 | | The son of John Lennon and his first wife, Cynthia, Julian Lennon parlayed a remarkable vocal similarity to his father into a successful singing career. |
 | | Out of all the Beatles, John Lennon had the most interesting -- and frustrating -- solo career. Lennon was capable of inspired, brutally honest confessional songwriting and melodic songcraft; he also had a tendency to rest on his laurels, churning out straight-ahead rock & roll without much care. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | So much has been said and written about the Beatles -- and their story is so mythic in its sweep -- that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. |
 | | A Japanese-born duo relocated to New York and christened with an Italian band name, Cibo Matto's music mirrored the melting-pot aesthetics of their origins, resulting in a heady brew of funk samples, hip-hop rhythms, tape loops, and fractured pop melodies all topped off by surreal narratives sung in a combination of French and broken English. |
 | | The celebrated folk-punk singer/songwriter Elliott Smith rose from indie obscurity to mainstream success in 1997 on the strength of "Miss Misery," his Academy Award-nominated song from the film Good Will Hunting. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Ringo Starr, born Richard Starkey, was the drummer in the Beatles from 1962 to 1970 and thus became one of the most famous musicians of the '60s. |
 | | In his most obvious contribution to music as lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. |
 | | Initially, Blur were one of the multitude of British bands that appeared in the wake of the Stone Roses, mining the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. |
 | | Out of all the former Beatles, Paul McCartney by far had the most successful solo career, maintaining a constant presence in the British and American charts during the '70s and '80s. |
 | | Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. |
 | | Few women in the history of rock & roll have stirred as much controversy as Yoko Ono. Although her romance with John Lennon was hardly the only factor straining the relationships between the individual Beatles, she made a convenient scapegoat for the group's breakup, and was repeatedly raked over the coals in the media for the influence she held over Lennon, both in his life and his music. |
 | | A band that takes its name from a French children's television series about a boy and his dog would almost have to be precious, and to be certain, Belle & Sebastian are precious. |
 | | Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. |
 | | Indie rock fans are probably inclined to think of the Folk Implosion as the most prominent of Lou Barlow's many side projects from the influential indie band Sebadoh. |
 | | Björk first came to prominence as one of the lead vocalists of the avant pop Icelandic sextet the Sugarcubes, but when she launched a solo career after the group's 1992 demise, she quickly eclipsed her old band's popularity. |
 | | Although Eels are often marketed as a full-fledged band, singer/songwriter E (real name: Mark Oliver Everett) is responsible for the group's sound and direction. |
 | | Singer/pianist Ben Folds (born September 12, 1966, in Winston-Salem, North Carolina) is best known as the leader of the power pop trio Ben Folds Five, but has also struck out on his own as a solo artist. |
 | | Children are often raised in musical families, but few receive the same introduction to music as singer/songwriter Ben Kweller. |
 | | Japanese pop-noise savant Cornelius was born Keigo Oyamada in 1969; a self-taught guitarist inspired early on by Kiss and Black Sabbath, his musical alias was later chosen as an homage to the Planet of the Apes film series. |
 | | A beautiful mess of indie rock, country-rock and lo-fi with lyrics both witty and profound, the Silver Jews were formed in 1989 by writer/musician David Berman with his friends, guitarist/singer Stephen Malkmus and drummer Bob Nastanovich. |
 | | A singer/songwriter whose lush, theatrical pop harked back to the traditions of Tin Pan Alley, cabaret, and even opera, Rufus Wainwright was born in 1973; the son of folk music luminaries Loudon Wainwright III and Kate McGarrigle, his parents divorced while he was a child, and he was raised by his mother in Montreal. |
 | | Beat Happening was among the truly seminal and influential American bands of the post-punk era, a paragon of pop minimalism, rebellious innocence, and indie defiance. |
 | | Combining a knack for infectious melodies with a quirky, bizarre sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became one of the most unlikely alternative success stories of the late '80s and early '90s. |
 | | Reversing the usual process by which groups break up and give way to solo careers, the Traveling Wilburys are a group made up of solo stars. |
 | | Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Inspired equally by jangle pop and arty post-punk, Guided by Voices created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. |
 | | Super Furry Animals were one of the first post-alternative bands, fusing together a number of disparate musical genres -- including power pop, punk rock, techno, and progressive rock -- creating a shimmering, melodic, irreverent, and willfully artsy rock & roll. |
 | | The Japanese trio Shonen Knife has made major fans out of alt-rock's elite (Sonic Youth, Nirvana, and Redd Kross, among others) and built a solid, worldwide cult following with their Ramones meets the Beatles brand of sticky sweet punk-pop. |
 | | Since he was the son of cult songwriter Tim Buckley, Jeff Buckley faced more expectations and pre-conceived notions than most singer/songwriters. |
 | | With their dark hip-hop-influenced alternative rock, Luscious Jackson re-creates the dense, multicultural bohemian world of New York in a collage of sound, where Spanish guitars, jazzy keyboards, funky beats, and breathy, singsong vocals combine into one. |
 | | Although many musicians joined the band's rotating lineup, Bright Eyes was primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 -- when he was only 14 years old -- as the singer and guitarist for Commander Venus. |
 | | Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. |
 | | One of the most pleasing pop groups of the '90s, the Cardigans specialized in sugary confections that would grow annoying very quickly if they weren't backed by solid musicianship and clever arrangements. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | Yo La Tengo are in many respects the quintessential critics' band: in addition to their adventurous eclecticism, defiant independence, and restless creative ambition -- three qualities that virtually guarantee music press acclaim -- the group's frontman, Ira Kaplan, even tenured as a rock scribe prior to finding success as a performer. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | When the Polyphonic Spree first appeared in 2000, the Dallas symphonic pop group was as much a band as a "happening," in the 1960s sense of the word. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | With their fractured songs, unexpected blasts of feedback, laconic vocals, cryptic literate lyrics, and defiant low-fidelity, Pavement were one of the most influential and distinctive bands to emerge from the American underground in the '90s. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | After a shifting lineup, Pedro the Lion finally eventually became a one-man outfit. That man is David Bazan. |
 | | Considering their relatively brief existence, Sunny Day Real Estate racked up enough dramatic twists and turns to rank with some of the great rock soap operas. |
 | | The most producer-driven act in the Japanese pop movement known as Shibuya-kei, Fantastic Plastic Machine was formed by Tomoyuki Tanaka. |