 | | Fall Out Boy rose to the forefront of emo pop in the mid-2000s, selling more than four million albums thanks to the band's tabloid-grabbing bassist, able-voiced frontman, and handful of Top 40 hits. |
 | | The members of Panic! at the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. |
 | | Formerly in rival bands on the Chicago local scene, guitarist Mike Carden and vocalist William Beckett came together in 2003 to mark the beginning of emo-pop outfit the Academy Is. |
 | | Although their blend of emo-pop and slick, anthemic rock & roll eventually made them stars on both sides of the Atlantic, Paramore began humbly enough in Franklin, Tennessee, where Hayley Williams met brothers Josh and Zac Farro after moving to town from Mississippi. |
 | | With their emo-punk songwriting, theatrical vocals, and neo-goth appearance, My Chemical Romance rose from the East coast underground to the forefront of modern rock during the early 2000s. |
 | | Formed in 1999 in Amityville, New York, Taking Back Sunday modeled their interpretation of melodic hardcore after bands like Lifetime, Endpoint, and Sunny Day Real Estate, as well as guitarist Ed Reyes' emo outfit the Movielife. |
 | | Boston-based emo-pop turned country-tinged pop outfit Boys Like Girls features singer/guitarist Martin Johnson, bassist Bryan Donahue, drummer John Keefe, and guitarist Paul DiGiovanni (the last two members being cousins). |
 | | Vocalist/bassist Tyson Ritter and guitarist Nick Wheeler both hail from Stillwater, OK, where the pair first embraced music as an appealing diversion from the ho-hum life of small-town America. |
 | | Forever the Sickest Kids received their first break mere days after forming, when lead singer Jonathan Cook inadvertently spent several hundred dollars for front-page song placement on PureVolume. |
 | | Hailing from the suburbs of Chicago, the punk-pop outfit Plain White T's began taking shape in 1997, a full ten years before the acoustic ballad "Hey There Delilah" made them Grammy-nominated stars. |
 | | Say Anything are the pop-punk brainchild of Max Bemis, who founded the band while its initial members were still attending high school in Los Angeles. |
 | | The emo-pop outfit Cute Is What We Aim For emerged from Buffalo, NY, in January 2005. Although originally formed as a quintet, the band ultimately stripped down to four members, with vocalist Shaant Hacikyan, guitarist/pianist Jeff Czum, drummer Tom Falcone, and bassist/guitarist Fred Cimato comprising the lineup. |
 | | Hailing from Coral Springs, Florida, punk-pop band New Found Glory were formed in mid-1997 by vocalist Jordan Pundik, bassist Ian Grushka, drummer Joe Moreno (replaced by longtime drummer Cyrus Bolooki after the band's first release), and guitarists Chad Gilbert (previously the vocalist for Shai Hulud) and Steve Klein. |
 | | The punk-inspired quintet Yellowcard formed in Jacksonville, Florida, in 1997 but didn't solidify their lineup until a move to Southern California in early 2000. |
 | | Drummer Ryan O'Connor and bassist Joe Lussa formed the core of punk-pop/emo hybridists the Audition in 2003, working with a revolving cast of early members to hone the band's sound and perform the material live. |
 | | A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). |
 | | A group of quirky, fun-loving emo-rockers from California, Hellogoodbye seem to take as much influence from modern pop-punk as they do from the original Nintendo sound bleeps that held children captive in the late '80s. |
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 | | With a sound that falls directly in line with the legions of post-Fall Out Boy emo/pop-punk bands (think Panic! at the Disco's vocals over FOB's hooks), Scenes from a Movie have their roots in Charleston, WV, centered on a pair of high-school friends, vocalist/bassist Tony Bush and guitarist Jon Ewing. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | Cartel's earnest brand of emo-pop emerged out of Atlanta in 2004, when vocalist Will Pugh, bassist Ryan Roberts, drummer Kevin Sanders, and guitarists Joseph Pepper and Nic Hudson released an initial EP that caught the ear of the California-based Militia Group label. |
 | | A spawn of the fertile Chicago pop-punk scene of the 2000s, the piano-laced quintet October Fall came together in the summer of 2003. |
 | | Singer/songwriter Christopher Carrabba became the poster boy for a new generation of emo fans in the early 2000s, having left behind his former band (the post-hardcore Christian outfit Further Seems Forever) to concentrate on vulnerable, introspective solo musings. |
 | | Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. |
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 | | Perfecting their power pop rock since the mid-'90s, New Jersey's Saves the Day call it like it is. They refrain from characteristic pogo-bouncing anthems for their own quirky post-punk and energetic live shows, influencing a new school of emo/punk bands along the way. |
