 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional route. |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. |
 | | Jason Mraz hails from Mechanicsville, Virginia, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | Train was inescapable during the turn of the 21st century, when songs like "Calling All Angels" and "Drops of Jupiter" made the San Francisco residents some of America's most popular balladeers. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | As the lead singer and principal songwriter for Matchbox Twenty, Rob Thomas found success with a blend of '70s rock influences, slick hooks, and 1990s post-grunge crunch. |
 | | Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy). |
 | | San Francisco-based singer/songwriter Matt Nathanson has built up a loyal fan base through extensive touring. |
 | | Years before "I Don't Want to Be" propelled him to pop/rock success, songwriter Gavin DeGraw began honing his piano skills at the age of eight, followed by his participation in several cover bands with his older brother in upstate New York. |
 | | Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. |
 | | Led by singer/songwriter Jason Wade, Lifehouse emerged in the early 2000s with a commercial blend of pop/rock melody and throaty, post-grunge vocals. |
 | | A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | Born in Eugene, Oregon, singer/songwriter Mat Kearney began his musical career 400 miles south at the Chico branch of California State University, where he studied literature and played on the soccer team. |
 | | For a short time, Hootie & the Blowfish was the most popular band in America. Grunge music ruled the airwaves during the mid-'90s, but Hootie played a mainstream pop variation of blues-rock, and their easy-going sound netted them a string of Top 40 hits. |
 | | Combining elements of acoustic rock, folk, and jangle pop, Sister Hazel formed in 1993 in Gainesville, FL. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Combining funky, groove-laden soul with handcrafted acoustic folk-rock, Ben Harper enjoyed cult status during the course of the '90s before gaining wider attention toward the decade's end. |
 | | A former British Army officer, singer/songwriter James Blunt is a thoughtful performer with a knack for crafting melodic contemporary soft rock tunes. |
 | | Like Patty Griffin before him, singer/songwriter Howie Day emerged from the country quietude of Bangor, Maine, and entered both Boston's coffeehouse scene and the world of folk music. |
 | | British singer/songwriter David Gray had already released three overlooked albums by the time White Ladder (and its international breakthrough hit, "Babylon") brought his mix of acoustic instruments and electronic samples to the mainstream. |
 | | Featuring the anthemic songwriting of Ryan Tedder, OneRepublic rose to prominence in 2007, when "Apologize" began its reign as the most popular digital download in American history. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | Hailing from the suburbs of Chicago, the punk-pop outfit Plain White T's began taking shape in 1997, a full ten years before the acoustic ballad "Hey There Delilah" made them Grammy-nominated stars. |
 | | A gifted songwriter and a versatile pianist with no formal training, Sara Bareilles burst onto the pop scene with a naturally skilled voice that ranged from powerful and soulful to sweet and gentle, earning her instant comparisons to Fiona Apple and Norah Jones. |
 | | By age 21, vocalist Colbie Caillat had evolved swiftly from an aspiring R&B/folk singer to a pop sensation, a feat that owed as much to the marketing assistance of MySpace as the meteoric popularity of her debut single, "Bubbly. |
 | | Augustana's music is the heartland equivalent of Coldplay and Keane, with a touch of mid-'90s adult alternative throwback (think Counting Crows or the Wallflowers) also peppering the band's rootsy, piano-based rock. |
 | | A rootsy singer/songwriter with ties to jazz and soul as well, Edwin McCain hails from Charleston, South Carolina, and it was with the support of native sons Hootie & the Blowfish that McCain signed with Atlantic Records. |
 | | Launched in 1991 as a folk-based acoustic duo, Vertical Horizon gradually molded itself into a slick pop/rock outfit, culminating in the band's brief (but significant) heyday at the turn of the 21st century. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | A self-described "Celtic soul" trio, the Script were founded by guitarist Mark Sheehan and vocalist Danny O'Donoghue in 2001. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | A mix of polished pop/rock and neo-soul made Maroon 5 one of the most popular bands of the 2000s, with songs like "This Love," "She Will Be Loved," and "Makes Me Wonder" all topping the charts worldwide. |
 | | Combining the melodic jangle of post-Smiths indie guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U. |
 | | Singer/songwriter Christopher Carrabba became the poster boy for a new generation of emo fans in the early 2000s, having left behind his former band (the post-hardcore Christian outfit Further Seems Forever) to concentrate on vulnerable, introspective solo musings. |
 | | Singer/pianist Ben Folds (born September 12, 1966, in Winston-Salem, North Carolina) is best known as the leader of the power pop trio Ben Folds Five, but has also struck out on his own as a solo artist. |
 | | Alanis Morissette was one of the most unlikely stars of the mid-'90s. A former child actress turned dance-pop diva, Morissette later transformed herself into a confessional alternative singer/songwriter in the vein of Liz Phair and Tori Amos. |
 | | Michael Bublé's introduction to the music of the swing era came to him through his grandfather, who filled his grandson's ears with the sounds of the Mills Brothers, Ella Fitzgerald, Frank Sinatra, and others. |
 | | Although she rose to fame during the teen pop era, Michelle Branch -- who was 17 years old when her debut album, The Spirit Room, began its double-platinum run in 2001 -- modeled her own songs after iconic alt-rock females like Lisa Loeb and Melissa Etheridge. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. |
 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |