 | | Bethany Cosentino was no stranger to the stage when she began working on recordings with bandmate Bobb Bruno under the name Best Coast in 2009. |
 | | Though South Florida doesn't have the tides to shoot the curl, West Palm Beach's Surfer Blood fuse sunny surf rock charm with indie rock cool. |
 | | Despite its summery name, Beach House creates music that is dark, dreamy, and alluringly hypnotic. Baltimore residents Alex Scally and Victoria Legrand (the niece of French composer Michel Legrand) formed the duo in 2005, with Legrand's hushed, Nico-like vocals and Scally's delicate instrumentation paving the way for their first batch of songs. |
 | | Songwriter/producer Derek Miller and vocalist Alexis Krauss comprise Sleigh Bells, an experimental pop duo that began earning its first fans after a breakout performance at the 2009 CMJ Festival. |
 | | Deerhunter are an experimental noise rock band from Atlanta, fronted by the compellingly odd singer Bradford Cox. |
 | | An unlikely but undeniably catchy mix of Factory Records-style indie and '50s-inspired melodies, the Drums have roots that can be traced to the childhood friendship of Jonathan Pierce and Jacob Graham. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | The blurry electronic pop project of an initially anonymous composer from Brooklyn and video artist from Austin, Texas, Neon Indian was conceived as a multimedia experience combining their music and video into short films, teasers, and straight-up pop songs. |
 | | The music of Brooklyn's Yeasayer is an eclectic, genre-bending journey into pop, rock, Middle Eastern and African musics, folk, and dub. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Formed in 2008, Local Natives craft their dramatic and eclectic brand of indie rock from their home base in Los Angeles, California. |
 | | Animal Collective were formed in Baltimore County, Maryland, by longtime friends and musical collaborators Avey Tare (David Portner), Panda Bear (Noah Lennox), Deakin (Josh Dibb), and Geologist (Brian Weitz). |
 | | New York-based musicians Alex Naidus (bass), Kip Berman (guitar/vocals), Kurt Feldman (drums), and Peggy Wang-East (keyboards/vocals) came together to form the Pains of Being Pure at Heart in 2007. |
 | | Los Angeles experimental lo-fi drum-and-guitar duo No Age are Dean Spunt and Randy Randall, ex-members of hardcore band Wives. |
 | | Keyboardist Matt Johnson and drummer Kim Schifino create the giddy, punky pop music of Matt and Kim. |
 | | Cults' twinkling experimental pop arrived in a shroud of mystery early in 2010, when the group posted three songs on their Bandcamp page. |
 | | Kevin Parker (vocals/guitar) and Dominic Simper (bass) formed Tame Impala as 13 year olds in Perth in 1999, sticking to bedroom recordings until 2007, when Jay Watson joined them on drums and backing vocals. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | One of 2006's most unexpected indie success stories, Beirut combines a wide variety of styles, from pre-rock/pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of the Decemberists to the lo-fi, homemade psychedelic experimentation of Neutral Milk Hotel. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Chicago's the Smith Westerns are a band looking for some teenage kicks with their home-brewed mixture of garage, glam, and punk, and they come by their youthful energy honestly -- none of the group members were old enough to buy a beer when they released their first album. |
 | | Australian indie electronic group Cut Copy take many of their cues from contemporaries like Air, Daft Punk, and LCD Soundsystem, but with a distinctly pop sensibility that draws on classic AM radio pop singles from the 1970s and '80s, with elements of vintage disco and synth pop that appeal to song-based listeners as well as the club kidz. |
 | | Playing garage-flavored punk rock with a Southern accent, a messed-up and bluesy undertow, and the gleefully destructive impact of a 15-year-old with a bag of firecrackers, the Black Lips are an Atlanta-based combo who after their debut in 2000 soon developed a reputation as one of the Peach State's wildest bands. |
 | | Deriving their name from the ill-fated characters featured in the work of writer/illustrator Henry Darger, the Vivian Girls (not to be confused with the "craft pop" duo of the same name) are a Brooklyn-based trio whose gritty, lo-fi tunes nod to seminal indie pop acts like Black Tambourine, Talulah Gosh, and Tiger Trap. |
 | | Ernest Greene had been involved in a number of musical endeavors by the time he started putting together a series of recordings as Washed Out. |
 | | The Walkmen feature three members from Jonathan Fire*Eater and two from the Recoys. When Jonathan Fire*Eater disbanded in 1998, the group took the remainder of their Dreamworks funding and established an uptown rehearsal space in New York City that doubled as a 24-track recording studio where they use a wide variety of vintage equipment. |
 | | The Brooklyn-based group TV on the Radio mix post-punk, electronic, and other atmospheric elements in such a creative way that it only makes sense that their core duo, vocalist Tunde Adebimpe and multi-instrumentalist/producer David Andrew Sitek, are both visual artists as well as musicians. |
 | | Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it’s little wonder that California’s Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. |
 | | The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | Memphis-based punk rock juggernaut Jay Reatard adopted a fistful of musical approaches, beginning in the late '90s in his bedroom, where he recorded punk, synth punk, power pop and straightforward rock & roll tunes at a frantic pace. |
 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | The Swedish indie pop artist Lykke Li Zachrisson (better known as Lykke Li) grabbed the attention of international bloggers in the early 2000s with a handful of catchy, retro-chic singles made available on her MySpace profile. |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | LCD Soundsystem debuted with "Losing My Edge," a single that became one of the most talked-about indie releases of 2002. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | The French group Phoenix draw elements from their eclectic '80s upbringing to arrive at a satisfying blend of rock and synthesizers. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | New Jersey's hazy indie rockers Real Estate feature Titus Andronicus' Martin Courtney, Etienne Duguay (who also records as Predator Vision), Alex Bleeker, and Matthew Mondanile, also of Ducktails. |
 | | Born in the Dominican Republic, raised in Florida, and boasting an expansive musical background that includes composing for a touring dance company and fronting a Boston punk group, George Lewis, Jr. |
 | | Equally indebted to the Shins and Brian Wilson, the Morning Benders mix sunny pop songcraft with jangling guitars, collegiate wit, and a contemporary indie ethic. |
 | | YACHT is one of the many creative alter egos of Jona Bechtolt, a musician and multimedia artist who embraces an eclectic but playful blend of electronics, acoustic percussion, and noises of all sorts. |
 | | Rogue Wave formed in 2002 when a newly unemployed Zach Rogue left his San Francisco home, visited friends in New York City, and returned to California with nearly a full album's worth of textured, cerebral indie pop. |
 | | A Los Angeles quartet dealing in sparse, atmospheric art rock, Warpaint originally consisted of sisters Jenny Lee Lindberg and Shannyn Sossamon (on bass and drums, respectively), as well as Emily Kokal and Theresa Wayman on vocal and guitar. |
![Wavvves [Unreleased Promo/Advance] Album Cover](http://images.slacker.com/isv1/album/v1/1454256/aol/1/center/5,0/70.jpg "Wavvves [Unreleased Promo/Advance] Album Cover")
