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Trey Anastasio

ON AIR
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Since co-founding the seminal improv rock outfit Phish in 1983, guitarist, composer, and songwriter Trey Anastasio has explored a wide variety of musical pathways ranging from atonal fugues and elaborate charts with Phish to adventurous free jazz on his first solo project, Surrender to the Air (1996), to collaborations with the likes of Tom Marshall, Les Claypool, Philip Glass, Stewart Copeland, and others. After Phish went on long-term hiatus in late 2000, Anastasio focused on a myriad of projects, including Oysterhead and his eight-piece solo band. Born Ernest Joseph Anastasio III in 1964, Anastasio attended Princeton Day School in Princeton, New Jersey, where he met future songwriting partner Tom Marshall. As a teenager, he helped his mother, Dina, write songs for children's records. At the University of Vermont, he teamed up with bassist Mike Gordon, drummer Jon Fishman, and guitarist Jeff Holdsworth to form Phish. After being suspended from the university for a semester for a prank gone awry, Anastasio transferred to the highly experimental Goddard College outside of Burlington, where he studied intensely with composer Ernie Stires while writing and rehearsing Phish's complicated early material. Soon after, Holdsworth was replaced by keyboardist Page McConnell. Phish remained Anastasio's primary musical outlet for the duration of the '80s and the '90s, as his original work progressed from lengthy prog-influenced compositions, such as "You Enjoy Myself" of the mid-'80s, to the more focused (though still complex) songs of Rift (1993). While Phish placed more and more emphasis on group improvisation, Anastasio's charts gradually fell by the wayside. In 1996, he organized and produced Surrender to the Air, a big-band free jazz excursion with Sun Ra saxman Marshall Allen, organist John Medeski, avant-garde guitarist Marc Ribot, experimental drummer Bob Gullotti, and many others. Though Anastasio was nominally the leader of the project, he played as an equal member of a large group of downtown heavyweights. The transformation of Anastasio's work from composition-based to improvisation-based was completed in 1997 and 1998 with The Story of the Ghost and The Siket Disc, two Phish releases chiseled out of hours of collective jamming overseen by producer John Siket. Anastasio's ongoing collaboration with Tom Marshall also resulted in a bevy of new material, far too much for Phish to assimilate into their already gigantic live repertoire. Though Anastasio brought some of the songs to his newly formed side trio, he still felt he was holding back. Phish performed at a massively successful New Year's celebration in Big Cypress, Florida, and in 2000 came the release of Farmhouse (entirely written and produced by Anastasio), but given the band's increasingly unfocused live performances, Phish decided to take a hiatus of an undetermined length beginning in October of that year. Anastasio went right to work, scoring an arrangement of the Phish song "Guyute" (one of his last multi-sectioned compositions) for the Vermont Youth Orchestra with mentor Ernie Stires. Following its performance, he hit the road with a horn-bolstered version of his side trio and almost a dozen new songs, many of which returned to the complicated work of years past. Soon after, he wrote and recorded an album with Oysterhead, a power trio including Anastasio, Primus bassist Les Claypool, and former Police drummer Stewart Copeland, beginning a new chapter in his musical history. His time spent with Oysterhead was experimental, but not permanent. By early 2002, Anastasio prepped for his proper solo release for Elektra. His groovy cool self-titled album was issued that April and Anastasio returned to the road for a string of U.S. tour dates. The live effort Plasma appeared in April 2003, showcasing more than two hours of performances from Anastasio's 2002 summer/fall trek of North America. Seven brand-new tracks and a few covers were sprinkled into the double-disc set as well. The all-instrumental Seis de Mayo was released in April 2004, followed by Shine in 2005 and Bar 17 in 2006. The stopgap but quite effective The Horseshoe Curve, comprised of various tracks recorded between 2004 and 2007, appeared in 2007 while Anastasio was doing time at a court-ordered drug rehab program. The unified Time Turns Elastic, which paired the guitarist with Don Hart, was released in 2009. TAB at the Tab, a live album with the traditional four-piece expanded to a septet to include additional horns, was recorded at Atlanta's famed Tabernacle Theater and released in 2010. After touring with Phish for almost two years, Anastasio returned to the studio and emerged with Traveler. Phish remained an active concern throughout the 2010s, touring regularly, issuing archival live albums and, in 2014, the brand-new studio collection Fuego. In 2015, the Grateful Dead tapped Anastasio as Jerry Garcia's substitute for their final concerts, dubbed Fare Thee Well; the farewell performances at Chicago's Soldier Field were released as a live album that November. That fall, Anastasio also released Paper Wheels, an album recorded with the Trey Anastasio Band that tapped into the spirit of mid-'70s Dead. ~ Jesse Jarnow & Steve Leggett
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Stations Featuring
Trey Anastasio

