 | | A collaboration between musician/vocalist Imogen Heap and producer/arranger/songwriter/musician Guy Sigsworth, Frou Frou manufactured an impressive brand of vocal-driven, electronic pop formerly the exclusive territory of Björk. |
 | | As a rule, group efforts are normally launched before a solo career -- not after a solo career is in full swing. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | The men behind the European downtempo outfit Zero 7 -- producers Henry Binns and Sam Hardaker -- launched their careers in the music industry as tea boys at a London recording studio. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. |
 | | A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. |
 | | Bath, England's singer/composer/keyboardist Allison Goldfrapp began exploring music as part of her studies as a fine art painting major at Middlesex University, mixing sound, visuals, and performances in her installation pieces. |
 | | With her omnivorous musical tastes and cheeky attitude, London-based pop singer/songwriter Lily Allen made a name for herself almost as soon as she released her demos on the Internet. |
 | | Tori Amos (born Myra Ellen Amos) was one of several female singer/songwriters who combined the stark lyrical attack of alternative rock with a distinctly '70s musical approach, creating music that fell between the orchestrated meditations of Kate Bush and the stripped-down poetics of Joni Mitchell. |
 | | The pioneering force behind the rise of trip-hop, Massive Attack were among the most innovative and influential groups of their generation; their hypnotic sound -- a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples -- set the pace for much of the dance music to emerge throughout the 1990s, paving the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack alumnus. |
 | | Like simpatico songwriter Lily Allen, Kate Nash launched her career on MySpace, where her piano-driven pop songs and lyrics (delivered in a distinctive London accent) found a number of listeners. |
 | | The most groove-oriented act in the mid-'90s female-fronted electronica crowd, Morcheeba rely on the sweet, fluid vocals of Skye Edwards and a laid-back mix of fusion, funk, and blues produced by brothers Paul and Ross Godfrey, on beats/scratches and guitar/keyboards, respectively. |
 | | Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. |
 | | Thievery Corporation make abstract, instrumental, mid-tempo dance music whose classification falls somewhere between trip-hop and acid jazz. |
 | | The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. |
 | | Björk first came to prominence as one of the lead vocalists of the avant pop Icelandic sextet the Sugarcubes, but when she launched a solo career after the group's 1992 demise, she quickly eclipsed her old band's popularity. |
 | | The electronic outfit Télépopmusik followed in the footsteps of Air, Les Rythmes Digitales, and Dimitri From Paris and established their own musical stylings in the arena of French dance music. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | The trip-hop trio Sneaker Pimps formed in 1995 in Reading, England, following the success of Portishead's Dummy and Tricky's Maxinquaye. |
 | | If psychedelic music had a voice in '90s post-punk, Mazzy Star may have been its strongest reincarnation. |
 | | More apt to cite stately rock paragons Burt Bacharach and Brian Wilson as their inspirations than Derrick May or Aphex Twin, the French duo Air gained inclusion into the late-'90s electronica surge due chiefly to the labels their recordings appeared on, not the actual music they produced. |
 | | With her piano-fueled songwriting, witty wordplay, and slight vocal vibrato, Ingrid Michaelson carries the tradition of the female singer/songwriter into the 21st century. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | The Belgian ambient pop band Hooverphonic featured vocalist Liesje Sadonius, guitarist/programmer Alex Callier, keyboardist Frank Duchêne, and guitarist Raymond Geerts. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | Before she straddled the border between electronica and pop/rock with songs like "They," Jem Griffiths began the roundabout road to songstress stardom in Cardiff, Wales, where the singer was born and raised. |
 | | Though she was born in Seattle, songwriter Alison Sudol spent most of her life in Los Angeles, having moved there with her mother when she was five years old. |
 | | Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the new millennium, exemplified by early tracks like "Eple" and "Poor Leno. |
 | | Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. |
 | | Icelandic vocalist Emiliana Torrini shares more than a record label with Björk, they also share a similar vocal style and a similar pixie-esque persona. |
 | | Originating at the turn of the 1980s as a leader of the lite-jazz movement, Everything but the Girl became an unlikely success story more than a decade later, emerging at the vanguard of the fusion between pop and electronica. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Mancunian downtempo/drum'n'bass duo Lamb were one of the first groups to add a lyrics-based vocalist to steadfastly jungle-based productions. |
 | | |
 | | Named for a halloween costume based on an Edgar Allan Poe short story, Poe gained a contract with Atlantic during the boom of female singer/songwriters during the mid-'90s. |
 | | Irish singer/songwriter Damien Rice launched his music career in the late-'90s with the hard-hitting indie rock outfit Juniper. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Singer/songwriter Rachael Yamagata grew up listening to Carole King, Roberta Flack, James Taylor, and the like, for music was the one thing in Yamagata's life that remained consistent. |
 | | Born in 1975, Scottish singer/songwriter KT Tunstall -- not short for anything, the KT is just an alternate spelling of Katie -- comes from the quaint university town of St. |
 | | London dance duo Groove Armada consist of Tom Findlay and Andy Cato. The group formed in the mid-'90s after Findlay and Cato were introduced by the latter's girlfriend and soon started their own club, also named Groove Armada (after a '70s discotheque), which featured their spinning. |
 | | Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
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