 | | Death metal band Suffocation was formed in New York in the early '90s, comprising vocalist Frank Mullen, guitarists Doug Cerrito and Terrance Hobbs, bassist Chris Richards, and drummer Mike Smith. |
 | | Groups like Venom, Mercyful Fate, and Slayer may have founded death metal in the early '80s, but it wasn't until such disciples as Morbid Angel came along at the close of the decade that the genre was pushed to its most extreme level, both musically and lyrically. |
 | | Arising from the death metal hotbed of Florida in the early '90s (but originally from Buffalo, NY), Malevolent Creation tend to be somewhat overlooked in discussions of groups who helped define the sound and style of American death metal. |
 | | Controversy has plagued Florida-based quartet Deicide. During their first tour in 1992, the band was severely criticized for their statements in favor of animal sacrifices. |
 | | Combining the extreme speed and nihilism of modern death metal with the ancient styling of Middle Eastern music, Nile formed in their hometown of Greenville, SC, in 1993. |
 | | Scandinavian metal legends Entombed were at the forefront of the death metal uprising, releasing their influential debut, Left Hand Path, in 1990, just as the movement was beginning to proliferate internationally. |
 | | Often considered one of grindcore's founding fathers, Carcass were among the first bands of the extreme metal genre to try a different lyrical approach -- one that reflected a fascination with surgical gadgets and peculiar words straight out of a med student's textbook. |
 | | Possessed and Death may have brought death metal to life, but Obituary brought it to fruition. After releasing some demos as Xecutioner as far back as 1986, the five-man band debuted as Obituary on Roadrunner Records in 1989 with Slowly We Rot, and in a word, the album was landmark. |
 | | Over the course of more than a decade and seven increasingly accomplished albums, Chuck Schuldiner, the architect behind the ubiquitous Death, became a bona fide heavy metal icon. |
 | | "If vomit were a movie, this would be the soundtrack," wrote one critic of Cannibal Corpse's music, some of the most extreme, violent death metal sounds and subject matter ever committed to tape. |
 | | Vader formed in 1986, toiling around the European death and thrash circuit while releasing demos into the metal tape-trading circuit. |
 | | Though forever doomed, commercially speaking, by their controversial name, Maryland's Dying Fetus has endured beyond most observers' wildest expectations, and to do so, they've weathered a slew of hardships that would have felled (and did fell) most other bands. |
 | | The fathers of grindcore, Napalm Death pushed the envelope of metal to new extremes of ear-splitting intensity, rejecting all notions of melody, subtlety, and good taste to forge a brand of sonic assault almost frightening in its merciless brutality. |
 | | Death metallists Vital Remains formed during 1989, and hail from Providence, Rhode Island - influenced by the likes of Venom, Celtic Frost, Bathory, Mercyful Fate, Sodom, and Destruction. |
 | | Considered to be one of the leading death metal bands to emerge from Poland in the 1990s, Behemoth have endured quite a few lineup shifts during their career (especially in the bass department), with founding singer/guitarist Nergal being the only constant member. |
 | | These Canadians started to rock in 1992 with the mission statement "deliver the most punishing music ever created by combining melody and power into one devastating force. |
 | | The Swedish death metal band Hypocrisy was formed by Peter Tägtgren in 1990 upon his return to Sweden from Florida, where he had been inspired by that state's flourishing death metal scene (bands like Morbid Angel, Deicide, Death, and Obituary). |
 | | Guitarists Infernus and Tormentor are the center of the Norwegian black metal outfit Gorgoroth, which took its name from the work of J. |
 | | Originally a side project for Cannibal Corpse vocalist Chris Barnes and former Obituary guitarist Allen West, Six Feet Under eventually became a full-time proposition when friction between Barnes and his other bandmates became too much to bear. |
 | | One of Britain's most consistent and enduring death metal bands, Birmingham's Bolt Thrower has weathered the best and worst of times in the extreme genre's history without ever giving in to commercial temptations, or hardly even altering its sound. |
 | | One of the more melodic death metal bands to expand beyond Sweden and spread their sound across the world alongside peers such as Entombed, At the Gates played a significant role in the death metal genre before breaking up in 1996, leading to the formation of the Haunted. |
 | | Formed at the outset of the '90s, Brazilian death metal band Krisiun featured guitarist Moyses Kolesne, his brother Max Kolesne on drums, and bassist/vocalist Alex Camargo. |
 | | Longtime proponents of the grinding, powerful sound of no-frills Swedish death metal, Dismember was originally formed in Stockholm in 1988 as a power trio featuring vocalist/bassist Robert Sennebäck, guitarist David Blomqvist, and drummer Fred Estby. |
 | | Gothenburg, Sweden-based death metal outfit Dissection were formed in 1989 by singer/guitarist Jon Nödtveidt and bassist Peter Palmdahl; with the addition of drummer Ole Öhman the following spring, the group recorded its first demo, The Grief Prophecy. |
 | | Swedish death metal band Amon Amarth originally formed in 1988 under the name Scum; by the time the new moniker was adopted four years later, the line-up consisted of vocalist Johan Hegg, guitarists Olli Mikkonen and Anders Hansson, bassist Ted Lundstrom and drummer Niko Kaukinen. |
