blues. |
 | | Muscle Shoals-inspired, Athens, Alabama-based quartet Alabama Shakes formed in 2009 around the talents of Brittany Howard, Zac Cockrell, Steve Johnson, and Heath Fogg. |
 | | Formed in Seattle by a group of northwestern transplants, the Head and the Heart is an indie folk band whose influences include Americana, country-rock, and classic Beatlesque pop. |
 | | Bombay Bicycle Club is a melodic, guitar-driven indie rock outfit from North London, comprised of frontman Jack Steadman, guitarist Jamie MacColl, drummer Suren de Saram, and bassist Ed Nash. |
 | | First Aid Kit are a Swedish duo comprised of sisters Johanna and Klara Söderberg, whose vocal harmonies and woodsy, folk-influenced songwriting take influence from the likes of Fleet Foxes and Joanna Newsom. |
 | | A Portland-based group originally comprised of singer/guitarist Israel Nebeker and drummer Ryan Dobrowski, Blind Pilot strikes a balance between mellow folk and West Coast indie pop. |
 | | After winning the nationwide 2010 battle-of-the-bands competition Musiktilraunir in their native Iceland, six-piece chamber pop group Of Monsters and Men were hailed as "the new Arcade Fire" in Rolling Stone magazine. |
 | | Progressive bluegrass band Trampled by Turtles are from Duluth, Minnesota, where frontman Dave Simonett initially formed the group as a side project in 2003. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | A folk-pop duo made up of guitarist John Paul White and vocalist Joy Williams, the Civil Wars made a quick name for themselves with the release of a digital album, Live at Eddie's Attic, in 2009. |
 | | One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. |
 | | Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it’s little wonder that California’s Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. |
 | | After the San Diego-based emo outfit Noise Ratchet called it quits in 2004, co-founders Jon Jameson (bass) and Brandon Young (drums) decided to ditch their punk-influenced sound for something more rootsy. |
 | | TUnE-yArDs is the lo-fi experimental folk project of Merrill Garbus, also of the noisy indie pop band Sister Suvi. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | An enticing blend of indie pop hooks and crisp electronic beats in the style first perfected by Saint Etienne's Foxbase Alpha, Little Dragon are a showcase for Swedish-Japanese singer Yukimi Nagano, a mainstay of the European downtempo and lounge scenes. |
 | | Formed in St. John's, Newfoundland, in 2005 around the talents of Tim Baker (vocals, piano, guitar), Adam Hogan (guitar), Josh Ward (bass), Phil Maloney (drums), Kinley Dowling (violin), and Romesh Thavanathan (cello), explosive indie rock sextet Hey Rosetta! craft emotionally resonant rock anthems that echo Brit-pop outfits like Hope of the States and the Veils while channeling the orchestral rock of Arcade Fire and Broken Social Scene. |
 | | California-based roots rock band Dawes were formed in the Los Angeles suburb of North Hills by brothers Taylor Goldsmith and Griffin Goldsmith (lead vocals/guitar and drums, respectively), Wylie Gelber (bass), and Alex Casnoff (guitar). |
 | | Combining kitchen-sink instrumentation with playful lyrics and sweet harmonies, Oberhofer offers eccentric, undeniably catchy indie pop. |
 | | The gritty English trio Band of Skulls craft bluesy and ballsy slabs of atmospheric indie rock that echo the work of contemporaries like the Kills, Duke Spirit, and the Black Keys. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | With his acoustic blues-folk sound and timeless soulful voice, singer/songwriter Michael Kiwanuka has been favorably compared with the likes of Curtis Mayfield, Terry Callier, and Van Morrison. |
 | | Leeds-based English folk-rock outfit the Dunwells formed in 2009 around the talents of siblings Joseph (vocals, guitar) and David Dunwell (vocal, piano, banjo, guitar), their childhood friend Jonny Lamb (drums), and local players David Hanson (lead guitar) and Lee Dawson (bass), the latter of whom left the group in 2011 and was replaced by Lamb's cousin Rob Clayton. |
 | | Manchester-based DJ/producer Darren Williams, aka Star Slinger, released his debut in 2010, a soul-flavored dance album titled Volume 1, then followed it up with two EPs in 2011, Rogue Cho Pa, and Teams. |
