 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. |
 | | Kansas City's Get Up Kids play melodic, pop-inflected emo similar to the Promise Ring and Braid, with whom the band released a split single in 1998. |
 | | The Stereo plays catchy rock with the levity of Weezer, mixing pop-punk with the big, honest super rock of groups like Journey and just a hint of the heartfelt, piano romping of Billy Joel. |
 | | Punk-pop, pure pop, and a wry sense of humor all meet in the sound of Eastern Conference Champions, the three-man band from Bucks County, PA, with a serious alt-rock pedigree. |
 | | The Rentals were the new wave-influenced project of singer/songwriter Matt Sharp, former bassist for power pop favorites Weezer. |
 | | Although formed in Seattle during grunge's heyday, Harvey Danger took inspiration from a wide range of influences, from hometown heroes like Nirvana and Mudhoney to such melodic cult bands as the Pixies, the Buzzcocks, and Ride. |
 | | The Anniversary brought their own blend of male-female vocals, jangly guitars, and synth keyboards to the emo scene after signing with Heroes and Villains, an imprint of Vagrant Records, in 1999. |
 | | Formed after Propagandhi member John K. Samson got the itch to perform and record again after taking a sabbatical to write and start a publishing company, the Winnipeg-based Weakerthans took Samson's music in a completely different direction. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | Already established members of the Northwest music scene before they came together in 1993, the Maroons-- first comprised of singer/guitarist John Moen(who was a drummer for Elliott Smith, Pete Krebs&Gossamer Wings, Heatmiser, and the Spinanes, among others), guitarist Jim Talstra (who played in the Minus 5), bassist John Cox (part of Satan's Pilgrims), and drummer Eric Bennes -- introduced themselves and their brand of indie pop to the rest of the world in 1996 with their debut, I Am to Blame, on Slo-Mo Records. |
 | | Named after the notoriously dull art-house erotica flick on Seinfeld, the hard-rocking post-grunge band Rochelle, Rochelle formed in San Diego, CA, in August 2000. |
 | | Originally a five-piece group that formed in 2001 in Philadelphia, PA, Pattern Is Movement, would -- over time -- whittle themselves down to a duo (Andrew Thiboldeaux and Chris Ward) specializing in quasi-math rock "wall of sound"-type stuff. |
 | | Travis Morrison remains best known for his decade-long stint fronting the influential dance-punk quartet the Dismemberment Plan. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Hailing from of Austin, Texas, spirited, emotionally engaging, melodic indie rock outfit Quiet Company, which has drawn comparisons to everyone from Death Cab for Cutie to Bright Eyes, was formed by singer/songwriter/multi-instrumentalist Taylor Glen Muse after stints in numerous other bands, including the Connotations, Uncle Andrew, and Eisley. |
 | | Philadelphia math-rock trio Lefty's Deceiver was formed in 1996 by singer/guitarist Andy Williams, bassist Ed Hogarty and drummer Mike Kennedy; signing to local indie Plot Twist, they issued their debut album 45:00 in 1999. |
 | | Sloan was one of the most successful Canadian bands of the '90s, which was both a blessing and a curse. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | Inspired equally by jangle pop and arty post-punk, Guided by Voices created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. |
 | | Formed around the talents of guitarist/vocalist Jay Gulley, guitarist/pianist/vocalist JoJo Glidewell, bassist/vocalist Phillip Brantley, and drummer John Swint, smart, melodic Brit-rock-inspired indie pop quartet the Modern Skirts infiltrated the crowded Athens, GA, music scene in 2004 with their debut EP, This Is Winning and Thinking. |
 | | Joe, Marc's Brother started their musical career in New Jersey, where Joe Pisapia and his brother (you guessed it) Marc grew up playing in various bands and developing a quirky, organic style influenced by the Beach Boys, Elvis Costello, and the Flaming Lips. |
 | | Blueline Medic formed in Melbourne, Australia, in 1999. The group, made up of vocalist/guitarist Donnie Dureau, guitarist Adrian Lombardi, bassist Dave Snow, and drummer Shaun Lohoar, quickly proved to bear the torch of such powerful and angular punk bands as Hüsker Dü and Jawbox. |
 | | Boasting a sound that straddled the border of alternative rock and emo-pop, Mae (an acronym for Multisensory Aesthetic Experience) was formed in early 2001 by guitarist Matt Beck, drummer Jacob Marshall, bassist Mark Padgett, keyboardist Rob Sweitzer, and vocalist Dave Elkins. |