 | | Of all the Norwegian black metal bands, Immortal has, arguably, stuck the closest to the mystical, occult-inspired vision of the scene: the bandmembers kept the evil-Kiss makeup throughout the band's existence, rarely experimented outside of the traditional guitars-drums-bass instrumental configuration, and never revealed their real names. |
 | | Norwegian black metal trio Satyricon are led by Satyr, also featuring drummer Frost and keyboardist Kine. |
 | | Holland's Pestilence is generally regarded as one of the leaders of the late-'80s/early-'90s death metal scene, following closely behind Death as innovators in the genre. |
 | | When attention first focused on Norway's almost cartoonishly violent black metal scene in the mid-'90s, Mayhem were dubbed its godfathers, but most of the critical accolades were bestowed upon Emperor, whose musical innovations have had more impact on the genre than any other band. |
 | | Making a splash on the Montreal death metal scene with their 1993 demo Ungentle Exhumation, Cryptopsy were immediately recognized in Europe after signing to Germany's Invasion Records the following year. |
 | | Of all the major second wave black metal bands to emerge from Norway's fertile breeding grounds during the early 1990s, only a handful -- Mayhem, Emperor, Enslaved, Ulver -- have achieved the same exalted status and world-wide recognition as the legendary Darkthrone; and arguably none has been as consistent or prolific in the decades that followed. |
 | | Blending black metal's most brutal tendencies, the melancholic beauty of opera, and industrial metal's production techniques, Dimmu Borgir carved a niche in the metal world as one of the most savage and creative acts to hail from the Norwegian scene. |
 | | Celtic Frost's impact on the evolution of European heavy metal cannot be overstated. Along with power metal kings Helloween (and to a lesser degree, the sometimes cartoonish Mercyful Fate), Frost's enduring influence on Europe's heavy metal landscape is arguably comparable to Metallica's standing in America. |
 | | Arguably the ultimate progressive metal band of their day, Atheist's impossibly Byzantine death-jazz proved too advanced even for committed metalheads to stomach. |
 | | Over the course of its decade-plus existence, the Canadian quartet Gorguts has made the transition from being a highly skilled, yet still somewhat run-of-the-mill death metal band, to being one of the most advanced, experimental, and challenging groups in the entire genre. |
 | | All-star Swedish death metal group Bloodbath was the side project of Opeth vocalist Mikael Akerfeldt, Katatonia guitarist Blackheim and bassist Jonas Renkse, and Edge of Sanity drummer Dan Swano. |
 | | Toward the end of the '90s, Scandinavian death metal -- or at least one branch of it -- began to evolve into a more accessible amalgamation of death metal intensity, a bit of progressive metal experimentation, and more traditional late-'70s/early-'80s British metal, with its catchy, groove-oriented riffs and twin-guitar lead lines. |
 | | Founded in the late '90s, Hate Eternal are an amelodic, ultra-fast death metal/grindcore band led by former Morbid Angel and Ripping Corpse guitarist Erik Rutan. |
 | | Offering a complex form of metal that combined the sweeping adventurism of math rock, the oddball tempos of experimental jazz, and the stunning brutality of thrash metal, Meshuggah raised the bar for metal bands everywhere upon their debut. |
 | | Brought together in Stockholm by guitarists Peter Lindgren and Mikael Ã…kerfeldt in 1990, Opeth added progressive influences and acoustic instrumentation to their brand of Swedish death metal. |
 | | From their humble beginnings in Belo Horizonte, Brazil, Sepultura went on to become the most successful Brazilian heavy metal band in history. |
 | | Born in Oslo, Norway under the supervision of guitarist/singer Thomas "Grusom" Rune and fellow ax-man Jardar, the two wanted to create a project that was filled with the bleak lyrical content of modern day black metal and an influence of early death metal. |
 | | A seminal influence on the evolution of thrash and black metal, Venom formed during the late '70s in Newcastle, England. |
 | | Slayer were one of the most distinctive, influential, and extreme thrash metal bands of the 1980s. Their graphic lyrics dealt with everything from death and dismemberment to war and the horrors of hell. |
 | | Louisiana black metal outfit Goatwhore was formed by singer/guitarist Sammy Duet following the breakup of his previous band, Acid Bath. |
 | | Formed by ex-Carnage, Carcass, and Candlemass guitarist Michael Amott (concurrently of Spiritual Beggars) with his brother Christopher (Armageddon), Arch Enemy took a straight-ahead approach to death metal reminiscent of Entombed or late-period Carcass, blending catchy, classic-style metal riffs with crushing grooves for an intense yet accessible sound. |
 | | This crazy concoction of truly experimental grindcore, death metal, and jazz came together in Denver, CO, in 1992. |
 | | San Francisco's Exhumed play gore-obsessed death metal with a tongue-in-cheek flair and an overall musical approach often reminiscent of Carcass, a band that they have frequently acknowledged as a primary influence. |
 | | Arising from the ashes of the important mid-'90s Swedish death metal band At the Gates and featuring former members of Witchery and Face Down, the Haunted went through countless lineup changes during the late '90s before finally releasing The Haunted Made Me Do It in 2000, confirming the excitement surrounding the band. |
 | | Arguably the most influential and successful European thrash metal band ever, Germany's Kreator is also by far the most enduring. |
