 | | Before she had released any material at all, Foxy Brown appeared on several 1995-1996 platinum singles, including her first credit, LL Cool J's "I Shot Ya," as well as Total's "No One Else" remix of Jay-Z's "Ain't No. |
 | | Da Brat was one of the first of a new breed of hard-edged female MCs to hit the hip-hop scene during the '90s. |
 | | Junior Masters at Finding Intelligent Attitudes, or Junior M.A.F.I.A., were able to grab instant notoriety with two hit singles, "Get Money" and "Player's Anthem," thanks to their childhood crony and producer, the Notorious B. |
 | | The Lost Boyz included Freaky Tah, Mr. Cheeks, Pretty Lou, and Spigg Nice. The rap quartet's first single -- "Lifestyles of the Rich and Shameless" -- earned them a contract with Uptown Records, which released their second single, "Jeeps, Lex Coups, Bimaz & Benz," later in 1995. |
 | | Best known as Puff Daddy's favorite sidekick, Mase secured his place as a Bad Boy label favorite through a series of guest appearances on hit singles by other artists. |
 | | Bad Boy Records rapper Black Rob began his recording career appearing on albums like the Cru's Da Dirty 30 and collaborating with artists like L. |
 | | An above-average rapper blessed with a bit of luck and connections as well as talent, Craig Mack practically made Puff Daddy's Bad Boy label with a remix of his 1994 hit "Flava in Ya Ear. |
 | | The rap duo of Lord Tariq and Peter Gunz first emerged from the Bronx under the name the Gunrunners; additionally, both enjoyed concurrent solo careers, with Gunz signing to Shaquille O'Neal's T. |
 | | Domino's "Sweet Potatoe Pie" was a pop and R&B hit from his self-titled debut LP. The album was issued in December of 1993. |
 | | MC Lyte was one of the first female rappers to point out the sexism and misogyny that often runs rampant in hip-hop, often taking the subject head on lyrically in her songs and helping open the door for such future artists as Queen Latifah and Missy Elliott. |
 | | Queen Latifah was certainly not the first female rapper, but she was the first one to become a bona fide star. |
 | | Onyx's shouting, in-your-face brand of high-volume rapping proved to be more at home in the slam pit than on the dancefloor and brought the rap quartet instant chart success. |
 | | The first solo Latino rapper to go platinum, Big Punisher was also yet another member of the hip-hop community to fall victim to an early death -- though in his case, it was due to health problems, not violence. |
 | | As the flagship artist for producer Irv Gotti's Def Jam-affiliated Murder Inc. label, Ja Rule became one of the rap industry's most commercially successful artists during the early 2000s, working closely with the hitmaking producer and his stable of talent. |
 | | The LOX -- an acronym for Living Off Experience -- are a Yonkers, NY-based rap trio who worked their way up through the Bad Boy training camp, writing and rapping on hits by the likes of Puff Daddy, the Notorious B. |
 | | Biz Markie's inclination toward juvenile humor and his fondness for goofy, tuneless, half-sung choruses camouflaged his true talents as a freestyle rhymer. |
 | | After the release of his debut album, the career of Texas-born rapper the D.O.C. was shattered by a car crash that almost took his life. |
 | | The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. |
 | | Coolio was one of the first rappers to balance pop accessibility with gritty, street-level subject matter and language. |
 | | Das EFX's wildly playful, rapid-fire stuttering -- dense with rhymes and nonsense words -- was one of the most distinctive and influential lyrical styles in early-'90s hip-hop. |
 | | One of the founding members of the Wu-Tang Clan, who recorded some of the most influential hip-hop of the '90s, Ol' Dirty Bastard was the loose cannon of the group, both on record and off. |
 | | Though G-Unit became generally recognized as the brand name associated with 50 Cent, for instance serving as a catch phrase ("G-G-G-G-G-Unit!") as well as a record label (G-Unit Records), it in fact began as the name of his backing posse. |
 | | Rather than taking the underground route like most Southern rappers, Petey Pablo took the direct route into the rap game: he went straight to the top. |
 | | They never had a mainstream hit of their own, but during rap's so-called golden age in the late '80s, Eric B. |
 | | One-half of the legendary hip-hop duo EPMD, Erick Sermon was also among the genre's most prominent producers, deservedly earning the alias "Funklord" with his trademark raw, bass-heavy grooves. |
 | | Jadakiss (born Jason Phillips) became a member of the Ruff Ryders in 1999. Five years earlier, he joined the LOX (who started their saga as a group called the Warlocks) and has remained a member of both groups since. |
