 | | Playing garage-flavored punk rock with a Southern accent, a messed-up and bluesy undertow, and the gleefully destructive impact of a 15-year-old with a bag of firecrackers, the Black Lips are an Atlanta-based combo who after their debut in 2000 soon developed a reputation as one of the Peach State's wildest bands. |
 | | The bluesy punk duo the Kills consist of vocalist/guitarist VV, aka Alison Mosshart, formerly of the Florida punk band Discount, and drummer/guitarist/vocalist Hotel, aka Jamie Hince. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Having seemingly been blessed with the Midas touch in terms of being at the center of mass music press hype, by the end of 2010 -- and before the age of 20 -- Daniel Blumberg (guitar/vocals) and Max Bloom (guitar/vocals) found themselves in their second project that had achieved just that. |
 | | San Francisco duo Girls make druggy, ethereal pop in the spirit of Spiritualized and Ariel Pink. Christopher Owens was born in Florida to a mother and father who were actively involved in the Children of God cult, and spent most of his childhood drifting. |
 | | The blurry electronic pop project of an initially anonymous composer from Brooklyn and video artist from Austin, Texas, Neon Indian was conceived as a multimedia experience combining their music and video into short films, teasers, and straight-up pop songs. |
 | | Infectious London-based indie rock outfit the Vaccines formed in the late 2000s around the talents of Justin Young (vocals, guitar), Árni Hjörvar (bass), Freddie Cowan (guitar), and Pete Robertson (drums). |
 | | London residents Robbie Furze and Milo Cordell formed the Big Pink in their home studio, where the two musicians began mixing the droning soundscapes of Spacemen 3 and My Bloody Valentine with the lush electronics of M83. |
 | | Wild Flag is the bicoastal project of Portland, OR indie rock luminaries Carrie Brownstein, Janet Weiss, and Rebecca Cole, and Washington, DC’s Mary Timony. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | New Jersey's hazy indie rockers Real Estate feature Titus Andronicus' Martin Courtney, Etienne Duguay (who also records as Predator Vision), Alex Bleeker, and Matthew Mondanile, also of Ducktails. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | St. Vincent became one of the unexpected success stories of indie rock with the release of her second album, Actor, in 2009; the literate, emotionally intricate songs and rich, beautifully crafted pop melodies made her an immediate hit with critics, but few expected her music to cross over to mainstream acceptance. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | Dan Bejar started Destroyer as a solo project in Vancouver in 1995. His first album, We'll Build Them a Golden Bridge, was an electric folk record, setting the stage for the early Bowie comparisons that were certain to follow his particular vocal style. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Drawing inspiration from shoegaze, classic indie rock, and atmospheric and dark sounds of all stripes, the Brooklyn-based A Place to Bury Strangers consist of Oliver Ackermann, Jay Space, and Jono Mofo. |
 | | The seed that became Black Rebel Motorcycle Club -- or BRMC for short -- was planted in 1995, when Robert Levon Been (aka Robert Turner) and Peter Hayes met while attending high school in San Francisco. |
 | | The sultry neo-psychedelic sound of the Black Angels came together in spring 2004. Hailing from Austin, TX, Stephanie Bailey (drums), Christian Bland (guitar), Alex Maas (vocals), Jennifer Raines (organ), and Nathan Ryan (bass) took their name from a Velvet Underground classic, "The Black Angel's Death Song. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Combining the noisy swells of the Jesus and Mary Chain with melodic elements of '50s rock & roll, the Raveonettes formed in Copenhagen during the early 2000s. |
 | | .45 Grave was a Los Angeles-based death-rock band whose macabre, morose and sometimes amusing music helped to get the goth-rock genre off to its shambling life. |
 | | Cults' twinkling experimental pop arrived in a shroud of mystery early in 2010, when the group posted three songs on their Bandcamp page. |
 | | A self-taught producer, London’s SBTRKT -- aka Aaron Jerome -- mixes elements of dubstep, 2-step, garage, house, soul, and techno into a bass-heavy blend of flowing melodies and intricate percussion. |
 | | Kasabian took the British press by storm in the early 2000s by mixing traces of the Stone Roses, Happy Mondays, and Primal Scream with Oasis-sized confidence and DJ Shadow-influenced electronics. |
 | | Hailing from Cedar Rapids, IA, this bass-less trio produces punked out garage rock drenched in reverb and distortion. |
 | | The Texas-based band Ghoultown combines punk rock, Western stylings, mariachi, and a dose of B-movie trappings that has earned them attention since their formation in 1999. |
 | | As a solo project with a revolving door of members, the heart and face of Santigold is vivacious frontwoman Santi White. |
 | | Formed in the wake of the punk explosion in England, Joy Division became the first band in the post-punk movement by later emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | Named after the musical term for the measurement of time by an instrument, Metronomy is the dance-meets-rock project of London-based multi-instrumentalist and producer Joseph Mount. |
 | | Ernest Greene had been involved in a number of musical endeavors by the time he started putting together a series of recordings as Washed Out. |
 | | The Libertines joined the pop fray of 2002, competing with the likes of the Strokes, Hives, Vines, and Doves with their debut single, "What a Waster. |
 | | TUnE-yArDs is the lo-fi experimental folk project of Merrill Garbus, also of the noisy indie pop band Sister Suvi. |
 | | Despite its summery name, Beach House creates music that is dark, dreamy, and alluringly hypnotic. Baltimore residents Alex Scally and Victoria Legrand (the niece of French composer Michel Legrand) formed the duo in 2005, with Legrand's hushed, Nico-like vocals and Scally's delicate instrumentation paving the way for their first batch of songs. |
 | | One of 2006's most unexpected indie success stories, Beirut combines a wide variety of styles, from pre-rock/pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of the Decemberists to the lo-fi, homemade psychedelic experimentation of Neutral Milk Hotel. |
 | | Le Butcherettes were founded in Mexico in 2008 by vocalist/guitarist Teri Gender Bender (Denver-born and Mexican-bred Teri Suarez) and former drummer Auryn Jolene. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | Combining kitchen-sink instrumentation with playful lyrics and sweet harmonies, Oberhofer offers eccentric, undeniably catchy indie pop. |
 | | Eight years into their career, the Hives rose from garage rock stalwarts to one of the trendiest bands of the early 2000s, along with the Strokes and the White Stripes. |
 | | Deerhunter are an experimental noise rock band from Atlanta, fronted by the compellingly odd singer Bradford Cox. |
 | | New York-based musicians Alex Naidus (bass), Kip Berman (guitar/vocals), Kurt Feldman (drums), and Peggy Wang-East (keyboards/vocals) came together to form the Pains of Being Pure at Heart in 2007. |
 | | |
 | | Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it’s little wonder that California’s Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. |
 | | Like the Velvet Underground, Sonic Youth, and the Jesus and Mary Chain before them, My Bloody Valentine redefined what noise meant within the context of pop songwriting. |
 | | |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | The Brooklyn-based group TV on the Radio mix post-punk, electronic, and other atmospheric elements in such a creative way that it only makes sense that their core duo, vocalist Tunde Adebimpe and multi-instrumentalist/producer David Andrew Sitek, are both visual artists as well as musicians. |