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Leaning Into the Night

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Ottmar Liebert 8/26/1997

Review

Liebert's music bridges the gaps between flamenco, jazz, and world music. On this effort, he takes on classical forms as well, merging his styles with a symphony orchestra. The music includes pieces by Ravel, Satie, Puccini and Villa-Lobos, even if the recording may not be wholly classical in nature -- for example, he does not play classical guitar. Liebert is an emotional player, but for most of this recording, he tones down his fiery flamenco style for more restrained yet enticingly emotive playing. The resulting synthesis may not be exactly classical, but it's engaging and engrossing.
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  1. # Track Artist Length
  2. 1 Impressions íntimes, for piano~Secreto Ottmar Liebert 4:40
  3. 2 Bulería de las golondrinas Ottmar Liebert 4:7
  4. 3 Prelúdios (5), for guitar, A. 419~Prelude No.3 for guitar Ottmar Liebert 5:39
  5. 4 Yasmeen Ottmar Liebert 5:11
  6. 5 Piano Concerto in G major~Adagio assai Ottmar Liebert 4:10
  7. 6 Winding Road. . . la Primavera Ottmar Liebert 4:11
  8. 7 The Call Ottmar Liebert 4:44
  9. 8 Gymnopedie for piano No. 1 Ottmar Liebert 3:24
  10. 9 Morning Arrival in Goa Ottmar Liebert 6:19
  11. 10 Pavane pour une infante défunte, for piano (or orchestra) Ottmar Liebert 5:33
  12. 11 Bombay Ottmar Liebert 5:9
  13. 12 Gianni Schicchi, opera~O mio babbino caro Ottmar Liebert 3:15

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