 | | Fusing the topical satire of David Frost with the surreal outlandishness of The Goon Show, the Monty Python's Flying Circus troupe formed in England in 1969. |
 | | The foremost song parodist of the MTV era, "Weird Al" Yankovic carried the torch of musical humor more proudly and more successfully than any performer since Allan Sherman. |
 | | The most successful animated family in television history, the Simpsons were the brainchild of cartoonist Matt Groening, previously best known for his work on the weekly comic strip Life Is Hell. |
 | | On the surface, it seems Leonard Nimoy succeeds at whatever task he tackles. He has acted in films, television, and theater, and most likely will be linked forever to his memorable portrayal of Star Trek's Mr. |
 | | During the 1970s, Steve Martin was the most successful standup comedian in America, earning the level of commercial success -- sold-out arena performances, platinum records, hit singles, and delirious fan adulation -- usually reserved for rock stars. |
 | | Born September 9, 1966, in Brooklyn, Adam Sandler was raised in Manchester, New Hampshire. At the age of 17, his brother dared him to take the stage at a Boston comedy club's amateur night and was surprised at how well Adam performed. |
 | | The multipurpose standup comic/actor first rose to fame as the delightful Mork from Ork on the TV show Mork and Mindy, and he rode that show to fame on cable TV specials and several films, including The World According to Garp, Good Morning, Vietnam, Hook, and Mrs. |
 | | He was born Barret Hansen, being the proud owner of a master's degree in music from UCLA under that moniker, but he's far better known to millions of radio listeners as "Doctor Demento. |
 | | Although African-American comedians had long been a staple of the standup circuit prior to the emergence of Bill Cosby, none had come even remotely close to reaching the same heights of commercial success or universal acceptance. |
 | | Famed for his landmark "Seven Words You Can Never Say on Television" routine, George Carlin filled the void created by the death of Lenny Bruce, honing a provocative, scathing comic style that bravely explored the limits of free speech and good taste. |
 | | Brooks started as a comedy writer on Sid Caesar's Your Shows of Shows back in television's infancy. What started as a running gag between himself and co-writer/performer Carl Reiner became the basis for the highly successful 2000-Year-Old Man collection of albums. |
 | | Lindley Armstrong Jones was a musical genius. In the wild and woolly days before multi-track recording, MTV, and certainly digital entertainment content, Spike Jones put together a top-flight musical organization that the world has not seen the likes of since. |
 | | Comedian Jimmy Fallon is known for stints on NBC's Saturday Night Live and as the host of Late Night with Jimmy Fallon. |
 | | At their peak in the 1970s, Cheech & Chong represented the mainstream embodiment of the attitudes and lifestyles of the underground drug culture. |
 | | It's unfortunate that the cultural value of Limp Bizkit's "Nookie," 2 Live Crew's "Me So Horny," and Beyoncé's "Naughty Girl" seems lost to the generation graced with such rich music, but if there's one man who can point out the timelessness of these tunes it's Richard Cheese. |
 | | Along with being a veteran actor and comedian, Billy Crystal is most known for his affable hosting abilities, a groundbreaking role on television, and his impressions. |
 | | Jeff Foxworthy's wry Southern humor made him one of the most popular standup comedians of the '90s. Foxworthy grew up in Atlanta and was working for IBM when he tried standup on a dare. |
 | | For someone who claims that he doesn't get any respect, Rodney Dangerfield (born: Jacob Cohen) is one of the most respected entertainers. |
 | | Jerry Seinfeld is the most successful and influential comedian of his generation. His brilliant observational riffs on the minutiae of everyday life formed the basis of the television classic Seinfeld, the quintessential sitcom of the 1990s and one of the most beloved series in the history of the medium. |
 | | The man who added the catch phrases "Git-R-Done" and "Lord, I Apologize" to the American lexicon and drew fans by the pickup truckload to his shows proved to be one of the most successful comics of the early 2000s. |
 | | Arguably the most successful musical humorist in pop history, song parodist Allan Sherman was born Allan Copelon in Chicago on November 30, 1924. |
 | | Ray Romano grew up in the Forest Hills section of the borough of Queens in New York City and turned to comedy in his mid-twenties after appearing at an open-mic night in a New York comedy club in 1984. |
 | | Rightfully hailed as "the greatest band on Earth," the super-sized acoustic metal/comedy duo Tenacious D was an unlikely success story. |
 | | Hip and irreverent, Stan Freberg was the last network radio comic, a trailblazing satirist whose work greatly expanded the vocabulary of the comedy form. |
 | | Even though he was invited to sit on Johnny Carson's couch way back in 1990, ventriloquist and standup comedian Jeff Dunham didn't truly break through until 2006 when his first special aired on the Comedy Central network. |