 | | Singer/songwriter Christopher Carrabba became the poster boy for a new generation of emo fans in the early 2000s, having left behind his former band (the post-hardcore Christian outfit Further Seems Forever) to concentrate on vulnerable, introspective solo musings. |
 | | Born of the ashes of the now legendary Chicago emo outfit Braid, Hey Mercedes had a tough reputation, not to mention their work cut out for them from the start. |
 | | One of the best bands with the worst luck, New Jersey's the Wrens were establishing themselves as one of the catchiest and most thoughtful indie rock groups of the '90s when label problems prevented them from releasing another album for seven years. |
 | | Moth, a modern rock quartet that mixes indie rock sensibility with clever pop hooks, started out as a garage band in the late '80s. |
 | | Indie rock fans are probably inclined to think of the Folk Implosion as the most prominent of Lou Barlow's many side projects from the influential indie band Sebadoh. |
 | | The Scottish alt rock group Idlewild formed in Edinburgh in late 1995, originally comprising singer Roddy Woomble, guitarist Rod Jones, bassist Phil Scanlon, and drummer Colin Newton. |
 | | Self is largely the project of Matt Mahaffey, a Murfreesboro, TN-based singer/songwriter/multi-instrumentalist who began writing songs at age four and was a professional drummer at 12. |
 | | The Brooklyn-based alternative rock quartet the Honorary Title initially formed as a duo between vocalist/lyricist/guitarist Jarrod Gorbel and bassist/multi-instrumentalist Aaron Kamstra in 2003. |
 | | The Lashes features Ben Clark (vocals), Scotty Rickard (guitar), Nate Mooter (bass), Eric Howk (guitar), Mike Loggins (drums), and Jacob Hoffman (keyboards). |
 | | After the overwhelming success of "Cannonball" and Last Splash took the Breeders by surprise -- and led to their quick burnout -- singer/songwriter/guitarist Kim Deal formed the Amps in 1994 as a way to release new material while the Breeders took a break. |
 | | The New Jersey indie rock outfit Tourmaline features Matt Rauch (vocals/guitar), Ryan Baredes (guitar), Andrew Koes (bass), Max Rauch (drums), and Corey Zaloom (piano/vocals). |
 | | Tulsa, OK's pop-rock quartet Admiral Twin consists of guitarist/pianist/vocalist John Russell, guitarist/keyboardist/vocalist Brad Becker, bassist/vocalist Mark Carr, and drummer/vocalist Jarrod Gollihare. |
 | | The post-grunge emo outfit Pop Unknown hailed from Austin, TX, and had a hearty pop sound. Composed of Tim Lasater (vocals/guitar), Gabe Wiley (drums), Joel Ganucheau (guitar), Matt Breedlove (guitar), and Casper Echols (bass), Pop Unknown issued their debut EP, Summer Season Kills, on Deep Elm in 1999. |
 | | Chicago's power trio Brain Rakes features vocalist/guitarist Fred Carli, bassist Tommy Rafferty, and drummer Dave Straka. |
 | | A youthful pop emo quintet from the New York City suburb of Bergenfield, New Jersey, the Finals formed out of the teenage friendships of its five members. |
 | | Though many have dubbed Superdrag a punk-pop or power pop band, their music has shown itself to be atop of the aforementioned genres. |
 | | Hailing from Lakeland, FL, pop/rock band Woodale's early lineup was comprised of vocalist/guitar Matt Wilber, drummer Ryan Bates, and keyboardist/guitarist Jonathan Streets. |
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 | | In a search to find others interested in trading videos of live shows, drummer/singer Bob Nanna, of Friction, placed a classified ad in Maximum Rocknroll and met drummer Roy Ewing, of Champaign-Urbana, Illinois, in 1993. |
 | | The Archers of Loaf were darlings of the indie world in the early to mid-'90s, thanks to an off-kilter sound that was edgy and challenging, yet melodically accessible at the same time. |
 | | Although they didn't cross over into the mainstream the way some of their peers did, Holland's Bettie Serveert became significant college radio stars during the '90s with their jangly, sweetly melodic, at times surprisingly muscular guitar pop. |
 | | Cousins Gabe Archer and Cameron Nicklaus formed the Pale, an indie pop/rock band from Bellingham, WA, in 1994. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | The five guys who have chosen the somewhat mysterious moniker of the Juliana Theory to represent their band have successfully transformed themselves from punk and hardcore kids restricted by the constraints of the emo genre into genuine, credible musicians. |
 | | Streaming their very own vision of puissant alternative pop/rock, Ozma started its operations in 1995. |