 | | Formed from the ashes of stoner rock icons Kyuss, Queens of the Stone Age reunited the group's singer/guitarist Josh Homme, drummer Alfredo Hernandez, and bassist Nick Oliveri along with new guitarist/keyboardist Dave Catching. |
 | | Southern California's Fu Manchu began crafting heavy, psychedelic-tinged rock in 1990 with their debut single, "Kept Between Trees. |
 | | The Melvins were the first post-punk band to revel in the slow, sludgy sounds of Black Sabbath. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. |
 | | Not to be confused with the Canadian heavy metal band from the late '80s, named simply Sword, the Sword are a retro-metal four-piece hailing from -- of all places -- the singer/songwriter oasis of Austin, Texas. |
 | | Heavy metal rockers that compose Orange Goblin are Martyn Millard (bass), Ben Ward (vocals), Joe Hoari (guitar), Pete O'Mally (guitar), and Chris Turner (drums), and together these fine bandmates compose the harsh doom rock sounds similar to the likes of Mammoth Volume, Clawfinger, and Kyuss. |
 | | Guitarist/vocalist Matt Pike, bass player George Rice, and drummer Des Kensel formed High on Fire in 1999, following the collapse of Pike's previous band, doom metal titans Sleep. |
 | | Often referred to as the "heaviest band in the universe," England's Electric Wizard have consistently redefined the preconceived thresholds of a detuned guitar chord with their peerless doom metal achievements -- this despite an often interpersonally troubled, if musically triumphant, career. |
 | | Perhaps the ultimate stoner rock band, Northern California trio Sleep had a career that wafted in and out of focus from within their self-mandated cloud of marijuana smoke. |
 | | Clutch combined elements of funk, Led Zeppelin, and metal with vocals inspired by Faith No More. Formed in 1991 in Germantown, MD, the group included Neil Fallon (vocals), Tim Sult (guitar), Dan Maines (bass), and Jean-Paul Gaster (drums). |
 | | The seeds for the revolving door lineup that Queens of the Stone Age has become famous for were originally sown in another related project, the Desert Sessions. |
 | | It seems that with each change of season, a member of Queens of the Stone Age is issuing a new album by one of their many side projects, as early 2004 saw the release of the debut full-length by the Eagles of Death Metal, Peace, Love & Death Metal. |
 | | An alt/classic rock supergroup, Them Crooked Vultures feature Queens of the Stone Age's guitarist and vocalist Josh Homme, Nirvana/Foo Fighters' Dave Grohl on drums, and Led Zeppelin's John Paul Jones on bass. |
 | | Retro-rock visionaries Monster Magnet spent much of the 1990s struggling against the prejudices imposed upon image and sound by alternative rock fashion nazis. |
 | | Guitarist Eddie Glass and drummer Ruben Romano formed Nebula in 1997 after breaking away from desert rock pioneers Fu Manchu, eventually recruiting bassist Mark Abshire. |
 | | Atlanta-based sludge/stoner/alternative metal outfit Mastodon formed in 1999 around the talents of guitarist Bill Kelliher, drummer Bränn Dailor, bassist/vocalist Troy Sanders, and guitarist/vocalist Brent Hinds. |
 | | Like many influential bands, Helmet were born out of an unusual set of influences. Oregon-born guitarist and founder Page Hamilton had actually moved to New York City to study jazz, but found inspiration in the late '80s through post-punk acts Sonic Youth, Killing Joke, and Big Black, and envisioned a group that combined then-unusual tunings (particularly dropped D) with uneven and jazz-like time signatures and harmonies. |
 | | Truly a band out of time, the Australian power trio Wolfmother were conceived in 2000 -- about 30 years too late, considering that the musicians' psychedelic brand of proto-heavy metal sounded similar to the late-'60s/early-'70s craft of Blue Cheer and Black Sabbath. |
 | | One of the first punk-metal fusion bands, Corrosion of Conformity (C.O.C. for short) were formed in North Carolina by guitarist Woody Weatherman during the early '80s. |
 | | Montreal's Priestess build upon the fury of AC/DC and Black Sabbath for their own new-millennium headbanger blend of '70s Camaro rock. |
 | | Baroness play an eclectic brand of heavy metal, embracing the ferocity and sharp technique of new-millennium metal but with melodic accents and intelligent guitar work that suggest the influence of indie rock and post-punk bands. |
 | | San Francisco's stoner rock band Acid King formed in 1993. Singer/guitarist Lori Crover, bassist Peter Lucas and drummer Joey Osbourne started playing local shows that year with likeminded bands such as the Melvins, Hawkwind and the Obsessed. |
 | | Madison, WI's Bongzilla specialize in uncommonly heavy and doomy sludge-core dedicated to their one and only love: weed. |
 | | Down is an all-star heavy metal side project whose original lineup consisted of members from Pantera (singer Phil Anselmo), Corrosion of Conformity (guitarist Pepper Keenan), and Crowbar (guitarist Kirk Windstein, bassist Todd Strange, and drummer Jimmy Bower). |
 | | One of the leading American doom metal acts of the '80s (along with Trouble and the Obsessed), Saint Vitus was cursed with public indifference throughout their decade-plus career, which both started and ended in frustrating obscurity. |
 | | Although rooted heavy metal and the punk/hardcore aesthetic, Isis' music relies just as heavily on ambience, atmosphere, and tone as it does complexity and aggression. |
