 | | The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. |
 | | Indie rock trio Foster the People make atmospheric, psychedelic, and dance-oriented pop. Formed in Los Angeles in 2009, the band features keyboardist/guitarist/vocalist Mark Foster, bassist Cubbie Fink, and drummer Mark Pontius. |
 | | The French group Phoenix draw elements from their eclectic '80s upbringing to arrive at a satisfying blend of rock and synthesizers. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | New Zealand indie electronic ensemble the Naked and Famous make driving, melodic pop with an '80s post-punk influence. |
 | | Formerly known as the Jakes, Young the Giant began making eclectic indie rock in Irvine, CA, where bandmates Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drummer) all met each other during high school. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | Keyboardist Matt Johnson and drummer Kim Schifino create the giddy, punky pop music of Matt and Kim. |
 | | Standing firmly on the middle ground between the quirky, staccato attack of Modest Mouse and the spirited, arena-ready roar of Arcade Fire, Los Angeles-based indie rock outfit Grouplove came to fruition in the late 2000s around the talents of Hannah Hooper, Christian Zucconi, Sean Gadd, Ryan Rabin, and Andrew Wessen. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | A solo project of Aaron Bruno, AWOLNATION began as a creative outlet for the songwriter and multi-instrumentalist. |
 | | With their choir boy vocals and panoramic pop/rock sound, the Temper Trap began building an audience in Melbourne, Australia, where the band first rose to local acclaim after playing St. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | After winning the nationwide 2010 battle-of-the-bands competition Musiktilraunir in their native Iceland, six-piece chamber pop group Of Monsters and Men were hailed as "the new Arcade Fire" in Rolling Stone magazine. |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Formed by novelist Mikel Jollett during a tumultuous period in his life, the Airborne Toxic Event (named after a section in American author Don DeLillo's novel White Noise) combine literate indie rock with real literary cred. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Long Beach, California's Cold War Kids make music with roots that go deep and wide, embracing influences as diverse as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Gotye (pronounced "go-ti-yay" or "Gauthier") is the alias of Australian electronic pop trickster Wally de Backer. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |
 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | Las Vegas-based indie rockers Imagine Dragons formed in Provo, Utah in 2009. Like their desert-born stadium rock contemporaries the Killers, Imagine Dragons blend engaging, synth-based dance-pop with emotionally charged, Brit-pop-inspired alt-rock. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. |
 | | Provo, Utah's poppy dance-punk band Neon Trees features vocalist/keyboardist Tyler Glenn, guitarist Chris Allen, bassist Branden Campbell, and drummer/vocalist Elaine Bradley. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | Luke Pritchard (vocals/guitar), Hugh Harris (guitar), Max Rafferty (bass), and Paul Garred (drums) generate the rubbishy garage rock sounds of the Kooks. |
 | | The Lumineers, a folk-rock trio out of Denver, Colorado, deliver an acoustic-based Americana sound that touches a lot of stylistic bases, from folk to gospel to heartland rock and the narrative end of country, all with interesting rhythmic twists and turns. |
 | | Miike Snow is an indie electro-pop trio comprised of writer/producers Chris Karlsson, Pontus Winnberg, and Andrew Wyatt that debuted in 2009 on the label Downtown Records. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins’ singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. |
 | | As a solo project with a revolving door of members, the heart and face of Santigold is vivacious frontwoman Santi White. |
 | | Following the Format's breakup in 2008, frontman Nate Ruess took his songwriting skills to Steel Train's Jack Antonoff and Anathallo's Andrew Dost, both of whom shared a similar affinity for vintage pop music and quirky, melodic hooks. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
