 | | The Black Ghosts are a dance-pop twosome featuring vocalist Simon Lord, formerly of Simian, and Wiseguys' programmer/multi-instrumentalist Theo Keating, aka DJ Touche. |
 | | Blue Foundation's cinematic dream pop and shoegaze-tinged electronics are known for being featured in films like Twilight and on TV shows like CSI: Miami. |
 | | Probably one of a very few soundtrack composers to idolize Iggy Pop, Carter Burwell is best known for his work with the Coen Brothers, having scored every one of their films through the year 2010. |
 | | Taking cues from several decades of alternative rock, Mute Math (also known as MUTEMATH and MuteMath) fuse together New Order's synth-dance epics, the Stone Roses' shambling shuffle, Radiohead's chilliness, Air's ambient pop, and the booming vocals of mainstream pop/rock. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | The Swedish indie pop artist Lykke Li Zachrisson (better known as Lykke Li) grabbed the attention of international bloggers in the early 2000s with a handful of catchy, retro-chic singles made available on her MySpace profile. |
 | | Although their blend of emo-pop and slick, anthemic rock & roll eventually made them stars on both sides of the Atlantic, Paramore began humbly enough in Franklin, Tennessee, where Hayley Williams met brothers Josh and Zac Farro after moving to town from Mississippi. |
 | | With the release of her 2005 debut, Anya Marina reinvented herself as a modern-day Renaissance woman: actress, comic, disc jockey, and quirky songwriter. |
 | | When Seattle grunge went mainstream, it was only a matter of time before the ripple effect was felt in regions other than the Pacific Northwest. |
 | | Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. |
 | | Zane Lowe, also known more intimately as Zipper, is a well-regarded radio DJ best known for his weeknight broadcast on BBC Radio 1. |
 | | Friends since their teenage years and party throwers since the mid-'90s, Berlin-based DJ and production duo M. |
 | | The Night Marchers represent a meeting of the minds of some of the more potent figures in West Coast punk. |
 | | Having collaborated on a handful of remixes -- dating back to 1999, when they took on one of Vermittelnde-Elemente's tracks on the Bruchstuecke label, while collecting work on Losoul's "You Know," Geiger's "Good Evening," and Gui Boratto's "Like You" along the way -- Michael Mayer and Superpitcher eventually produced tracks of their own together, resulting in the 2007 full-length Save the World. |
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 | | Based in Castle Donington and formed by 16- and 17-year-olds in 2004, Late of the Pier are an indie electro band unique to their scene and one that is incredibly difficult to pinpoint. |
 | | Hailing from Manchester and featuring an outspoken frontman, Liam Fray, with a penchant for both talking up his own positive attributes and getting into verbal scraps with other bands, the Courteeners received regular comparisons in the U. |
 | | The gritty English trio Band of Skulls craft bluesy and ballsy slabs of atmospheric indie rock that echo the work of contemporaries like the Kills, Duke Spirit, and the Black Keys. |
 | | New York-raised Luca Venezia began his Drop the Lime project with a series of highly sought-after grime/dubstep singles on various labels before dropping his debut LP, This Means Forever, on the Tigerbeat6 label. |
 | | The odd combination of an Englishman in the midst of southeastern Texans, Electric Touch emerged following the demise of British band IV Thieves and Houston, TX-based Bojones. |
 | | Much like Iron & Wine and similar indie outfits, Sea Wolf is the project name of a sole singer/songwriter who drafts in other musicians as the occasion warrants. |
 | | Themselves, part of the Anticon crew, play underground hip-hop with the confounding lyrical poetry of Doseone's other group, cLOUDDEAD, but without the same approach to ambient sound textures. |
 | | Deriving their name from the ill-fated characters featured in the work of writer/illustrator Henry Darger, the Vivian Girls (not to be confused with the "craft pop" duo of the same name) are a Brooklyn-based trio whose gritty, lo-fi tunes nod to seminal indie pop acts like Black Tambourine, Talulah Gosh, and Tiger Trap. |
 | | Sébastien Tellier is a multifaceted instrumentalist/singer from Paris, France's 17th Arrondissement, an elongated arts-and-culture-rich territory located near the Arc de Triomphe and the Champs Élysées. |
 | | Drawing inspiration from shoegaze, classic indie rock, and atmospheric and dark sounds of all stripes, the Brooklyn-based A Place to Bury Strangers consist of Oliver Ackermann, Jay Space, and Jono Mofo. |
