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Kyuss

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Hailing from Palm Desert, CA, Kyuss (pronounced "kai-uss") has become something like a heavy metal equivalent to the Velvet Underground. Although they are widely acknowledged as pioneers of the booming stoner rock scene of the 1990s, the band enjoyed little commercial success during their brief existence, but their combination of sludgy, down-tuned guitars (often played through a bass amp for maximum, earth-shaking intensity), spacey jams, galloping thrash metal rhythms, and organic drums became a blueprint, often copied, but never quite replicated by countless underground metal bands. Formed in 1990 by vocalist John Garcia, guitarist Josh Homme, bassist Nick Oliveri, and drummer Brant Bjork, Kyuss (named after a character from Dungeons & Dragons) began jamming at so-called "desert parties," in and around the isolated towns of the Southern California desert. The band gradually built a local following, signed with tiny independent label Dali Records, and released their first album, Wretch, in 1991. Under-produced and poorly financed, the album failed to capture the band's live sound and went mostly unnoticed until sporadic touring started earning Kyuss a reputation as a ferocious live unit, as well as the respect of many fellow musicians. One of these, Masters of Reality singer/guitarist Chris Goss, decided to produce the band's next effort, and the collaboration bore fruit in 1992's stunning Blues for the Red Sun. Soon hailed as a landmark by critics and fans alike, the album took the underground metal world by storm and established the signature Kyuss sound once and for all: the doom heaviness of Black Sabbath, the feedback fuzz of Blue Cheer, and the space rock of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensibility for punk rock, metal, and thrash. Based on this sudden surge of interest, the band was signed by Elektra Records just as Dali was about to go bankrupt, and despite the loss of bassist Oliveri (he was replaced by Scott Reeder, formerly of the Obsessed), the band continued building momentum with 1994's Welcome to Sky Valley. Also recorded under Goss' guidance, the album nearly matched the brilliance of its predecessor and saw Kyuss taking the novel approach of grouping the songs into three extended suites. Still, despite such creative promise and an ever-growing fan base, personal strife had already begun tearing the band apart, and drummer Brant Bjork was the first to depart when they concluded their fall tour. Then, although they quickly recruited the jazz-trained Alfredo Hernandez to replace him on 1995's noticeably less inspired ...And the Circus Leaves Town, a final rift between Homme and Garcia finally brought Kyuss' meteoric run to a disappointing halt. 2000's Muchas Gracias: The Best of Kyuss collected rare outtakes and live recordings and effectively put a capper on the Kyuss legacy, but after a period of relative silence, each bandmember's talent began leaving its mark on a number of relevant projects. Garcia briefly worked with straightforward desert rockers Slo Burn in 1997 before reuniting with Reeder in the much more promising (but ultimately doomed) Unida, later lending his in-demand pipes to Hermano and other bands. Brant Bjork sang and played guitar in his own power trio, Che (featuring his Kyuss replacement Hernandez on drums), and released a number of solo albums while joining top fuzz rockers Fu Manchu on a full-time basis. As for Josh Homme, discounting a short touring stint as rhythm guitarist for Screaming Trees, he initially retreated into production and spent much of the late '90s collaborating with an impressive array of musicians on the eclectic Desert Sessions. Some of this material was later reworked into his next major project, Queens of the Stone Age, which saw him paired with original Kyuss bassist Nick Oliveri (who had kept busy working with Dwarves) and, at first, drummer Hernandez, as well. Ironically, by their third release (and last with Oliveri), 2002's Songs for the Deaf, Queens of the Stone Age had achieved significantly larger sales than Kyuss ever did, though it's arguable whether they've yet matched their predecessor's legendary status. ~ Eduardo Rivadavia
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Stations Featuring
Kyuss


Albums by
Kyuss

Top Songs by
Kyuss

  1.   Song
    Popularity
  2.   Gardenia
  3.   Green Machine
  4.   Son of a Bitch
  5.   Shine
  6.   Whitewater
  7.   Supa Scoopa and Mighty Scoop
  8.   Thumb
  9.   [Untitled Track]
  10.   Isolation
  11.   Demon Cleaner
  12.   Lick Doo
  13.   N.O.
  14.   Space Cadet
  15.   100 Degrees
  16.   Flip the Phase
  17.   Caterpillar March
  18.   Phototropic
  19.   Spaceship Landing
  20.   Catamaran
  21.   I'm Not
  22.   100°/Space Cadet/Demon Cleaner
  23.   Medley
  24.   Odyssey
  25.   Conan Troutman
  26.   A Day Early and a Dollar Extra
  27.   Mudfly
  28.   Mondo Generator
  29.   Capsized
  30.   800
  31.   Freedom Run
  32.   Apothecaries' Weight
  33.   Thong Song
  34.   50 Million Year Trip (Downside Up)
  35.   Molten Universe
  36.   El Rodeo
  37.   Thee Ol' Boozeroony
  38.   Size Queen
  39.   Tangy Zizzle
  40.   Fatso Forgotso
  41.   Stage III
  42.   Odyssey/Conan Troutman/N.O./Whitewater
  43.   (Beginning of What's About to Happen) Hwy 74
  44.   Ol' Boozeroony, Thee
  45.   Into the Void
  46.   Katzenjammer
  47.   Black Widow
  48.   Love Has Passed Me By
  49.   Hwy 74, (Beginning of What's About to Happen)
  50.   Asteroid
  51.   Un Sandpiper
  52.   Yeah
  53.   Allen's Wrench
  54.   Jumbo Blimp Jumbo
  55.   Gloria Lewis
  56.   One Inch Man
  57.   Hurricane
  58.   Spiders and Vinegaroons by Queens of the Stone Age
  59.   If Only Everything by Queens of the Stone Age
  60.   Deadly Kiss
  61.   Big Bikes
  62.   The Law
  63.   Writhe
  64.   Fatso Forgotso Phase II
  65.   Born to Hula by Queens of the Stone Age

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