 | | Never quite a superstar, Redman was nonetheless one of the most off-the-wall, beloved, and enduring rappers of the '90s and 2000s. |
 | | Rapper Cam'ron was born and raised in Harlem, attending Manhattan Center High School, where one of his basketball teammates was Mason "Mase" Betha, who also became a successful rapper. |
 | | As golden age rap suddenly gave way to West Coast gangsta in the early '90s, an East Coast variety of hardcore rap arose in turn, with Mobb Deep initially standing tall as one of New York's hardcore figureheads on the basis of their epochal album The Infamous. |
 | | Remembered for a couple of striking singles and their membership in the Native Tongues family of groups, Black Sheep also recorded one of rap music's most entertaining debuts, A Wolf in Sheep's Clothing. |
 | | Naughty by Nature pulled off the neat trick of landing big, instantly catchy anthems on the pop charts while maintaining their street-level credibility among the hardcore rap faithful; one of the first groups to successfully perform such a balancing act. |
 | | Hailing from Virginia, Clipse -- brothers Pusha T and Malice -- were one of the first artists to associate with the Neptunes. |
 | | Once one of the leading rappers on Master P's No Limit record label, Mystikal quickly evolved beyond the label's clichéd thug trappings and found himself one of the Dirty South's most recognized rappers, alongside the likes of Juvenile and Ludacris. |
 | | On the surface, the sample-reliant productions and monotone rapping styles of Erick Sermon and Parrish Smith had little to recommend them, but the duo's recordings as EPMD were among the best in hip-hop's underground during the late '80s and early '90s. |
 | | Latino rapper Fat Joe (aka Fat Joe da Gangsta, Joey Crack, and his real name, Joe Cartagena) was raised in the South Bronx area of New York. |
 | | Slick Rick foreshadowed and epitomized the pimpster attitude of many rappers during the late '80s and early '90s, with gold chains, his trademark eye-patch, and recordings that were no less misogynistic -- "Treat Her Like a Prostitute," for example, became an underground hit in 1988, though it was justly criticized for its view of women. |
 | | Hip-hop is notorious for short-lived careers, but LL Cool J is the inevitable exception that proves the rule. |
 | | Method Man was the first -- and biggest -- solo star to emerge from the groundbreaking Wu-Tang Clan. |
 | | Emerging during hip-hop's massive creative expansion of the late '80s, Big Daddy Kane was the ultimate lover man of rap's first decade, yet there was more to him than the stylish wardrobe, gold jewelry, and sophisticated charisma. |
 | | Having come up in the Hot Boys group alongside superstar Lil Wayne, New Orleans rapper Juvenile is a Southern hip-hop veteran, and a chart-topping one as well, having climbed the U. |
 | | Skee-Lo was an anomaly in the rap world of the '90s: instead of spinning violent gangsta tales or extolling the virtues of marijuana, Skee's songs were profanity-free, good-time stories with a self-deprecating sense of humor. |
 | | To many present-day listeners, DJ Jazzy Jeff & the Fresh Prince are best-remembered for launching the superstar music/acting career of the latter, now known by his real name of Will Smith. |
 | | Best-known for his 1988 platinum hip-hop classic "It Takes Two," Rob Base (with DJ E-Z Rock) rode his hit onto R&B radio stations as well as dance clubs, providing a touchstone for the style known as hip-house. |
 | | Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group of the late '80s and, for many, the definitive rap group of all time. |
 | | Rapper Memphis Bleek was raised in Brooklyn, NY's Marcy Projects housing community, making his recorded debut in 1996 on Jay-Z's Reasonable Doubt. |
 | | More than any other hip-hop group, Run-D.M.C. are responsible for the sound and style of the music. As the first hardcore rap outfit, the trio set the sound and style for the next decade of rap. |
 | | While hip-hop was consumed by the hardcore, noisy political rap of Public Enemy and the gangsta rap of N. |
 | | Master P created a hip-hop empire without registering on any mainstream radar. For several years, he operated solely in the rap underground, eventually surfacing in the mid-'90s as a recording artist and producer who knew exactly what his audience wanted. |
 | | The first human beatbox in the rap world, and still the best of all time, Doug E. Fresh amazed audiences with his note-perfect imitations of drum machines, effects, and often large samples of hip-hop classics. |
 | | The all-star hip-hop collective/production team Ruff Ryders included CEOs Chivon, Dee, and Waah Dean, producers Swizz Beatz, DJ Shok, and PK, and gold and platinum-selling rappers DMX, Eve, Drag On, and the LOX (Shawn "Sheek" Jacobs, Jayson Phillips, and David Styles). |
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