 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | Victoria, British Columbia, five-piece Jets Overhead originally formed as a quartet under the name the Special Guests in 1995. |
 | | When the Blood Brothers disbanded in 2007, Johnny Whitney and Cody Votolato moved to Portland, OR and formed Jaguar Love with members of Pretty Girls Make Graves, while the rest of the band -- vocalist Jordan Blilie, drummer Mark Gajadhar, and keyboardist/baritone guitarist Morgan Henderson -- stayed in Seattle and teamed up with former Shoplifting guitarist Devin Welch (who had also been in an early Blood Brothers lineup) and became Past Lives. |
 | | Broken Social Scene materialized in 1999 when K.C. Accidental's Kevin Drew and Brendan Canning, formerly of By Divine Right, bonded their friendship into a band. |
 | | Boston, MA-based electronic indie pop outfit Yes Giantess craft synth-fueled, high-energy dancefloor jams in the vein of Passion Pit, Ratatat, Friendly Fires, and early MGMT. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
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 | | Starting in the late ‘90s and throughout the 2000s and 2010s, My Morning Jacket expanded on their rock and country roots, embracing everything from neo-psychedelia to funk, prog, and reggae in their sonic experimentation. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | City and Colour was the solo acoustic project of Dallas Green, best known as the singer/guitarist for the Canadian post-hardcore band Alexisonfire. |
 | | Dan Snaith's early recordings as Manitoba underlined his status among the chattering electronic classes as one of the brightest talents to emerge during the early 2000s. |
 | | The Vancouver indie rock supergroup the New Pornographers features the talents of Zumpano's Carl Newman, the Evaporators' John Collins, Destroyer's Dan Bejar, cartoonist/filmmaker Blaine Thurier, drummer Fisher Rose, and guest vocalist Neko Case. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |
 | | A singer/songwriter and multi-instrumentalist, Detroit-born Sufjan Stevens started venturing into the music world while attending Hope College as a member of Marzuki, a folk-rock band based in Holland, Michigan. |
 | | The members of indie art rock band Nurses had known each other since elementary school and finally put Nurses together around 2004. |
 | | She & Him feature the somewhat unlikely pairing of country-folk artist M. Ward and actress/singer/songwriter Zooey Deschanel. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Formed in the waterfront town of Anacortes, WA, the Lonely Forest center on the talents of vocalist/pianist John Van Deusen. |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | Chicago singer/songwriter/violinist Andrew Bird updates the traditions of small-group swing, German lieder, and New Orleans jazz, mixing Gypsy, folk, and rock elements into his distinctive style. |
 | | One of 2006's most unexpected indie success stories, Beirut combines a wide variety of styles, from pre-rock/pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of the Decemberists to the lo-fi, homemade psychedelic experimentation of Neutral Milk Hotel. |
 | | Sweden's Jens Lekman emerged from relative obscurity to quickly establish himself as the darling of the global indie pop set, winning widespread acclaim from fans and critics for his uncommonly witty and well-crafted pop songs. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Sharing a fondness for sophisticated soul and pop artists like the Smiths, New Order, and Marvin Gaye, vocalist Torquil Campbell and keyboardist Chris Seligman formed Stars in Toronto. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | A singer/songwriter whose lush, theatrical pop harked back to the traditions of Tin Pan Alley, cabaret, and even opera, Rufus Wainwright was born in 1973; the son of folk music luminaries Loudon Wainwright III and Kate McGarrigle, his parents divorced while he was a child, and he was raised by his mother in Montreal. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | By the time Sondre Lerche had released his major-label debut (2002's critically acclaimed Faces Down), the 19-year-old Norwegian wunderkind was already a veteran of the music industry. |
 | | Montezumas frontman Kristian Matsson started recording a set of rustic, gravelly-voiced tunes, ones that nodded to fellow Swedes Homesick Hank and Thomas Denver Jonsson, under the nom de solo act the Tallest Man on Earth in the early 2000s. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Dan Bejar started Destroyer as a solo project in Vancouver in 1995. His first album, We'll Build Them a Golden Bridge, was an electric folk record, setting the stage for the early Bowie comparisons that were certain to follow his particular vocal style. |
 | | Hailed by the Wall Street Journal as "the female Flight of the Conchords," Garfunkel & Oates is a comedy duo comprised of actresses Kate Micucci and Riki Lindhome. |
 | | Singer/songwriter Laura Marling was only 16 years old when she emerged on the British indie scene in 2007 thanks to a handful of infectious singles made available on her MySpace profile. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | The lo-fi rock quintet Midlake were formed in Denton, Texas, in 2000 by a group of musicians who had attended the North Texas School of Music together: Paul Alexander (bass, keyboards), Eric Nichelson (keyboards, guitar), Eric Pulido (guitar, keyboards, background vocals), Tim Smith (vocals, keyboards, guitar), and Mckenzie Smith (drums). |
 | | Formed by Malawian singer Esau Mwamwaya and British DJ/production duo Radioclit (Johan Karlberg and Etienne Tron), electro-Afro-pop outfit the Very Best came to fruition in 2008 after the trio's free online mixtape found unexpected global success -- their spirited remixes of obscure/popular pop, dance, indie rock, and Afro-pop tunes, all of which were tied together by Mwamwaya's hypnotic Chichewa, Swahili, Portuguese, and English vocals, found favor with everyone from Pitchfork to Radar to Rolling Stone. |
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 | | DJ A-Trak has traveled all over the world, performing at DJ competitions, clubs, and music festivals in countries including Australia, Japan, South Africa, and Norway, all before the tender age of 18. |
 | | Originally hailing from Chicago, the Fruit Bats feature an ever-changing lineup based around the folk-pop songwriting of bandleader Eric Johnson (not to be confused with the Eric Johnson from Archers of Loaf or the guitar virtuoso of the same name). |
 | | Formed in 2008, Local Natives craft their dramatic and eclectic brand of indie rock from their home base in Los Angeles, California. |
 | | TUnE-yArDs is the lo-fi experimental folk project of Merrill Garbus, also of the noisy indie pop band Sister Suvi. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | Although the High Llamas are nominally a group, they're pretty much the brainchild of singer and guitarist Sean O'Hagan. |
 | | The Dears, a loose collective of Montreal-area musicians formed in 1995, are led by the charismatic Murray Lightburn. |
 | | Portland, Oregon-based indie pop duo Quasi teamed singer/guitarist/keyboardist Sam Coomes and drummer Janet Weiss, who not only previously joined forces in the band Motorgoat but also married and divorced. |
 | | Originally a one-off project from singer/songwriters Richard Davies and Eric Matthews, Cardinal came together in 1994 following ex-Moles frontman Davies' relocation from his native Australia to the U. |
 | | Telekinesis is the songwriting vehicle of Michael Benjamin Lerner, whose music splits the difference between summery indie rock and buoyant power pop. |