 | | Born in Galveston, TX, Bill Engvall was a nightclub DJ in Dallas until the call to comedy became too strong to deny. |
 | | A knack for firing off cutting-edge, observational humor at a hyper pace took Dane Cook from small comedy clubs to the forefront of modern-day standup comedy in the 2000s. |
 | | The launching pad for comedians from John Belushi and Chevy Chase to Bill Murray and Richard Belzer, the National Lampoon performing troupe emerged from the pages of the National Lampoon magazine in 1972. |
 | | Satirist and standup comic Lewis Black rose to prominence in the late '90s with regular appearances as a commentator on the Comedy Central cable network's The Daily Show. |
 | | On an international level, Peter Sellers is most famous as a screen comedian, starring in Dr. Strangelove, The Pink Panther, Being There, and other films. |
 | | A bone-dry observer of everyday absurdities, laidback comic Steven Wright might be the '90s heir apparent to Bob Newhart. |
 | | A dry and clever standup comedian who's hateful toward Hot Pockets and proud to be pale, Jim Gaffigan is a regular on the late-night talk show circuit and an in-demand actor as well. |
 | | One of the most popular novelty artists of all time, Ray Stevens enjoyed a remarkably long career, with a stretch of charting singles -- some of them major hits -- that spanned four decades. |
 | | Chris Rock is a standup comedian who first rose to national stardom when he appeared on Saturday Night Live in the late '80s and early '90s. |
 | | Bob Newhart was one of the most successful and beloved comedians of his era, famed for his remarkable deadpan delivery. |
 | | Actress-comedienne Ellen DeGeneres broke new ground for women in the world of comedy: one of the most successful female standups of her generation, she parlayed her club success into television, movies, records, books, and a talk show, later making history for her portrayal of TV's first openly gay lead character. |
 | | After 60-plus years of being an American comedy institution, the history of the Stooges is well documented elsewhere. |
 | | Flight of the Conchords, New Zealand's self-proclaimed "fourth most popular guitar-based digi-bongo a cappella-rap-funk-comedy folk duo," first took shape in Wellington. |
 | | Mandel initially burst out of the comedy-club circuit with an act that had him imitating children one second and castigating the audience the next. |
 | | The in-your-face comedian Denis Leary was born in Worcester, MA in 1957. While attending Boston's Emerson College, he became a charter member of the school's Comedy Workshop, and spent five years teaching at the institution following graduation. |
 | | Singer/songwriter and comedian Stephen Lynch has an uncanny wit and a mysterious comical side to him, and his performance resumé includes shared gigs with Jeff Foxworthy, Bobcat Goldthwait, Anthony Clark, and Big Bad Voodoo Daddy. |
 | | The weirdest novelty record to hit the Top 40 -- indeed, a strong candidate for the weirdest hit record of any kind, period -- was Napoleon XIV's "They're Coming to Take Me Away, Ha-Haaa!" Against a clomp-clomp tambourine beat, Napoleon spoke-chanted his manic-depressive tale of failed romance, the vocals suddenly speeding up into an unsettlingly cheerful giddiness as sirens revved up in the background. |
 | | The morning-show DJ for Seattle's KISW, Bob Rivers began recording Weird Al-type song parodies in 1984 with the American Comedy Network's "Breaking Up Is Hard on You (Don't Take Ma Bell Away from Me). |
 | | Like Bill Cosby and Richard Pryor before him, Eddie Murphy was the preeminent African-American comic of his era; in fact, Murphy was arguably the preeminent comic of the 1980s, period -- at his peak, no other performer, regardless of race, was a bigger star or a more audacious talent. |
 | | Frank Caliendo is an impressionist loved by David Letterman, Bob & Tom, and many other television hosts, although John Madden is definitely not on the list. |
 | | Combining a knack for infectious melodies with a quirky, bizarre sense of humor and a vaguely avant-garde aesthetic borrowed from the New York post-punk underground, They Might Be Giants became one of the most unlikely alternative success stories of the late '80s and early '90s. |
 | | The London Sunday Times has called him "the greatest British standup comedian of his generation", and the entity of Eddie Izzard is worthy of such praise. |
 | | South Park exploded into the national consciousness in 1997, becoming the most popular, outrageous, and controversial animated series to hit airwaves since Beavis and Butt-Head. |
 | | Bob and Doug McKenzie were the comic creations of Rick Moranis and Dave Thomas, a pair of Canadian performers who first rose to fame as members of the SCTV troupe. |
 | | Ironically enough for an act built around the tensions of sibling rivalry, the Smothers Brothers were the longest-lived comedy team in history; originally a folk duo, the brothers tempered their childlike, irreverent musical humor with enough sly satire and subtle political commentary to earn both an ardent following from the counterculture and considerable backlash from more conservative quarters. |