 | | Ariel Pink's Haunted Graffiti craft lo-fi recordings full of intrigue -- and full of contradictions. |
 | | Since their formation in New York City's Brooklyn borough in 2001, Gang Gang Dance have earned an enthusiastic underground cult following by providing experimental, left-of-center music that uses a lot of electronics but is also very percussion-minded; percussion, in fact, is a prime ingredient of their sound. |
 | | Hailing from Cedar Rapids, IA, this bass-less trio produces punked out garage rock drenched in reverb and distortion. |
 | | The seed that became Black Rebel Motorcycle Club -- or BRMC for short -- was planted in 1995, when Robert Levon Been (aka Robert Turner) and Peter Hayes met while attending high school in San Francisco. |
 | | Appearing seemingly out of nowhere with a batch of superb pop songs full of punk-infused energy and vocals chops that Björk or Polly Jane Harvey would envy, Ida Maria became a sensation in Sweden on the basis of a number of well-reviewed live shows and some truly impressive demos. |
 | | Perry Farrell's post-Jane's Addiction band, Porno for Pyros, followed the same path as his previous band, combining art rock, punk, heavy metal, and funk into one shrieking whole. |
 | | This no wave threesome from Portland, OR, is fronted by the strange and exquisite waif Ida No, whose crazy caterwauls recall the frantic singing of the Swans' Jarboe, David Bowie, and the shifty rhythms of James Chance. |
 | | While Canadian punk provocateurs Fucked Up play aggressive and incendiary music, that's hardly where their desire to stir up trouble begins and ends. |
 | | Hailing from Phoenix, AZ, the indie rock band Dear and the Headlights comprises Ian Metzger (vocals, guitar), Joel Marquard (vocals, guitar, keyboard), Chuckie Duff (bass, keyboard), PJ Waxman (vocals, guitar), and Mark Kulvinskas (drums). |
 | | Comprised of brothers Krispy Kream and Rah Al Millio, the Knux are a clever alternative rap duo who are musicians as well as singer/rappers. |
 | | First formed in Poughkeepsie, New York before moving to Philadelphia, Pennsylvania, Genghis Tron was a noise, electronic, IDM, grind, doom, ambient trio that got together in 2004. |
 | | French composer Alexandre Desplat is the son of a Greek mother and a French father who met in the U. |
 | | A dark-edged trio hailing from London, White Lies take sonic cues from the likes of Joy Division, the Teardrop Explodes, and Echo & the Bunnymen. |
 | | The synth-pop group NASA was on the verge of reaching an American audience when the rug was suddenly pulled from under them. |
 | | Better known as a prolific tech-house producer who has released material on Kompakt, Harthouse, Trapez, and Audiomatique, Gui Boratto -- born in São Paulo, Brazil, in 1974 -- began contributing to recordings as a producer and multi-instrumentalist during the early '90s, working with the disparate likes of Pato Banton, Steel Pulse, Desiree, Gal Costa, Garth Brooks, and Kaleidoscópio. |
 | | Named after a Chinese friend whose name sounds like the Mandarin pronunciation of "bandstand," the Ting Tings -- a scrappy, dance-oriented duo consisting of singer/guitarist Katie White and drummer Jules De Martino -- formed in the Salford district of Manchester, England in 2006. |
 | | Los Angeles experimental lo-fi drum-and-guitar duo No Age are Dean Spunt and Randy Randall, ex-members of hardcore band Wives. |
 | | Girl Talk is the pseudonym of DJ and remixer Greg Gillis. A Pittsburgh native who works as a biomedical research engineer during the day, Gillis channels his other creative energies into Girl Talk, whose sample-based dance tracks have made him the John Oswald or Christian Marclay of the mash-up generation: each of his songs are built on recognizable samples of recent hit singles, recontextualized into an entirely new piece. |
 | | After touring in support of Longwave’s fourth album, Secrets Are Sinister, frontman Steve Schiltz took some time off to record a solo set of songs. |
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 | | Alberta Cross are a blues and country-influenced roots rock act drawing their sound from the foundation built by the Band and Neil Young. |
 | | Before she was the lead singer, pianist, lyricist, and composer for the "Brechtian punk cabaret" duo the Dresden Dolls, Amanda Palmer was a Wesleyan University graduate who had been involved in theater for a number of years. |
 | | Punk-pop, pure pop, and a wry sense of humor all meet in the sound of Eastern Conference Champions, the three-man band from Bucks County, PA, with a serious alt-rock pedigree. |
 | | Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept America and England during the early 21st century. |