 | | Temple of the Dog was a one-album project conceived in 1990. The purpose of Temple of the Dog was to pay tribute to the late Andrew Wood, the lead singer of Mother Love Bone, who died of a heroin overdose in 1990. |
 | | Soundgarden made a place for heavy metal in alternative rock. Their fellow Seattle rockers Green River may have spearheaded the grunge sound, but they relied on noise rock in the vein of the Stooges. |
 | | Live rose to success on the strength of its anthemic music and idealistic, overtly spiritual songwriting, two hallmarks that earned the group frequent comparisons to U2. |
 | | Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. |
 | | Candlebox rode the grunge bandwagon to multi-platinum success in the early '90s, despite howls of protest from the Seattle faithful who considered their music a watered-down version of the genuine article. |
 | | Few bands have had a more complicated relationship with commercial success than Soul Asylum. In the 1980s, they lurked in the shadows of the Minneapolis alternative rock scene, then dominated by the Replacements and Hüsker Dü, and their first tenure on a major label ended with the band being unceremoniously dropped after their expected commercial breakthrough was both a critical and a sales disappointment. |
 | | When Seattle grunge went mainstream, it was only a matter of time before the ripple effect was felt in regions other than the Pacific Northwest. |
 | | Within the alternative world, Seven Mary Three have often been compared to the mainstream-sounding, garage/arena rock of post-Ten Pearl Jam, but the group insists that their refusal to alienate themselves from the rest of the world makes them different. |
 | | Silverchair quickly rose to international stardom in 1995 by mining a mix of Nirvana and Pearl Jam on their debut album, Frogstomp. |
 | | Originally finding success as the frontman of Seattle's Soundgarden, rock vocalist Chris Cornell forged a successful career after the band's 1997 demise, both with the supergroup Audioslave and as a diverse solo artist. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | As the lead singer and guitarist of Nirvana, Kurt Cobain's musical success began in his twenties and was heightened when he formed the band Nirvana. |
 | | Throughout Hole's career, vocalist/guitarist Courtney Love's notorious public image has overshadowed her band's music. |
 | | Of all the major alternative rock bands of the early '90s, Smashing Pumpkins were the group least influenced by traditional underground rock. |
 | | During Cracker's heyday in the 1990s, the Virginia-based band molded elements of alternative pop/rock and country into several irreverent, buzzworthy anthems. |
 | | Along with such similarly styled outfits as the Goo Goo Dolls, the New Orleans-based trio Better Than Ezra helped open the floodgates for countless alt-pop acts of the late '90s (including Semisonic, Matchbox Twenty, and Third Eye Blind) by merging college rock influences with mainstream aspirations. |
 | | Along with Kurt Cobain, Eddie Vedder reluctantly became a celebrity and an alt-rock spokesman when his band, Pearl Jam, hit the big time in the early '90s. |
 | | Named in honor of a sketch by the Monty Python comedy troupe, Toad the Wet Sprocket became one of the most successful alternative rock bands of the early '90s, boasting a contemporary folk-pop sound that wielded enough melody and R. |
 | | Though Everclear's Northwestern grunge-punk style was hardly revolutionary when the band rose to popularity in 1995, the trio's hook-ridden songs and Art Alexakis' "us against them" lyrics were taken to heart by bored Gen-X teens. |
 | | Best known as the creators of the 1995 grunge staple "Possum Kingdom," the Toadies formed in 1989 and spent their infancy playing shows in Fort Worth, TX. |
 | | Vocalist/guitarist Emerson Hart formed the alternative/roots band Tonic in 1993 with guitarist Jeff Russo (a childhood friend), bassist Dan Rothchild, and drummer Kevin Shepard. |
 | | Perry Farrell's post-Jane's Addiction band, Porno for Pyros, followed the same path as his previous band, combining art rock, punk, heavy metal, and funk into one shrieking whole. |
 | | Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. |
 | | Sponge was one of the more underrated groups in the post-grunge boom of the mid-'90s. When they were on top of their game -- as evidenced by the hits "Plowed" and "Molly (Sixteen Candles)" -- the band's songs had a knack for jangly riffs and catchy, anthemic hard rock hooks, despite being wrapped in the fuzzy guitars and brooding seriousness that typified grunge music. |
