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The Renaissance Period, of course, was a vital period of extraordinary change. The very name "Renaissance" means "rebirth," and this station is built on the evocative sounds of the Renaissance period with a definitive medieval touch.

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  1.   Song
  2.   The Fitzwilliam Suite, for brass quintet (after William Byrd)~The Woods So Wilde Canadian Brass
  3.   Heigh-Ho Holiday Boston Camerata
  4.   Shawm - 2 Courantes from Newe teutsche weltliche Gesänglein, 1613 Early Music Consort of London
  5.   Grimstock Musicians of Swanne Alley
  6.   Instrumentalstück (Instrumental Piece) Sequentia
  7.   Messe de Nostre Dame, mass for 4 voices~Kyrie 2 The Kronos Quartet
  8.   Nunca fue pena mayor, for 3 voices Waverly Consort
  9.   Vale diva, vale in pace Toronto Consort
  10.   Courant, of hart diefje waerom zoo stil Toronto Consort
  11.   Entrance of Players Jaye Consort of Viols
  12.   L'Orfeo~(Excerpt) Concentus Musicus Wien
  13.   Branle de l'officiel (Ding dong! merrily on high) Andrew Parrott/Taverner Choir/Taverner Consort/Taverner Players
  14.   Marche des rois Andrew Parrott
  15.   Seven Joys of Mary Taverner Choir
  16.   Fantasia Baltimore Consort
  17.   Canzona prima a 12 Early Music Consort of London
  18.   Es ist ein Ros entsprungen Boston Camerata
  19.   Luz y norte musical, for guitar or harp~Galeria de Amor & Buelta Harp Consort
  20.   Joseph Is Well Married: Joseph, Lieber Joseph Mein Boston Camerata
  21.   Fontis in Rivulum (Las Huelgas Codex) Ensemble Alcatraz
  22.   Guttur tuum Ensemble William Byrd
  23.   The Angel Cried Out Chanticleer
  24.   1. Unquiet thoughts Consort of Musicke
  25.   Two variants on the tenor 'Roussignoulet du bois' Early Music Consort of London
  26.   Ein Kind geborn zu Bethlehem Toronto Consort
  27.   L' Humore Musicale~L'humor universale Anthony Rooley
  28.   The Old Year now away is fled Taverner Consort
  29.   Alleluya: A nywe werk is come on honde Nicolas Robertson
  30.   Nova! nova! Simon Grant
  31.   Sing We the Virgin Mary Taverner Consort
  32.   Bon jour et puis quelles nouvelles, chanson for 5 voices, B. xi/60 (S. xvi/53) King's Singers
  33.   Orfeo, Atto Primo: 'Ecco Orfeo cui pur dianzi' Emmanuelle Haïm
  34.   Anonymous: Riu, riu, chiu Chanticleer
  35.   What if I never speed?, for 4 voices & lute (Third Book of Songs) Christopher Parkening
  36.   Natus est rex Sequentia
  37.   Awake and join the cheerful choir (English) Anonymous 4
  38.   Adoro Te Devote Dominican Sisters of Mary, Mother of the Eucharist
  39.   Alma Redemptoris Mater Ruth Cunningham
  40.   Audivi vocem de caelo Taverner Consort
  41.   Exultation Waverly Consort
  42.   Swete was the song the Virgine soong Taverner Choir, Consort & Players
  43.   Stabat Mater for 6 voices The Tallis Scholars
  44.   Orfeo, Atto Primo: 'Rosa del ciel, vita del mondo' Orfeo Ian Bostridge
  45.   Stabat mater a 8 Taverner Consort
  46.   Domine ne despicias Carlo Gesualdo
  47.   A voi, mentre il mio core
  48.   T'amo mia vita, la mia cara vita
  49.   Stanze sopra La Vergine Il Primo Libro de Madrigali A Cinque Voci: 1581): VIII. Vergine quante lagrim'ho gia sparte Beethovenhalle Orchestra, Bonn
  50.   Ave Maria Choir of Clare College, Cambridge/Timothy Brown
  51.   Jean-Baptiste Lully: Regina Caeli - Petit Motet Les Petits Chanteurs de Saint-François de Versailles

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