 | | Unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history is Jimmy Page. |
 | | Led Zeppelin was the definitive heavy metal band. It wasn't just their crushingly loud interpretation of the blues -- it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk) -- into their sound. |
 | | Few bands in the history of rock & roll were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notoriously intense live performances demonstrated. |
 | | From his early hits with the James Gang through to his tenure with the Eagles -- as well as a successful solo career -- Joe Walsh remained one of the most colorful characters in rock & roll, lending his distinctively reedy vocals, off-the-wall lyrics, and expansive guitar leads to a series of AOR staples including "Funk #49," "Rocky Mountain Way," and "Life's Been Good. |
 | | Peter Frampton was one of the biggest arena rock stars of the '70s, making his name largely on the double-LP concert set Frampton Comes Alive! Frampton was one of several '70s rock artists (Kiss, Cheap Trick, etc. |
 | | Pink Floyd is the premier space rock band. Since the mid-'60s, their music relentlessly tinkered with electronics and all manner of special effects to push pop formats to their outer limits. |
 | | Formed in 1973, the British hard rock outfit Bad Company was a supergroup comprised of ex-King Crimson bassist Boz Burrell, former Mott the Hoople guitarist Mick Ralphs, and singer Paul Rodgers and drummer Simon Kirke, both previous members of Free. |
 | | Led by John Kay (born Joachim Krauledat, April 12, 1944), Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. |
 | | Jethro Tull was a unique phenomenon in popular music history. Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 11 gold and five platinum albums. |
 | | Dire Straits emerged during the post-punk era of the late '70s, and while their sound was minimalistic and stripped down, they owed little to punk. |
 | | Although Cream was only together for a little more than two years, their influence was immense, both during their late-'60s peak and in the years following their breakup. |
 | | By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world's major rock stars due to his group affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith -- which had demonstrated his claim to being the best rock guitarist of his generation. |
 | | Deep Purple survived a seemingly endless series of lineup changes and a dramatic mid-career shift from grandiose progressive rock to ear-shattering heavy metal to emerge as a true institution of the British hard rock community; once credited in The Guinness Book of World Records as the globe's loudest band, their revolving-door roster launched the careers of performers including Ritchie Blackmore, David Coverdale, and Ian Gillan. |
 | | Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra. |
 | | Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra. |
 | | The Doors, one of the most influential and controversial rock bands of the 1960s, were formed in Los Angeles in 1965 by UCLA film students Ray Manzarek, keyboards, and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger. |
 | | By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. |
 | | One of the 1970s' most successful hard rock bands in spite of critical pans and somewhat reluctant radio airplay (at first), Grand Funk Railroad built a devoted fan base with constant touring, a loud, simple take on the blues-rock power trio sound, and strong working-class appeal. |
 | | While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. |
 | | Originally a hard-driving rocker in the vein of fellow Michigan garage rockers the Rationals and Mitch Ryder, Bob Seger developed into one of the most popular heartland rockers over the course of the '70s. |
 | | Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion. |
 | | This sturdy American blues-rock trio from Texas consists of Billy Gibbons (guitar), Dusty Hill (bass), and Frank Beard (drums). |
 | | Jefferson Airplane was the first of the San Francisco psychedelic rock groups of the 1960s to achieve national recognition. |
 | | Foghat specialized in a simple, hard-rocking blues-rock, releasing a series of best-selling albums in the mid-'70s. |
 | | The arena rock group behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of studio wizard Tom Scholz, born March 10, 1947, in Toledo, OH. |
 | | Upon the release of their first album in the late '70s, Tom Petty & the Heartbreakers were shoehorned into the punk/new wave movement by some observers who picked up on the tough, vibrant energy of the group's blend of Byrds riffs and Stonesy swagger. |
 | | Blue Öyster Cult was the thinking man's heavy metal group. Put together on a college campus by a couple of rock critics, it maintained a close relationship with a series of literary figures (often in the fields of science fiction and horror), including Eric Von Lustbader, Patti Smith, Michael Moorcock, and Stephen King, while turning out some of the more listenable metal music of the early and mid-'70s. |
 | | Lynyrd Skynyrd was the definitive Southern rock band, fusing the overdriven power of blues-rock with a rebellious Southern image and a hard rock swagger. |
 | | Far and away the longest lasting and the most successful of the '70s progressive rock groups, Yes proved to be one of the lingering success stories from that musical genre. |
 | | The story of the Allman Brothers Band is one of triumph, tragedy, redemption, dissolution, and a new redemption. |
 | | At a time when rock was evolving further and further away from the forces that had made the music possible in the first place, Creedence Clearwater Revival brought things back to their roots with their concise synthesis of rockabilly, swamp pop, R&B, and country. |
 | | Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc. |
 | | As one of the most popular California pop/rock bands of the '70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. |
 | | Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. |
 | | Few bands embodied the pure excess of the '70s like Queen. Embracing the exaggerated pomp of prog rock and heavy metal, as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, creating a huge, mock-operatic sound with layered guitars and overdubbed vocals. |
 | | After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. |
 | | A blues-rock guitarist who draws his inspiration from Elmore James, Hound Dog Taylor, and Chuck Berry, George Thorogood never earned much respect from blues purists, but he became a popular favorite in the early '80s through repeated exposure on FM radio and the arena rock circuit. |
 | | In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. |
 | | Jefferson Starship was among the most successful arena rock bands of the 1970s and early '80s, an even greater commercial entity than its predecessor, Jefferson Airplane, the band out of which it evolved. |
 | | Following his 1970 departure from the Guess Who, guitarist Randy Bachman recorded a solo album (Axe) and planned a project with ex-Nice keyboardist Keith Emerson (later canceled due to illness) before forming Bachman-Turner Overdrive in 1972. |
 | | Over the course of their decades-spanning career, Canadian power trio Rush emerged as one of hard rock's most highly regarded bands; although typically brushed aside by critics and rarely the recipients of mainstream pop radio airplay, Rush nonetheless won an impressive and devoted fan following, while their virtuoso performance skills solidified their standing as musicians' musicians. |
 | | Fusing the complexity of British prog rock with an American heartland sound representative of their name, Kansas were among the most popular bands of the late '70s; though typically dismissed by critics, many of the group's hits remain staples of AOR radio play lists to this day. |
 | | With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. |
 | | With five number one singles, fourteen Top 40 hits, and four number one albums, the Eagles were among the most successful recording artists of the 1970s. |
 | | Although they're best known today for their lush, lyrically and musically profound (some would say bombastic) psychedelic-era albums, the Moody Blues started out as one of the better R&B-based combos of the British Invasion. |
 | | The J. Geils Band was one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. |
 | | Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for bombastic rockers and soaring power ballads. |
 | | The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. |
 | | Throughout his lengthy career, guitar wildman Ted Nugent has reveled in the controversy and criticism that always seems to follow in his path. |
 | | The musical partnership of David Crosby (born August 14, 1941), Stephen Stills (born January 3, 1945), and Graham Nash (born February 2, 1942), with and without Neil Young (born November 12, 1945), was not only one of the most successful touring and recording acts of the late '60s, '70s, and early '80s -- with the colorful, contrasting nature of the members' characters and their connection to the political and cultural upheavals of the time -- it was arguably the only American-based band to approach the overall societal impact of the Beatles. |