 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | Of all the major alternative rock bands of the early '90s, Smashing Pumpkins were the group least influenced by traditional underground rock. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | When Foo Fighters released a debut album written and recorded entirely by leader Dave Grohl -- at that point known only as the powerhouse drummer for Nirvana -- in the summer of 1995, few would have guessed that the group would wind up as the one band to survive the '90s alt-rock explosion unscathed. |
 | | Formed in 1988 as a garage punk band, Sublime rose to fame in the mid-'90s on the back of the California punk explosion engendered by Green Day and the Offspring, though Sublime boosted their punk influences with heavy elements of reggae and ska. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Though Everclear's Northwestern grunge-punk style was hardly revolutionary when the band rose to popularity in 1995, the trio's hook-ridden songs and Art Alexakis' "us against them" lyrics were taken to heart by bored Gen-X teens. |
 | | Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. |
 | | Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | Stone Temple Pilots were able to turn alternative rock into stadium rock; naturally, they became the most critically despised band of their era. |
 | | When Seattle grunge went mainstream, it was only a matter of time before the ripple effect was felt in regions other than the Pacific Northwest. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | With the return of the punks in the mid-'90s came a resurgence of their slightly more commercial rivals, new wave bands. |
 | | By blending contemporary power pop with elements of the post-grunge era, Gin Blossoms briefly emerged as torchbearers of the lighter side of alternative rock. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Live rose to success on the strength of its anthemic music and idealistic, overtly spiritual songwriting, two hallmarks that earned the group frequent comparisons to U2. |
 | | Incubus became one of the most popular alt-metal bands of the new millennium, setting themselves apart from a crowded field with a tireless touring ethic and a broad musical palette. |
 | | 311's fusion of reggae and rap-metal was created in Omaha, Nebraska, where singer/guitarist Nick Hexum, DJ/singer S. |
 | | The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. |
 | | Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. |
 | | Whereas most up-and-coming alternative bands of the early '90s borrowed from the leaders of the pack (Nirvana, Soundgarden, Nine Inch Nails, etc. |
 | | Soundgarden made a place for heavy metal in alternative rock. Their fellow Seattle rockers Green River may have spearheaded the grunge sound, but they relied on noise rock in the vein of the Stooges. |
 | | Combining the melodic jangle of post-Smiths indie guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U. |
 | | The new-school punk trio blink-182 were formed in the suburbs of San Diego, California around guitarist/vocalist Tom DeLonge, bassist/vocalist Mark Hoppus, and drummer Scott Raynor. |
 | | Best-known for their ubiquitous hit "The Distance," Cake epitomized the postmodern, irony-drenched aesthetic of '90s geek rock. |
 | | Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | Along with such similarly styled outfits as the Goo Goo Dolls, the New Orleans-based trio Better Than Ezra helped open the floodgates for countless alt-pop acts of the late '90s (including Semisonic, Matchbox Twenty, and Third Eye Blind) by merging college rock influences with mainstream aspirations. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | Primarily known for their post-grunge blockbuster hit "The Freshmen," the Verve Pipe formed in 1992 in Lansing, Michigan, where frontman Brian Vander Ark pieced his group together from the ashes of two local bands. |
 | | As the first white rap group of any importance, the Beastie Boys received the scorn of critics and strident hip-hop musicians, both of whom accused them of cultural pirating, especially since they began as a hardcore punk group in 1981. |
 | | Although the members of Marcy Playground met in New York City during the mid-'90s, both singer/guitarist John Wozniak and bassist Dylan Keefe originally hailed from Minneapolis, and drummer Dan Rieser grew up in Ohio. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. |
 | | There were many pseudo-hippie, jam-oriented blues rockers in New York during the early '90s, but only the Spin Doctors made it big. |
 | | Punk-pop trio Eve 6 scored three Top 40 singles (as well as eight modern rock hits) during the late '90s and early 2000s. |
 | | Once best known for his tenure in the rap unit House of Pain, Everlast successfully reinvented himself in 1998 with the best-selling Whitey Ford Sings the Blues, a largely acoustic, hip-hop-flavored effort in the genre-crossing mold of Beck. |
 | | Belying their origins as a raucous funk metal band, Sugar Ray created several of the most breezily infectious summer singles of the late '90s, hitting on an appealing combination of sunny pop, lightly funky hip-hop grooves, and reggae lilt. |
 | | Candlebox rode the grunge bandwagon to multi-platinum success in the early '90s, despite howls of protest from the Seattle faithful who considered their music a watered-down version of the genuine article. |
 | | A major player throughout the post-grunge boom of the late '90s, Lit featured the combined talents of frontman A. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Rage Against the Machine earned acclaim from disenfranchised fans (and not insignificant derision from critics) for their bombastic, fiercely polemical music, which brewed sloganeering leftist rants against corporate America, cultural imperialism, and government oppression into a Molotov cocktail of punk, hip-hop, and thrash. |
 | | There may have been other "retro" rock acts before him, but Lenny Kravitz was one of the first to not be pigeonholed to a single style as he touched upon such genres as soul, funk, reggae, hard rock, psychedelic, folk, and ballads over the years. |
 | | At the time of their 1990 debut, the kind of rock & roll the Black Crowes specialized in was sorely out of style. |
 | | A novelty rock band in the same vein as Presidents of the United States of America, but with surf and garage influences instead of the Presidents' punk/thrash background, Smash Mouth found a hit in 1997 with the '50s-influenced "Walkin' on the Sun. |
 | | Named in honor of a sketch by the Monty Python comedy troupe, Toad the Wet Sprocket became one of the most successful alternative rock bands of the early '90s, boasting a contemporary folk-pop sound that wielded enough melody and R. |