 | | Part of the '90s wave of honky tonk hitmakers that brought country to new commercial heights, John Michael Montgomery made his name primarily as a romantic balladeer. |
 | | Tracy Byrd's brand of new traditionalist country made him a star in the '90s, particularly his playful, good-time party singalongs (though he also turned in the occasional ballad success). |
 | | With his first two singles reaching number one upon their release, Clay Walker immediately established himself as a commercial success. |
 | | Part of the commercial rise of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most reliable country hitmakers. |
 | | Diamond Rio found major commercial success in the '90s by playing an eclectic hybrid of modern country, traditional bluegrass (especially in their harmony singing), and a hint of rock & roll. |
 | | The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are not only the biggest-selling duo in country music history, they've also sold more records than any other duo period, including Simon & Garfunkel. |
 | | After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. |
 | | One of the most popular country bands of the early '90s, Little Texas was influenced by modern country outfits like Alabama and Restless Heart, as well as country-rock groups like the Eagles. |
 | | Though their name might lead you to believe that Lonestar was formed in Texas, the quintet actually hails from Tennessee. |
 | | Aaron Tippin was part of the commercial explosion of new traditionalist country in the early '90s, making his name with a mixture of macho, rowdy honky tonkers, sentimental ballads, and patriotic working-man's anthems. |
 | | Trace Adkins helped keep country's traditionalist flame burning during the crossover-happy late '90s, mixing classic honky tonk with elements of gospel, blues, and rock & roll. |
 | | Out of all the new country singers to emerge in the early '80s, George Strait stayed the closest to traditional country. |
 | | Travis Tritt was one of the leading new country singers of the early '90s, holding his own against Garth Brooks, Clint Black, and Alan Jackson. |
 | | Neo-honky tonker Mark Chesnutt parlayed a solid grounding in classic country into chart-topping stardom during the '90s. |
 | | Garth Brooks is a pivotal figure in the history of country music, no matter how much some country purists would like to deny it. |
 | | When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. |
 | | Contemporary country star Collin Raye burned up the sales charts in the '90s, thanks to a blend of country-rock and smooth balladry, and a willingness to record socially conscious material in between the dance and romance tunes. |
 | | Sammy Kershaw rode in on the new traditionalist wave in the early '90s, finding success with a penchant for ballads and a blend of updated honky tonk (especially the vocal stylings of George Jones), Southern rock, and a hint of Cajun flavor. |
 | | One of those rare acts who actually became stars directly from winning Star Search, country-rockers Sawyer Brown wound up enjoying a long, hit-filled career and remained commercially viable into the new millennium. |
 | | Contemporary country star Kenny Chesney didn't have the immediate breakout success that many of his peers enjoyed upon signing with major labels, but gradually built up a significant following via hard work, pop-friendly ballads, and a likable, "Average Joe" persona. |
 | | A country music traditionalist from Texas, Clint Black was one of the first artists to kick-start the mass-market popularity of country in the '90s. |
 | | Toby Keith spent the '90s as a solid, workmanlike country star who met with considerable chart success, yet never quite broke free of the neo-traditionalist pack to become a household name like Garth Brooks or Alan Jackson. |
 | | Before Alabama, bands were usually relegated to a supporting role in country music. In the first part of the century, bands were popular with audiences across the country, but as recordings became available, nearly every popular recording artist was a vocalist, not a group. |
 | | Gary Allan hit the honky tonk circuit in his native Southern California at the seasoned age of 12. Playing in and out of the smoky, sweaty bars with his dad's band led Allan to follow in his father's footsteps and start his own band. |
 | | Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. |
 | | Country duo Montgomery Gentry evokes the sound and spirit of Southern rockers like Lynyrd Skynyrd, the Marshall Tucker Band, and Charlie Daniels, painting themselves as rowdy redneck rebels who still hold small-town values. |
 | | Reba McEntire was the most successful female recording artist in country music in the 1980s and 1990s, during which time she scored 22 number one hits and released five gold albums, six platinum albums, two double-platinum albums, four triple-platinum albums, a quadruple-platinum album, and a quintuple-platinum album, for certified album sales of 33. |
 | | One of the most popular female country singers of the '90s, Trisha Yearwood initially rose to fame as a protégée of Garth Brooks but quickly staked out her own identity as an assertive yet vulnerable modern woman. |
 | | Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. |
 | | Vince Gill paid nearly a decade-and-a-half of dues en route to becoming one of the most popular country stars of the '90s. |
 | | Part of country music's late-'90s crop of female crossover stars, Jo Dee Messina's appeal nonetheless remained more with country fans than pop audiences. |
 | | Contemporary country singer Martina McBride rose to stardom in the late '90s, starting out with a more traditionalist approach and later moving into more pop-friendly territory. |
 | | Oklahoma native Blake Shelton moved to Nashville in 1994, two weeks after his high school graduation, to launch a songwriting career that would eventually make him one of the leading males in contemporary country music. |
 | | Contemporary country singer/songwriter Brad Paisley was born October 28, 1972, in Glen Dale, West Virginia; given his first guitar at age eight, he delivered his first public performance at church two years later. |
 | | Joe Nichols took the roundabout way to country success, scoring his first major hit six years after landing his initial record deal. |
 | | When he was four years old, Chris Cagle moved from Louisiana to the outskirts of Houston, where he grew up. |
 | | Growing up in a non-musical family in Phoenix, Arizona, country singer Dierks Bentley got his country music education on his own, listening to recordings. |
 | | A native of Hannah, South Carolina, country crooner Josh Turner burst onto the scene in 2003 with the powerful "Long Black Train," a song he'd written after listening to a Hank Williams box set. |
 | | After spending several years as a professional songwriter, Lee Ann Womack became one of the breakout contemporary country stars of 1997 with her eponymous debut album. |
 | | Like her contemporary Shania Twain, singer/songwriter Terri Clark came storming out of Canada and captured the attention of America's country music industry in the mid-'90s. |
 | | Country singer/songwriter Billy Currington was raised in Rincon, GA. Following high school, he made a couple attempts at relocating to Nashville in the hopes of getting a career in music off the ground, finally landing a job there at a concrete company, while still finding time to play at clubs on the side and work on song demos. |
 | | Though country singer Rodney Atkins didn't get his first guitar until one Christmas in high school, he took to the instrument instantly and was soon playing anywhere he could around his Cumberland Gap, Tennessee, home. |
 | | Singer/songwriter Craig Morgan was an army brat before he opted for a career in music. Born and raised in Nashville, Morgan was already a country music fan with dreams of playing guitar and making it big. |
 | | One of the biggest female country stars of the '90s and 2000s, Faith Hill also took advantage of the inroads Shania Twain made into pop territory, becoming an enormous crossover success by the end of the millennium. |
 | | Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. |
 | | A pair of gonzo country showmen initially shunned by the Nashville mainstream but eventually becoming the face of the Music City as the 2000s drew to a close, Big & Rich were the most unlikely country success story of the new millennium. |
 | | Emerging in the mid-'90s, Shania Twain became the most popular country music artist since Garth Brooks. |
 | | Country singer/songwriter Darryl Worley grew up in Pyburn, TN, the son of a father who left his job at a local paper company to become a Methodist preacher and a mother who was a featured singer in the church choir. |
 | | Although born in New Zealand and raised in nearby Australia, Keith Urban made his biggest splash in Nashville, where he helped rewrite the rules of contemporary country music. |
 | | Although he didn't quite achieve the fame or sales of new country contemporaries as Tim McGraw or Clay Walker, Mark Wills earned a respectable following and strong reviews following the release of his eponymous 1996 debut album. |