 | | The Swedish retro-doom-psych-folk band known as Witchcraft was started in 2000 by vocalist/guitarist Magnus Pelander, whose original intent was to record a single in tribute to Pentagram's Bobby Liebling and Roky Erickson -- how often does that happen? Calling on his friend John Hoyles (guitar) and brothers Ola (bass) and Jens Henriksson (drums) to lend a hand, Pelander did indeed record that single (entitled "No Angel or Demon") and released it through small independent Primitive Arts Records in 2002. |
 | | Tool's greatest breakthrough was to meld dark underground metal with the ambition of art rock. Although Metallica wrote their multi-sectioned, layered songs as if they were composers, they kept their musical attack ferociously at street level. |
 | | Slo Burn proved to be a quick pit stop in vocalist John Garcia's transition from desert metal gods Kyuss to stoned groovers Unida. |
 | | Black Sabbath have been so influential in the development of heavy metal rock music as to be a defining force in the style. |
 | | Formed in Oakland, California in late 1985, Neurosis developed a style blending industrial, heavy metal, and alternative rock with often spiritually focused lyrics. |
 | | The secretive instrumental art metal outfit Pelican was formed in Chicago by guitarists Trevor de Brauw and Laurent Lebec, as well as bassist Larry Herweg and his sibling drummer, Bryan. |
 | | New Orleans metal band Crowbar was originally comprised of vocalist/guitarist Kirk Windstein, guitarist Matt Thomas, bassist Todd Strange, and drummer Craig Numenmacher. |
 | | The members of hard rock trio Fireball Ministry -- Emily J. Burton, James A. Rota, and Helen Storer -- christened themselves with religious titles (bishop, reverend, and sister, respectively) in keeping with their band name, and issued their debut album, Ou Est La Rock?, in 1999 on Bong Load Records. |
 | | In many ways, Alice in Chains was the definitive heavy metal band of the early '90s. Drawing equally from the heavy riffing of post-Van Halen metal and the gloomy strains of post-punk, the band developed a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers. |
 | | Weedeater was born the mid-'90s, in Wilmington, NC, originally taking shape as a side project of vocalist/bassist "Dixie" Dave Collins, who was otherwise engaged with sludge metal cult favorites Buzzov*en at the time. |
 | | During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish, graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metal subject matter, but took the concept of darkness to an extreme. |
 | | With their fusion of heavy metal, funk, hip-hop, and progressive rock, Faith No More has earned a substantial cult following. |
 | | One of the most enduring and influential underground bands in heavy metal history, Pentagram's career was almost 15 years old by the time they finally managed to record their first album. |
 | | Soundgarden made a place for heavy metal in alternative rock. Their fellow Seattle rockers Green River may have spearheaded the grunge sound, but they relied on noise rock in the vein of the Stooges. |
 | | Led by singer/guitarist Chris Goss, Masters of Reality were something of an anomaly on the late-'80s/early-'90s rock scene, playing a strongly Cream- and Zeppelin-influenced brand of hard rock with modern touches. |
 | | The misanthropic sludge metal outfit Eyehategod was formed in New Orleans in 1988, and became an important part of a Southern sludgecore scene that included bands like Crowbar and Down, all of whom were heavily influenced by Black Sabbath, Black Flag, and the Melvins. |
 | | Rising from the ashes of stoner/doom legends Obsessed during the small genre's most fertile post-Kyuss period, Goatsnake helped define Southern California's low-and-slow metal scene during the late '90s. |
 | | Primus is all about Les Claypool; there isn't a moment on any of their records where his bass isn't the main focal point of the music, with his vocals acting as a bizarre side-show. |
 | | Following the dissolution of stoner rock icons Kyuss, singer John Garcia formed Unida with guitarist Arthur Seay, bassist Dave Dinsmore, and drummer Mike Cancino. |
 | | Earth's drone-heavy experimentation is largely the result of its one lasting member, guitarist Dylan Carlson. |
 | | Kylesa is, fundamentally, a metal group, but the Savannah, Georgia-based outfit is otherwise difficult to categorize: elements of hardcore punk, psychedelic stoner rock, technical speed metal, and good old-fashioned Black Sabbath sludge appear in their music. |
 | | The Atomic Bitchwax originated as a side project of Monster Magnet lead guitarist Ed Mundell, ex-Godspeed bassist/vocalist Chris Kosnik, and drummer Keith Ackerman. |
 | | Deftones were one of the first groups to alternate heavy riffs and screamed vocals with more ethereal music and hushed singing -- spawning a fair amount of imitators in their wake. |
 | | Upon leaving Saint Vitus -- whose unabashed worship of Black Sabbath helped lay the groundwork for the sludge, stoner, and doom metal mini-movements of the '90s -- vocalist/guitarist Scott "Wino" Weinrich re-formed the Obsessed, a band he'd founded in Washington, D. |
 | | The sparingly named Om reunites the oft-heralded Sleep rhythm section of Al Cisneros (bass, vocals) and Chris Haikus (drums); but this time, rather than producing monolithic stoner/doom metal, the duo is focused on a softer, if no less hypnotic brand of drone rock, partly infused with monastic and Tibetan chanting. |