 | | Founding their themes upon an effervescent punk-pop formula, combining catchy rhythms and sharp melodies, and revealing influences coming from bands like Green Day and Weezer, Punchline bring forward distinctive tunes to the alternative rock scene. |
 | | Richmond, VA, natives the Half Jeffersons formed in 2002 with the sole goal of writing tunes with extremely catchy punk/pop hooks. |
 | | Despite sharing their name with a northeastern state, the Maine formed in 2007 in Tempe, AZ, a collegiate suburb of Phoenix. |
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 | | Ontario-based pop-punk/emo/lotsa yelling combo Boys Night Out included vocalist Connor Lovat-Fraser, guitarists Jeff Davis and Rob Pasalic, bassist Dave Costa, and drummer Ben Arseneau. |
 | | Although Ohio-bred, Chicago-based indie rockers Powerspace are part of the same Fueled by Ramen empire that unleashed Fall Out Boy, Panic! at the Disco, and The Academy Is. |
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 | | Originating as a side project for members of Chiodos, punk-pop/emo group Cinematic Sunrise were founded by Craig Owens (vocals) and Bradley Bell (keyboards) as an outlet for a brighter, more cheerful sound that wouldn't fit with the musical idiom of their other group. |
 | | Pennsylvanian punk-poppers the Starting Line originally came together in 1999 via version 2.0 of the old "vocalist wanted" flyer hanging at the local record store. |
 | | Formed in early 2005, Winnipeg, Manitoba's Sick City skipped a lot of the usual new-band grunt work and went straight to the (semi) big time -- almost immediately landing slots opening for such acts as Papa Roach, It Dies Today, Bedlight for Blue Eyes, and From Autumn to Ashes, as well as touring with the Taste of Chaos and Warped package shows. |
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 | | Mayday Parade arose from the merger of two popular Tallahassee local bands, Kid Named Chicago and Defining Moment, whose combination helped the emo-pop unit amass a quick buzz around its hometown scene. |
 | | Emo rock outfit the Junior Varsity originally came together in 2002 around guitarist Andy Wildrick. An EP, various shows around central Illinois, and several lineup changes later, the group released their first full-length, The Great Compromise, on British Records. |
 | | Hidden in Plain View originally consisted of vocalist Joe Reo, guitarists Rob Freeman and Kenny Ryan, bassist Chris Amato, and drummer Derek Reilly. |
 | | Knockout emerged from Chicago, IL, in January 1999. They recorded a few demos themselves in their suburban home studio and released a nine-song record titled Driven to Distraction on Mr. |
 | | Founded by Caleb Spillyards (vocals, keyboards), Phil Evans (vocals, guitar), Anthony Evans (guitar, vocals), Pierce Hunter (bass), and Greg Scherer (drums) in Little Rock, AR, the emo-pop group School Boy Humor debuted in 2005 and self-released their first EP, To Make Hearts Reluctant, the following year. |
 | | The members of the Early November were young enough to have grown up with the Drive-Thru Records sound, a formula that incorporated sensitive emo, pop, and punk revivalist amalgams with a bit of post-hardcore grit. |
 | | Of the myriad young alt-rock bands to arise in the early 2000s, Something Corporate stood out with their piano-fueled songcraft and crossover potential. |
 | | Twin Cities-area emo rockers Small Towns Burn a Little Slower started out in 2002. They eventually settled into a lineup of vocalist Danny Wolf, guitarists Tommy Rehbein and Joel Trowbridge, bassist Ryan Traster, and drummer Sean Carey, and issued a self-titled EP on Rise Records. |
 | | Emo-rocking pop-punk act Just Surrender formed in 2003, originally dubbed A Second Chance. The group sprang up around high-school buddies bassist/vocalist Jason Maffucci, guitarist Andrew Meunier, and drummer Steve Miller before the search for a suitable fourth member eventually ended with the addition of guitarist/vocalist Dan Simons. |
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 | | Halifax is a five-piece pop-punk/emo-rock band out of Southern California. Comprised of Mike Hunau (vocals), Chris Brandt (guitar/vocals), Tommy Guindon (drums), Adam Charles (guitar), and Doug Peyton (bass) by the mid-2000s, the group owed much of its rabidly loyal fan base to constant touring and huge amounts of Internet exposure on sites like www. |
 | | We the Kings are a melodic emo-pop band from Bradenton, Florida, a small Southern town that doubles as the home base for Tropicana orange juice. |
 | | Comprised of vocalist James "Buddy" Nielsen, guitarists Dave Miller and Garrett Zablocki, bassist Michael Glita (former percussionist for Tokyo Rose), and drummer Dan Trapp, the New Jersey outfit Senses Fail developed a slick amalgam of post-hardcore chuggery and emo heartbreak that recalled such fellow New Jersey-based groups as Saves the Day. |