    Jam Bands

    Jam Bands
    23 songs

Albums by
Trey Anastasio

Top Songs by
Trey Anastasio

  1.   Song
    Popularity
  2.   Alive Again
  3.   Cayman Review
  4.   Night Speaks to a Woman
  5.   Drifting
  6.   Push on 'Til the Day
  7.   Last Tube
  8.   Money, Love and Change
  9.   Clint Eastwood
  10.   Greyhound Rising
  11.   Ether Sunday
  12.   Ray Dawn Balloon
  13.   Windora Bug
  14.   Sometime After Sunset
  15.   Show of Life
  16.   Flock of Words
  17.   Cartwheels
  18.   Sand
  19.   Valentine
  20.   Pigtail
  21.   At the Gazebo
  22.   Land of Nod
  23.   Architect
  24.   Traveler
  25.   Burlap Sack & Pumps
  26.   Simple Twist Up Dave
  27.   Noodle Rave
  28.   Spin
  29.   Mr. Completely
  30.   Air Said to Me
  31.   Every Story Ends in Stone
  32.   Love Is Freedom
  33.   Shine
  34.   Tuesday
  35.   Porters Pyramids
  36.   Love That Breaks All Lines
  37.   Magilla
  38.   Inner Tube
  39.   Small Axe
  40.   Tube Top Tony
  41.   The 5th Round
  42.   Never
  43.   The Song
  44.   Alaska
  45.   Landslide (Movement 2)
  46.   Mud City
  47.   Sweet Dreams Melinda
  48.   Plasma
  49.   Sleep Again
  50.   Olivia
  51.   Invisible Knife
  52.   Silver Sound Shower (Movement 3)
  53.   What's Done
  54.   Rays of Blue Light (Movement 2)
  55.   The Horseshoe Curve
  56.   Song at Dawn (Movement 1)
  57.   Host Across the Potomac
  58.   Flying Machines
  59.   Let Me Lie
  60.   Corona
  61.   Shadow
  62.   Paper Wheels
  63.   Liquid Time
  64.   In Rounds
  65.   Scabbard
  66.   Frost
  67.   Words to Wanda
  68.   Black Dog
  69.   Submarine (Movement 2)
  70.   Ruby Shaded Sea (Movement 1)
  71.   Hailstorm (Movement 3)
  72.   Funnels (Movement 3)
  73.   Carousel (Movement 3)
  74.   Sidewalks of San Francisco
  75.   Cincinnati
  76.   Gloomy Sky
  77.   Empty House
  78.   A Case of Ice and Snow
  79.   Goodbye Head
  80.   Bar 17
  81.   If You're Walking
  82.   Wherever You Find It
  83.   Come as Melody
  84.   Invisible
  85.   Guyute
  86.   Discern (Intro)
  87.   Coming To
  88.   All Things Reconsidered
  89.   The Inlaw Josie Wales
  90.   Prologue
  91.   First Tube
  92.   Curlew's Call
  93.   Andre the Giant
  94.   Lever Boy
  95.   Black
  96.   When
  97.   Speak to Me
  98.   Bounce
  99.   Mozambique
  100.   Dragonfly