 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | With a reputation for a scathingly intense live performance and a quickly sold-out CD-R demo, How Strange, Innocence, which was later reissued in 2005, Explosions in the Sky was touted early on in their career as the next phenomenon in moody and dynamic instrumental indie rock à la Mogwai and Godspeed You Black Emperor! The quartet of Texas kids, made up of Mark Smith and Munaf Rayani on guitars, Michael James on bass, and Christopher Hrasky on drums, was signed for its first release on Temporary Residence Limited after half a listen to their demo, which was submitted by the American Analog Set with a brief note saying "This totally f*cking destroys. |
 | | Few rock singers of the '90s were as original and instantly unforgettable as Thom Yorke, as his band, Radiohead, became one of the biggest bands of the 21st century after making a career out of specializing in challenging and unpredictable rock. |
 | | More apt to cite stately rock paragons Burt Bacharach and Brian Wilson as their inspirations than Derrick May or Aphex Twin, the French duo Air gained inclusion into the late-'90s electronica surge due chiefly to the labels their recordings appeared on, not the actual music they produced. |
 | | The pioneering force behind the rise of trip-hop, Massive Attack were among the most innovative and influential groups of their generation; their hypnotic sound -- a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples -- set the pace for much of the dance music to emerge throughout the 1990s, paving the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack alumnus. |
 | | The cosmic post-rock band Mogwai were formed in Glasgow, Scotland, in 1996 by guitarist/vocalist Stuart Braithwaite, guitarist Dominic Aitchison, and drummer Martin Bulloch, longtime friends with the goal of creating "serious guitar music. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Björk first came to prominence as one of the lead vocalists of the avant pop Icelandic sextet the Sugarcubes, but when she launched a solo career after the group's 1992 demise, she quickly eclipsed her old band's popularity. |
 | | Thievery Corporation make abstract, instrumental, mid-tempo dance music whose classification falls somewhere between trip-hop and acid jazz. |
 | | Combining an inclination for melodic '60s pop with an art rock aesthetic borrowed from Krautrock bands like Faust and Neu!, Stereolab were one of the most influential alternative bands of the '90s. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | A singer/songwriter and multi-instrumentalist, Detroit-born Sufjan Stevens started venturing into the music world while attending Hope College as a member of Marzuki, a folk-rock band based in Holland, Michigan. |
 | | The celebrated folk-punk singer/songwriter Elliott Smith rose from indie obscurity to mainstream success in 1997 on the strength of "Miss Misery," his Academy Award-nominated song from the film Good Will Hunting. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | LCD Soundsystem debuted with "Losing My Edge," a single that became one of the most talked-about indie releases of 2002. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Boards of Canada are the duo of Michael Sandison (born June 1, 1970) and Marcus Eoin (born July 21, 1971). |
 | | One of 2006's most unexpected indie success stories, Beirut combines a wide variety of styles, from pre-rock/pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of the Decemberists to the lo-fi, homemade psychedelic experimentation of Neutral Milk Hotel. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the new millennium, exemplified by early tracks like "Eple" and "Poor Leno. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | If psychedelic music had a voice in '90s post-punk, Mazzy Star may have been its strongest reincarnation. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | The men behind the European downtempo outfit Zero 7 -- producers Henry Binns and Sam Hardaker -- launched their careers in the music industry as tea boys at a London recording studio. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | Bath, England's singer/composer/keyboardist Allison Goldfrapp began exploring music as part of her studies as a fine art painting major at Middlesex University, mixing sound, visuals, and performances in her installation pieces. |
 | | The self-described "fuzz-folk" project Neutral Milk Hotel was one of the primary outgrowths of the Elephant 6 Recording Company collective, a coterie of like-minded lo-fi indie groups -- including the Apples in Stereo, the Olivia Tremor Control, and Secret Square -- who shared musicians, ideas, and sensibilities. |
 | | Broken Social Scene materialized in 1999 when K.C. Accidental's Kevin Drew and Brendan Canning, formerly of By Divine Right, bonded their friendship into a band. |
 | | A band that takes its name from a French children's television series about a boy and his dog would almost have to be precious, and to be certain, Belle & Sebastian are precious. |
 | | Mixing synth pop, shoegaze, and indie pop into a sound all their own, Ladytron formed in mid-1999. Keyboardists/programmers Daniel Hunt and Reuben Wu settled in Liverpool after a spate of traveling and DJ work in Japan. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | Equally inspired by Sonic Youth, Joy Division, Gang of Four, and the Cure, East London art punkers Bloc Party mix angular sonics with pop structures. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | The Belgian ambient pop band Hooverphonic featured vocalist Liesje Sadonius, guitarist/programmer Alex Callier, keyboardist Frank Duchêne, and guitarist Raymond Geerts. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Yo La Tengo are in many respects the quintessential critics' band: in addition to their adventurous eclecticism, defiant independence, and restless creative ambition -- three qualities that virtually guarantee music press acclaim -- the group's frontman, Ira Kaplan, even tenured as a rock scribe prior to finding success as a performer. |
 | | Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. |
 | | DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. |
 | | London dance duo Groove Armada consist of Tom Findlay and Andy Cato. The group formed in the mid-'90s after Findlay and Cato were introduced by the latter's girlfriend and soon started their own club, also named Groove Armada (after a '70s discotheque), which featured their spinning. |
 | | Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. |