 | | Portland, Oregon-based singer/songwriter M. Ward (born Matthew Stephen Ward) grew up listening to gospel and country, two genres that figure prominently in his breezy, West Coast take on Americana. |
 | | First Aid Kit are a Swedish duo comprised of sisters Johanna and Klara Söderberg, whose vocal harmonies and woodsy, folk-influenced songwriting take influence from the likes of Fleet Foxes and Joanna Newsom. |
 | | Despite its summery name, Beach House creates music that is dark, dreamy, and alluringly hypnotic. Baltimore residents Alex Scally and Victoria Legrand (the niece of French composer Michel Legrand) formed the duo in 2005, with Legrand's hushed, Nico-like vocals and Scally's delicate instrumentation paving the way for their first batch of songs. |
 | | Montezumas frontman Kristian Matsson started recording a set of rustic, gravelly-voiced tunes, ones that nodded to fellow Swedes Homesick Hank and Thomas Denver Jonsson, under the nom de solo act the Tallest Man on Earth in the early 2000s. |
 | | She & Him feature the somewhat unlikely pairing of country-folk artist M. Ward and actress/singer/songwriter Zooey Deschanel. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | The Walkmen feature three members from Jonathan Fire*Eater and two from the Recoys. When Jonathan Fire*Eater disbanded in 1998, the group took the remainder of their Dreamworks funding and established an uptown rehearsal space in New York City that doubled as a 24-track recording studio where they use a wide variety of vintage equipment. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Montreal-based indie rock trio Plants and Animals formed in 2004 around the talents of Warren Spicer (guitar, vocals), Matthew Woodley (drums, percussion, vocals), and Nicolas Basque (guitar, bass, vocals). |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | The Philadelphia-based Dr. Dog are part of a long tradition of D.I.Y. pop oddballs who blend unapologetic '60s pop worship with lo-fi recording techniques and an apparent disregard for current trends. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it’s little wonder that California’s Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | Blitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. |
 | | Emerging from London, England in the mid- to late 2000s as an up-and-coming indie pop band, Fanfarlo got their name out with a series of singles, a strong Internet presence, and an engaging live show that took them as far as the South by Southwest festival in Austin, Texas. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | St. Vincent became one of the unexpected success stories of indie rock with the release of her second album, Actor, in 2009; the literate, emotionally intricate songs and rich, beautifully crafted pop melodies made her an immediate hit with critics, but few expected her music to cross over to mainstream acceptance. |
 | | Broken Social Scene materialized in 1999 when K.C. Accidental's Kevin Drew and Brendan Canning, formerly of By Divine Right, bonded their friendship into a band. |
 | | Hailing from Brooklyn, New York (by way of Boulder, Colorado, where they originally came together in 2006), the avant-pop outfit Chairlift formed for the unusual purpose of crafting music for haunted houses. |
 | | A.A. Bondy is actually the birth name (the initials stand for Augeste Arthur) of Scott Bondy, the former lead singer of Birmingham, Alabama's Southern grunge darlings Verbena, frequently compared to Nirvana because of their gritty, aggressive sound and Bondy's searing vocals. |
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 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | Chicago singer/songwriter/violinist Andrew Bird updates the traditions of small-group swing, German lieder, and New Orleans jazz, mixing Gypsy, folk, and rock elements into his distinctive style. |
 | | Songwriter/producer Derek Miller and vocalist Alexis Krauss comprise Sleigh Bells, an experimental pop duo that began earning its first fans after a breakout performance at the 2009 CMJ Festival. |
 | | After winning the nationwide 2010 battle-of-the-bands competition Musiktilraunir in their native Iceland, six-piece chamber pop group Of Monsters and Men were hailed as "the new Arcade Fire" in Rolling Stone magazine. |
 | | Sunny Los Angeles-based indie pop outfit Family of the Year formed in 2009 around the talents of Welsh brothers Joseph and Sebastian Keefe, Florida native James Buckey, and Orange County, California denizen Christina Schroeter. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | Born in Las Vegas in early 1977, singer/songwriter Jenny Lewis is one of indie rock's most popular ingénues, known for her work as the primary vocalist of Rilo Kiley as well as her solo albums, guest appearances, and duo with boyfriend Johnathan Rice. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. |
 | | A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. |
 | | Starting in the late ‘90s and throughout the 2000s and 2010s, My Morning Jacket expanded on their rock and country roots, embracing everything from neo-psychedelia to funk, prog, and reggae in their sonic experimentation. |
 | | With their combination of driving guitars, manic energy, and big singalong choruses, Sleeper Agent merge pop-punk's sugary effervescence with garage rock swagger. |
 | | Here We Go Magic's creative center, singer/songwriter Luke Temple, first made his name as a muralist, and the Brooklyn band's music fully fits that pedigree. |
 | | Previously known as the Concept Store and the Concept, Stockholm's Royal Concept features vocalist/guitarist David Larson, guitarist Filip Bekic, bassist Magnus Robert, and drummer Frans Povel. |
 | | The self-described "disco-rock trio" We Have Band offer up a mix of danceable pop and electro that, in the group's first year, had already been featured on several compilation albums and sampled by such prominent electronic acts as Friendly Fires. |
 | | The Avett Brothers' music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll -- which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. |
 | | Formed in 1998 in Austin, TX, Okkervil River find the middle ground between indie rock and folk-rock, placing slightly more emphasis on the former. |
 | | The music of Brooklyn's Yeasayer is an eclectic, genre-bending journey into pop, rock, Middle Eastern and African musics, folk, and dub. |
 | | Wye Oak, a Baltimore-based indie rock duo comprised of Jenn Wasner (guitar, vocals) and Andy Stack (drums, vocals), took their name from a symbolic 460-year-old tree in their home state of Maryland. |
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 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Although declared "one of the 25 best bands on MySpace" by Rolling Stone in late 2006, Miniature Tigers rose to wider attention with the release of their 2008 debut, Tell It to the Volcano. |