 | | Richard Patrick (vocals, guitars, bass, programming, drums) and Brian Liesegang (programming, guitars, keyboards, drums) both experimented with electronics early in their careers. |
 | | There were many pseudo-hippie, jam-oriented blues rockers in New York during the early '90s, but only the Spin Doctors made it big. |
 | | Although the members of Marcy Playground met in New York City during the mid-'90s, both singer/guitarist John Wozniak and bassist Dylan Keefe originally hailed from Minneapolis, and drummer Dan Rieser grew up in Ohio. |
 | | In many ways, Alice in Chains was the definitive heavy metal band of the early '90s. Drawing equally from the heavy riffing of post-Van Halen metal and the gloomy strains of post-punk, the band developed a bleak, nihilistic sound that balanced grinding hard rock with subtly textured acoustic numbers. |
 | | Whereas most up-and-coming alternative bands of the early '90s borrowed from the leaders of the pack (Nirvana, Soundgarden, Nine Inch Nails, etc. |
 | | The Santa Barbara, CA, band Dishwalla made a big splash in 1996 with their catchy pop single "Counting Blue Cars. |
 | | Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. |
 | | Primarily known for their post-grunge blockbuster hit "The Freshmen," the Verve Pipe formed in 1992 in Lansing, Michigan, where frontman Brian Vander Ark pieced his group together from the ashes of two local bands. |
 | | Our Lady Peace was one of the most successful Canadian bands of the post-grunge era, issuing platinum-selling album after platinum-selling album while also enjoying modest acclaim in America. |
 | | Pleasantly inspired by the Beatles' psychedelic period as well as the more heavy riffers of the 1970s, alternative popsters Tripping Daisy came together in Dallas in 1991. |
 | | By blending contemporary power pop with elements of the post-grunge era, Gin Blossoms briefly emerged as torchbearers of the lighter side of alternative rock. |
 | | When Zack de la Rocha left Rage Against the Machine in October 2000, the band's future was put into question. |
 | | Best known for their unorthodox two-man lineup, hard rock act Local H have made a career out of straddling the fine line between indie and classic rock, cleverly framing their sardonic lyrics with a generous helping of power chords and feedback. |
 | | There may have been other "retro" rock acts before him, but Lenny Kravitz was one of the first to not be pigeonholed to a single style as he touched upon such genres as soul, funk, reggae, hard rock, psychedelic, folk, and ballads over the years. |
 | | After the breakup of Trip Shakespeare, Minneapolis natives Dan Wilson and John Munson teamed up with drummer Jacob Slichter to form Semisonic in 1993. |
 | | Where many of their Seattle-based contemporaries dealt in reconstructed Black Sabbath and Stooges riffs, Screaming Trees fused '60s psychedelia and garage rock with '70s hard rock and '80s punk. |
 | | Before Pearl Jam, there was Mother Love Bone. Future Pearl Jam members Stone Gossard (guitar) and Jeff Ament (bass) were founders of this Seattle-based glam/punk outfit, which was fronted by flamboyant singer Andrew Wood. |
 | | Quite a few side projects containing members of renowned Seattle-based rock bands appeared through the '90s. |
 | | Jerry Cantrell first came to prominence as a member of Alice in Chains, one of the prototypical Seattle grunge bands. |
 | | Formed from the ashes of stoner rock icons Kyuss, Queens of the Stone Age reunited the group's singer/guitarist Josh Homme, drummer Alfredo Hernandez, and bassist Nick Oliveri along with new guitarist/keyboardist Dave Catching. |
 | | Jet found international popularity during the early 2000s, a period in which the band's mix of Exile on Main St. |
 | | Veruca Salt reshaped the jagged, abrasive punk-pop of the Pixies and Breeders into a more accessible, riff-driven power pop formula that also borrowed from pop/hard rockers like Cheap Trick. |
 | | A major player throughout the post-grunge boom of the late '90s, Lit featured the combined talents of frontman A. |
 | | With their clever, smug lyrics and cloying folk-tinged melodies, the Crash Test Dummies were a perfect rock band for affluent '90s college students and yuppies. |
 | | Nine Inch Nails were the most popular industrial group ever and were largely responsible for bringing the music to a mass audience. |
 | | The Presidents of the United States of America were one of the most unlikely success stories of the post-grunge alternative rock scene in Seattle. |