 | | Built on the solid, classic rock foundation of three-part harmonies and dual guitar leads, Canada’s the Sheepdogs blend Southern boogie rock, groove-based psychedelia, and bluesy barroom swagger into a modern rock & roll revival. |
 | | A self-taught producer, London’s SBTRKT -- aka Aaron Jerome -- mixes elements of dubstep, 2-step, garage, house, soul, and techno into a bass-heavy blend of flowing melodies and intricate percussion. |
 | | Although she was born and raised in suburban New Jersey, Sharon Van Etten’s folk music evokes the open landscapes and lonely expanses of Middle America. |
 | | An indie rock outfit based in Vancouver, Said the Whale was formed by Ben Worcester and Tyler Bancroft. |
 | | Emotionally charged, stadium-ready indie rock outfit We Are Augustines was formed in 2009 by Billy McCarthy, Eric Sanderson, and Rob Allen after the dissolution of the similarly themed Pela. |
 | | Before launching his career as an acoustic singer/songwriter, Ben Howard grew up in South Devon, England, where his mother’s collection of folk records helped instill a love for Joni Mitchell, Donovan, and Richie Havens. |
 | | Standing firmly on the middle ground between the quirky, staccato attack of Modest Mouse and the spirited, arena-ready roar of Arcade Fire, Los Angeles-based indie rock outfit Grouplove came to fruition in the late 2000s around the talents of Hannah Hooper, Christian Zucconi, Sean Gadd, Ryan Rabin, and Andrew Wessen. |
 | | Zola Jesus is the project of Madison, Wisconsin’s Nika Roza Danilova, who crafts dark music dominated by her operatic vocals and keyboards. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | Spirited, quirky Cincinnati, Ohio-based indie rockers Walk the Moon formed in the late 2000s around the talents of Nicholas Petricca, Kevin Ray, Sean Waugaman, and Eli Maiman. |
 | | Montezumas frontman Kristian Matsson started recording a set of rustic, gravelly-voiced tunes, ones that nodded to fellow Swedes Homesick Hank and Thomas Denver Jonsson, under the nom de solo act the Tallest Man on Earth in the early 2000s. |
 | | |
 | | The blurry electronic pop project of an initially anonymous composer from Brooklyn and video artist from Austin, Texas, Neon Indian was conceived as a multimedia experience combining their music and video into short films, teasers, and straight-up pop songs. |
 | | Singer and songwriter Allen Stone describes himself as "a hippie with soul," and his music reflects both sides of this formula; his vocals and melodic style show the clear influence of classic soul and R&B of the 1960s and ‘70s, while his lyrics reveal an idealism and passion that recall the folk-inspired singer/songwriters of the same era. |
 | | Given the rising popularity of meditative, folky indie acts in the early 2000s, forming a twangy, rootsy folk trio was probably the least surprising move Derek Fudesco could have made. |
 | | Hailing from Brooklyn, New York (by way of Boulder, Colorado, where they originally came together in 2006), the avant-pop outfit Chairlift formed for the unusual purpose of crafting music for haunted houses. |
 | | The Devil Makes Three is kind of a strange band, As a drummerless acoustic trio consisting of two guitarists and a string bassist, the group is deeply rooted in the blues and country music, while enthusiastically incorporating elements of bluegrass, ragtime, and jug band traditions, as well. |
 | | |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | Portland, Oregon-based singer/songwriter M. Ward (born Matthew Stephen Ward) grew up listening to gospel and country, two genres that figure prominently in his breezy, West Coast take on Americana. |
 | | Following the Format's breakup in 2008, frontman Nate Ruess took his songwriting skills to Steel Train's Jack Antonoff and Anathallo's Andrew Dost, both of whom shared a similar affinity for vintage pop music and quirky, melodic hooks. |
 | | London residents Robbie Furze and Milo Cordell formed the Big Pink in their home studio, where the two musicians began mixing the droning soundscapes of Spacemen 3 and My Bloody Valentine with the lush electronics of M83. |
 | | Gold Leaves is the solo project of Grant Olsen, half of the Seattle-based folk-psych revivalist duo Arthur & Yu. |
