 | | Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. |
 | | Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. |
 | | Few celebrity siblings can emerge from the shadows of their already famous relations to become superstars in their own right and with their own distinct personalities. |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | In the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. |
 | | The Gap Band, centered around brothers Charlie, Ronnie, and Robert Wilson, toiled in obscurity for several years prior to becoming one of the most popular funk groups of the late '70s and 1980s. |
 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U. |
 | | The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. |
 | | One of the brightest R&B stars of the late '80s and early '90s, Bobby Brown was the performer who popularized new jack swing, a blend of classic soul, synth-funk, and hip-hop rhythms that often featured rap breaks in between the conventionally melodic verses and choruses. |
 | | Keith Sweat, a Harlem-born R&B singer/songwriter known for his distinctive "whining" vocal style, co-produced 1984/1985 singles by GQ and Roberta Gilliam and issued independent singles of his own ("Lucky Seven" and "My Mind Is Made Up"), but he didn't release his debut full-length, Make It Last Forever, until November 1987. |
 | | Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. |
 | | Best known in the mainstream for her superb 1984 cover of Prince's "I Feel for You," R&B singer Chaka Khan enjoyed solo success as well as popularity as a member of the group Rufus. |
 | | One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, emulating the earthier side of Prince and Cameo, with a leader in Roger Troutman who was more than efficient at polished production. |
 | | No white artist sang R&B more convincingly than Teena Marie, whose big, robust vocals were so black-sounding that when she was starting out, some listeners wondered if she was a light-skinned African-American. |
 | | An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. |
 | | New Edition's early, Jackson 5-inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). |
 | | Whitney Houston was inarguably one of the biggest female pop stars of all time. Her accomplishments as a hitmaker were extraordinary; just to scratch the surface, she became the first artist ever to have seven consecutive singles hit number one, and her 1993 Dolly Parton cover "I Will Always Love You" became nothing less than the biggest hit single in rock history. |
 | | To urban contemporary listeners, Freddie Jackson was one of the biggest stars of the latter half of the '80s, dominating the R&B charts seemingly at will. |
 | | After leaving the Commodores, Lionel Richie became one of the most successful male solo artists of the '80s, arguably eclipsed during his 1981-1987 heyday only by Michael Jackson and Prince. |
 | | Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. |
 | | According to no less an authority than the RIAA, Boyz II Men are the most commercially successful R&B group of all time. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. |
 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. |
 | | When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. |
 | | The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. |
 | | "Soul Brother Number One," "the Godfather of Soul," "the Hardest Working Man in Show Business," "Mr. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | A contemporary soul singer whose smooth yet robust vocals brought energy and emotion to even his most serene recordings, Gerald LeVert grew up in the shadows of his father, Eddie LeVert, Sr. |
 | | Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. |
 | | Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J. |
 | | A singer behind eight solo and duet Top Ten R&B hits, as well as a member of New Edition since 1987, Johnny Gill was born in Washington, D. |
 | | Groomed to be the heirs to the Jackson 5 throne in the early '80s, DeBarge mirrored the Jacksons early success with a string of hits, but were unable to sustain their winning streak. |
 | | Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. |
 | | With their slinky, horn-powered grooves, impeccable musicianship, and eye-popping album covers, the Ohio Players were among the top funk bands of the mid-'70s. |
 | | From their origins as Prince's first pet project to their self-produced funk-rock oeuvre, the Time has been a fascinating and outrageous congregation. |
 | | Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. |
 | | The Whispers are a veteran R&B quintet with an impressive 23-year legacy of R&B hits. Formed in Los Angeles by twins Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon (who left in 1973), the Whispers turned up on the Dore label in 1964 with "I Was Born When You Kissed Me. |
 | | One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. |
 | | Rose Royce -- the Los Angeles-based group comprised of Henry Garner (drums); Terral "Terry" Santiel (congas); Lequeint "Duke" Jobe (bass); Michael Moore (saxophone); Gwen Dickey, performing with the group using the stage name Rose Norwalt (lead vocals); Kenny Copeland (trumpet, lead vocals); Kenji Brown (guitar, lead vocals); Freddie Dunn (trumpet); and Michael Nash (keyboards) -- were actually formed by Copeland and Garner. |
 | | Berry Gordy founded Motown Records, but one could argue that Smokey Robinson was the man who first pushed America's most iconic soul music label toward greatness. |